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Rachel Verinder
Rachel Verinder is a character in Wilkie Collins' 1868 novel ''The Moonstone''. Despite being the heroine, the story is never related from her viewpoint, as it is in turn from the other main protagonists, leaving her character always seen from the outside. Character A somewhat spoilt and self-reliant girl, Rachel is in love with her cousin Frankin Blake. P. D. James saw her as one of the examples of Collins' rare (Victorian) ability to depict women capable of real desire: With her temper, insistence on making her own decisions, and readiness to grapple with the social implications of her passion for a man she thinks of as a thief, Rachel has been seen as a prototype of the New Woman, as anticipated in the sensation novel. Media treatments ''The Moonstone'' has often been portrayed in film. In the 1934 adaptation, Phyllis Barry appears as Rachel (or Ann Verinder, as she was therein called). See also * Paula Powers *Protofeminism Protofeminism is a concept that anticipates mod ...
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Wilkie Collins
William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known especially for ''The Woman in White (novel), The Woman in White'' (1859), a mystery novel and early "sensation novel", and for ''The Moonstone'' (1868), which has been proposed as the first modern English detective novel. Born to the London painter William Collins (painter), William Collins and his wife, Harriet Geddes, he moved with them to Italy when he was twelve, living there and in France for two years, learning both Italian language, Italian and French language, French. He worked initially as a tea merchant. After ''Antonina'', his first novel, appeared in 1850, Collins met Charles Dickens, who became a friend and mentor. Some of his work appeared in Dickens's journals ''Household Words'' and ''All the Year Round''. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but became addicted to the op ...
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Miss Clack
Miss Drusilla Clack is a character, and part-narrator, in Wilkie Collins' 1868 novel ''The Moonstone''. A poor relation of the Verinder family, Miss Clack is an ardent Evangelical, and has a habit of handing out improving tracts to strangers and family alike. Social and Historical Context P. D. James suggests that, as "an evangelical busybody...Miss Clack occasionally gets close to being a caricature". A quasi-editorial footnote alerts us to the way her narrative is intended to have "unquestionable value as an instrument for the exhibition of Miss Clack's character"; and when she describes her eavesdropping as "A martyrdom was before me", or exclaims "Sorrow and sympathy! Oh, what Pagan emotions to expect from a Christian Englishwoman", her role as comic self-betrayer becomes very apparent. However, there was another side to her presentation: Collins – like Dickens, aware of the power behind Victorian evangelicanism, and of how spite and aggression could be concealed under a p ...
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Godfrey Ablewhite
Godfrey Ablewhite is a character in Wilkie Collins' 1868 novel ''The Moonstone''. A vocal philanthropist, he is one of the rival suitors of Rachel Verinder, to whom he is briefly engaged before his mercenary motives are revealed. Religiosity challenged? Godfrey is explicitly and repeatedly linked to Exeter Hall, site of the most theatrical elements in evangelical preaching: "Exeter Hall again....the performance with the tongue". His unmasking as the villain of the piece has therefore been taken by some as a literal demonstration on the author's part of the hypocrisy inherent in sermonising - the gap between words preached and actual actions. Others, however, point out that Collins has softened his attack on Victorian morality Victorian morality is a distillation of the moral views of the middle class in 19th-century Britain, the Victorian era. Victorian values emerged in all classes and reached all facets of Victorian living. The values of the period—which can be ... in at ...
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The Moonstone
''The Moonstone'' (1868) by Wilkie Collins is a 19th-century British epistolary novel. It is an early example of the modern detective novel, and established many of the ground rules of the modern genre. The story was serialised in Charles Dickens’s magazine '' All the Year Round.'' Collins adapted ''The Moonstone'' for the stage in 1877. Etymology The Moonstone of the title is a diamond (not to be confused with the semi-precious moonstone gem). It has gained its name from its association with the Hindu god of the Moon, Chandra. It is protected by three hereditary guardians on the orders of Vishnu, and waxes and wanes in brilliance along with the light of the Moon. Plot outline Rachel Verinder, a young English woman, inherits a large Indian diamond on her eighteenth birthday. It is a legacy from her uncle, a corrupt British army officer who served in India. The diamond is of great religious significance and extremely valuable, and three Hindu priests have dedicated their ...
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New Woman
The New Woman was a feminist ideal that emerged in the late 19th century and had a profound influence well into the 20th century. In 1894, Irish writer Sarah Grand (1854–1943) used the term "new woman" in an influential article, to refer to independent women seeking radical change, and in response the English writer Ouida (Maria Louisa Ramé) used the term as the title of a follow-up article. The term was further popularized by British-American writer Henry James, who used it to describe the growth in the number of feminist, educated, independent career women in Europe and the United States. Independence was not simply a matter of the mind; it also involved physical changes in activity and dress, as activities such as bicycling expanded women's ability to engage with a broader, more active world. The New Woman pushed the limits set by a male-dominated society, especially as modeled in the plays of Norwegian Henrik Ibsen (1828–1906). Changing social roles Writer Henry Jam ...
