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Rackabones
''Rackabones'' is the sixth studio album by the free improvisation ensemble Biota, released in 1985 by Dys Records. The album marked the official beginning of Biota as an ensemble separate from the Mnemonists name. (The name Mnemonists has continued to be retained for the group's visual output.) Track listing Personnel Adapted from the ''Rackabones'' liner notes. ;Biota * Carol Heineman – instruments, production * Tom Katsimpalis – instruments, production, illustrations * Mark Piersel – instruments, production, mixing * Steve Scholbe – instruments, production, mixing * William Sharp – instruments, production, mixing * Randy Yeates – instruments, production ;Production and additional personnel * George Harms – photography * Carol Heineman – design * Tom Katsimpalis – illustrations * Bruce Leek – engineering Release history References External links ''Rackabones''at Discogs Disc ...
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Biota (band)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. '' Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical grou ...
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Carol Heineman
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Tom Katsimpalis
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. '' Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical grou ...
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Mark Piersel
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Steve Scholbe
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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William Sharp (musician)
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Randy Yeates
Biota is an American experimental electronic music ensemble. Musical career Amid a fertile creative environment in Fort Collins, Colorado, in the late 1970s, Biota's first recording projects were produced under the name Mnemonist Orchestra (shortened soon after to Mnemonists). Founded by fellow scientists and community radio engineers Mark Derbyshire and William Sharp, the Mnemonists ensemble of artists, musicians, and college-town bohemians released five self-styled albums between 1980 and 1984 on the group's Dys label. ''Horde'' (1981, Dys), a seminal album of electronically processed music, garnered critical attention — including from the Recommended Records/RēR label, who rereleased the LP in 1984 — for its groundbreaking use of unconventional sound manipulation and musique concrète techniques. After the release of '' Gyromancy'' in 1984, the group split into two collaborative factions: a visual-arts collective, which retained the name Mnemonists, and the musical group ...
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Gyromancy (album)
''Gyromancy'' is the fifth studio album by the free improvisation ensemble Mnemonist Orchestra, released in 1984 by Dys Records. Track listing Personnel Adapted from the ''Horde'' liner notes. ;Mnemonists * Amy Derbyshire – instruments * Mark Derbyshire – instruments, engineering * Karen Nakai – instruments * Mark Piersel – instruments * Steve Scholbe – instruments * William Sharp – instruments ;Production and additional personnel * Thomas Beckwith – photography Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed ... * Richard Donaldson – mastering Release history References External links * {{DEFAULTSORT:Gyromancy 1984 albums Biota (band) albums Recommended Records albums ...
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Bellowing Room
''Bellowing Room'' is the seventh studio album by experimental electronic music ensemble Biota, released in 1987 by Recommended Records. Track listing Personnel Adapted from the ''Bellowing Room'' liner notes. ;Biota * Tom Katsimpalis – instruments, illustrations, production, mixing * Mark Piersel – instruments, production, engineering, mixing * Steve Scholbe – instruments, production, mixing * William Sharp – instruments, production, engineering, mixing * Gordon H. Whitlow – instruments, production, mixing * Larry Wilson – instruments, production, mixing ;Production and additional personnel * Ti Birchrose – illustrations * Heidi Eversley – illustrations * Jean Michel Papillon – illustrations * Dana Sharp – illustrations * Mareye Yeates – illustrations Release history References External links ''Bellowing Room''at Discogs Discogs (short for discographies) is a database of inf ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ...
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