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Radio Opera
Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. Radio operas were generally shorter than staged operas and some occupied less than fifteen minutes. Plots were usually more straightforward than those of stage operas.Lionel Salter: ''Radio'' in Sadie, vol. 3, pp. 1212-1214. The earliest radio operas were broadcast in the 1920s and followed earlier broadcasts of plays with incidental music. The first radio opera seems to have been '' The Red Pen'', composed by Geoffrey Toye to a libretto by A. P. Herbert. It was originally aired by the British Broadcasting Corporation on March 24, 1925."Broadcasting", ''The Times'', 20 March 1925, p. 6 Germany followed with Gustav Kneip's Christmas opera for children, ''Christkinds Erdenreise'' (The Christ-child's journey on Earth), 24 December 1929, ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Bernd Alois Zimmermann
Bernd Alois Zimmermann (20 March 1918 – 10 August 1970) was a German composer. He is perhaps best known for his opera ''Die Soldaten'', which is regarded as one of the most important German operas of the 20th century, after those of Berg. As a result of his individual style, it is hard to label his music as avant-garde, serial or postmodern. His music employs a wide range of methods including the twelve-tone row and musical quotation. Life Zimmermann was born in Bliesheim (now part of Erftstadt) near Cologne. He grew up in a rural Catholic community in western Germany. His father worked for the German Reichsbahn (Imperial Railway) and was also a farmer. In 1929, Zimmermann began attending a private Catholic school, where he had his first real encounter with music. After the National Socialists (or Nazis) closed all private schools, he switched to a public Catholic school in Cologne where, in 1937, he received his Abitur, the German equivalent of a high school diploma. In the ...
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Opera Terminology
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ...
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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List Of Television Operas
This is a list of operas specifically written for television performance. See also * List of radio operas * Radio opera References Further reading * * * * * "Television's audience for opera", ''The Guardian'', 8 December 1966, p. 8. {{Portal bar, Opera, Television Television Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertisin ...
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List Of Radio Operas
This is a list of operas specifically written for radio performance. See also *Radio opera * List of television operas References Notes Sources *{{cite book , editor-last = Sadie, editor-first = Stanley, editor-link =Stanley Sadie , year = 1992, title = The New Grove Dictionary of Opera, publisher = Oxford University Press, location = Oxford, isbn = 978-0-19-522186-2, title-link = The New Grove Dictionary of Opera, ref=none Radio Operas Operas Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretti ...
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Robert Saxton
Robert Saxton (born 8 October 1953 in London) is a British composer. Biography Robert Saxton was born in London and started composing at the age of six. He was educated at Bryanston School. Guidance in early years from Benjamin Britten and Elisabeth Lutyens was followed by periods of study at Cambridge and Oxford Universities with Robin Holloway and Robert Sherlaw Johnson respectively, and also with Luciano Berio. Saxton won the Gaudeamus International Composers Award in the Netherlands at age 21. In 1986, he was awarded the Fulbright Arts Fellowship to the USA, where he was in residence at Princeton and an assistant to Oliver Knussen at Tanglewood. In 1995 he co-directed the composers' course on Hoy, with Sir Peter Maxwell Davies. He has directed the composers' course at Dartington International Summer School on several occasions and was artistic director of Opera Lab. He has also been a regular member of the BBC TV 4 (digital) Proms broadcasting commentary team and was a memb ...
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Amy Kohn
Amy Kohn (born June 5, 1972) is an American composer, lyricist, singer, pianist and accordionist. Life and career Born in Chicago, she studied at Oberlin College and Conservatory of Music in Ohio and New York University Graduate Musical Theater Writing Program. The final thesis for her master's degree was her chamber-opera ''1 Plum Sq'', which was later produced and broadcast in 2005 on WNYC as part of their American Music Festival. In New York City Amy Kohn met the legendary producer Arif Mardin who dubbed her a ''"Musical Devil in a Red Dress"'' and chose Amy as a featured singer and accordionist on his last effort: an album of songs written by Mardin himself and produced in the last year of his life. Also featured on this album are artists such as Norah Jones, Phil Collins, Raul Midón and Dianne Reeves. She co-produced her album ''I’m in Crinoline'' (2006) with Arif's son Joe Mardin of NuNoise Records. She lives in New York where she is the leader of her 7-piece band (th ...
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Jüri Reinvere
Jüri Reinvere (born December 2, 1971 in Tallinn) is an Estonian composer, poet and essayist who has been living in Germany since 2005. His compositions often consist of original poetry set to music and are based on cosmopolitan life experience. His art combines diversity of style with psychological observation. Life Jüri Reinvere grew up in Tallinn. He attended the Tallinn Music High School from 1979 to 1990. His first composition teacher was Lepo Sumera. The pianistic training he received in Tallinn took him as far as the concert exam, which enabled him to subsequently work as a pianist and organist. Life in Soviet Estonia at this time was characterized by strong pressure towards Russification. Reinvere’s open interest in Russian culture, however, familiar to him from an early age, remained unaffected. From 1990 to 1992 Reinvere studied composition at the Fryderyk-Chopin-Music-Academy in Warsaw. From 1992 to 2005 he lived in Finland. From 1994 onwards, he studied composi ...
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Estonia
Estonia, formally the Republic of Estonia, is a country by the Baltic Sea in Northern Europe. It is bordered to the north by the Gulf of Finland across from Finland, to the west by the sea across from Sweden, to the south by Latvia, and to the east by Lake Peipus and Russia. The territory of Estonia consists of the mainland, the larger islands of Saaremaa and Hiiumaa, and over 2,200 other islands and islets on the eastern coast of the Baltic Sea, covering a total area of . The capital city Tallinn and Tartu are the two largest urban areas of the country. The Estonian language is the autochthonous and the official language of Estonia; it is the first language of the majority of its population, as well as the world's second most spoken Finnic language. The land of what is now modern Estonia has been inhabited by '' Homo sapiens'' since at least 9,000 BC. The medieval indigenous population of Estonia was one of the last " pagan" civilisations in Europe to adopt Ch ...
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Karl Aage Rasmussen
Karl Aage Rasmussen (born 13 December 1947 in Kolding, Denmark) is a Danish composer and writer. Composition Quotation and particularly collage played an important role in his music from the early 1970s, but increasingly he used pre-existing musical material in new connections and for new purposes, most often in a densely woven montage of small idioms which in themselves were too tiny to work as quotes, but were put together so closely as to create entirely new patterns. He continued to use montage technique, but the non-directional expression was gradually replaced by developmental forms. This is apparent in music for the stage and was later continued in works such as ''A Symphony in Time'' and the string quartets ''Solos and Shadows'' and ''Surrounded by Scales''. The chamber symphony ''Movements on a Moving Line'' marks the beginning of a long period dominated by an interest in time and tempo, here as a kind of time-travel where the same music seems to appear and disappear in ...
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