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Sensation Novel
The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in the 1860s and 1870s.I. Ousby ed., ''The Cambridge Guide to Literature in English'' (1995) p. 844 Its literary forebears included the melodramatic novels and the Newgate novels, which focused on tales woven around criminal biographies; it also drew on the Gothic, romance, as well as mass market genres. The genre's popularity was conjoined to an expanding book market and growth of a reading public, by-products of the Industrial Revolution. Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fiction. The sensation novelists commonly wrote stories that were allegorical and abstract; the abstract nature of the stories gave the authors room to explore scenarios that wrestled with the social anxietiesHughes, Winifred. ''The Maniac in the Cellar''. Princeton: Princeton University, 1980. Print. ...
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The Moonstone (1934 Film)
''The Moonstone'' is a 1934 American mystery film directed by Reginald Barker and starring David Manners, Phyllis Barry, Gustav von Seyffertitz and Jameson Thomas. It is an adaptation of the 1868 novel ''The Moonstone'' by Wilkie Collins. The film retains the book's British location, but uses a contemporary 1930s setting rather than the Victorian era of the original. It is one of three film versions of the novel, which include silent versions in 1915 and 1909, although a number of television and radio adaptations have been made. Plot summary As with the book, the film is based around the Herncastle Moonstone, a valuable diamond from India. Cast *David Manners as Franklyn Blake *Phyllis Barry as Ann Verinder *Gustav von Seyffertitz as Carl Von Lucker *Jameson Thomas as Godfrey Ablewhite *Herbert Bunston as Sir John Verinder *Charles Irwin as Inspector Cuff * Elspeth Dudgeon as Betteredge, Housekeeper * John Davidson as Yandoo *Claude King as Sir Basil Wynard *Olaf Hytten as ...
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Phyllis Barry
Phyllis Barry (born Gertrude Phyllis Hillyard; 7 December 1908 – 1 July 1954) was an English film actress. Born in Leeds, West Riding of Yorkshire, England, to Seth Henry and Bertha (née Giles) Hillyard, Barry appeared in over 40 films between 1925 and 1947. Career Barry trained as a dancer in a John Tiller troupe. In August 1923, when she was 12, her mother brought her to Australia, where she was known as Phyllis du Barry.All the Australian events are documented in contemporary newspapers published in digital form by the National Library of Australi/ref> By September, she was the lead dancer in a cabaret troupe at the Wentworth Cafe, until May 1925, when she made her first film, '' Painted Daughters''. Engagements followed with the Frances Scully Pony Ballet and as a dancer at the Ambassadors' Club. In July 1926, she joined the Fuller Brothers, touring with Chefalo and Palmer, the Moon and Morris Revue Company and the Zig Zag Revue Company. Her second film, ''Sunrise'', ...
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A Laodicean
''A Laodicean; or, The Castle of the De Stancys. A Story of To-Day'' is a novel by Thomas Hardy, first published in 1880–81 in ''Harper's New Monthly Magazine''. The plot exhibits devices uncommon in Hardy's other fiction, such as falsified telegrams and faked photographs. Synopsis Paula Power inherits a medieval castle from her industrialist father who had purchased it from the aristocratic De Stancy family. She employs two architects, one local and one, George Somerset, newly qualified from London. Somerset represents modernity in the novel. In the village there is an amateur photographer, William Dare, the illegitimate son of Captain De Stancy, an impoverished scion of that family. Captain De Stancy represents to Paula the notion of medieval nobility. She is attracted to each man for his respectively different virtues. William Dare, bastard and unrecognised son of Captain de Stancy, and a thorough wastrel, decides to intervene to promote his father in her affections (sol ...
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Protofeminism
Protofeminism is a concept that anticipates modern feminism in eras when the feminist concept as such was still unknown. This refers particularly to times before the 20th century, although the precise usage is disputed, as 18th-century feminism and 19th-century feminism are often subsumed into "feminism". The usefulness of the term ''protofeminist'' has been questioned by some modern scholars, as has the term postfeminism, ''postfeminist''. History Ancient Greece and Rome Plato, according to Elaine Hoffman Baruch, "[argued] for the total political and sexual equality of women, advocating that they be members of his highest class... those who rule and fight." Book five of Plato's ''The Republic (Plato), The Republic'' discusses the role of women: Are dogs divided into hes and shes, or do they both share equally in hunting and in keeping watch and in the other duties of dogs? Or do we entrust to the males the entire and exclusive care of the flocks, while we leave the females a ...
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Literary Characters Introduced In 1868
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or sun ...
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