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Rachel Nicholls
Rachel Nicholls is an English soprano in opera and concert. Career Born in Bedford, England, Nicholls studied French at the University of York, and from 1998 voice at the Royal College of Music with Kathleen Livingstone. In 2001, she won second prize at the Kathleen Ferrier Memorial Competition. She first became known for her work in Early Music but later became a Dramatic Soprano specialising in Wagner. She has collaborated with conductors such as Martyn Brabbins, Sylvain Cambreling, Andrew Davis, Colin Davis, Alexander Frey, John Eliot Gardiner, Daniele Gatti, Valery Gergiev, Richard Hickox, Jean-Claude Malgoire and Simon Rattle, and with orchestras such as the Academy of St Martin in the Fields, BBC Symphony Orchestra, Britten Sinfonia, City of Birmingham Symphony Orchestra, La Grande Écurie et la Chambre du Roy, the Orchestra of the Age of Enlightenment and the Philharmonia Orchestra. She is Head of Voice at the University of Huddersfield,a visiting perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedford
Bedford is a market town in Bedfordshire, England. At the 2011 Census, the population of the Bedford built-up area (including Biddenham and Kempston) was 106,940, making it the second-largest settlement in Bedfordshire, behind Luton, whilst the Borough of Bedford had a population of 157,479. Bedford is also the historic county town of Bedfordshire. Bedford was founded at a ford on the River Great Ouse and is thought to have been the burial place of King Offa of Mercia, who is remembered for building Offa's Dyke on the Welsh border. Bedford Castle was built by Henry I of England, Henry I, although it was destroyed in 1224. Bedford was granted borough status in 1165 and has been represented in Parliament since 1265. It is known for its large Italians in the United Kingdom, population of Italian descent. History The name of the town is believed to derive from the name of a Saxon chief called Beda, and a Ford (crossing), ford crossing the River Great Ouse. Bedford was a marke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Malgoire
Jean-Claude Malgoire (25 November 1940 – 14 April 2018) was a French oboist and later conductor. Early life Malgoire was born on 25 November 1940 in Avignon, France. His mother was born in Italy. Malgoire graduated from the Paris Conservatory. Career Malgoire began his career as an oboist. He played the cor anglais for the Orchestre de Paris, under the direction of conductor Charles Munch. Over the course of his career, he played for conductors Herbert von Karajan, Georg Solti and Seiji Ozawa. In 1971, he played the cor anglais in Ravel's ''Piano Concerto'' alongside pianist Samson François, conducted by André Cluytens. He also played the cor anglais in Richard Wagner's '' Tristan und Isolde''. Malgoire founded La Grande Écurie et la Chambre du Roy, a period-instrument Baroque music ensemble, in 1966. He played the works of Jean-Baptiste Lully, Marc-Antoine Charpentier, André Campra. and Jean-Philippe Rameau. He also founded the Florilegium Musicum de Paris, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queen Of Spades (opera)
''The Queen of Spades'' or ''Pique Dame'', Op. 68 (russian: Пиковая дама, ''Pikovaya dama'' , french: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot. The premiere took place in 1890 at the Mariinsky Theatre in Saint Petersburg, Russia. Composition history The Imperial Theatre offered Tchaikovsky a commission to write an opera based on the plot sketch by Ivan Vsevolozhsky in 1887/88. After first turning it down, Tchaikovsky accepted it in 1889. Toward the end of that year, he met with the theatre's managers to discuss the material and sketch out some of the scenes. He completed the full score in Florence in only 44 days. Later, working with the tenor who was to perform the lead character, he created two versions of Herman's aria in the seventh scene, using diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Evans (soprano)
Dame Anne Elizabeth Jane Evans, (born 20 August 1941) is an international British operatic soprano. Early life Evans was born in London of Welsh descent. She studied at the Royal College of Music with among others Margaret Cable, and the Geneva Conservatoire. She was accepted into the conservatoire without actually having had any formal training as a singer. For her audition she surprisingly did Carmen. She started out as a mezzo at the Royal College, but one of her teachers immediately recognised her soprano potential. Career Evans made her debut as Countess Ceprano in ''Rigoletto'' 1967 in Geneva and went on to make her debut in a leading role in 1968 as Fiordiligi in ''Così fan tutte'' at the then Sadler's Wells, later English National Opera in 1968 to critical acclaim. In the early years of her career, she sang many of the leading Giacomo Puccini, Puccini and Wolfgang Amadeus Mozart, Mozart soprano roles, like Tosca and Countess Almaviva in ''Le Nozze di Figaro.'' In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra Of The Age Of Enlightenment
The Orchestra of the Age of Enlightenment (OAE) is a British period instrument orchestra. The OAE is a resident orchestra of the Southbank Centre, London, associate orchestra at Glyndebourne Festival Opera Artistic Associate at Kings Place, and has its headquarters at Acland Burghley School. The leadership is rotated between four musicians: Matthew Truscott, Kati Debretzeni, Huw Daniel and Margaret Faultless. A group of period instrumentalist players formed the OAE as a self-governing ensemble in 1986, and took its name from the historical period in the late 18th century where the core of its repertoire is based. The OAE does not have a principal conductor, but chooses conductors individually. Having no permanent music director gives the orchestra flexibility to work with some of the world’s greatest conductors and soloists across a wide range of music. The current Principal Artists are Sir Simon Rattle, Vladimir Jurowski, Iván Fischer, John Butt, Sir Mark Elder and András ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Grande Écurie Et La Chambre Du Roy
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Of Birmingham Symphony Orchestra
The City of Birmingham Symphony Orchestra (CBSO) is a British orchestra based in Birmingham, England. It is the resident orchestra at Symphony Hall: a B:Music Venue in Birmingham, which has been its principal performance venue since 1991. Its administrative and rehearsal base is at the nearby CBSO Centre, where it also presents chamber concerts by members of the orchestra and guest performers. Each year the orchestra performs more than 150 concerts in Birmingham, the UK and around the world, playing music that ranges from classics to contemporary, film scores and even symphonic disco. With a far-reaching community programme and a family of choruses and youth ensembles, it is involved in every aspect of music-making in the Midlands. At its centre is a team of 90 superb professional musicians, and over a 100-year tradition of making the world's greatest music, in the heart of Birmingham. The CBSO has four choirs – the CBSO ChorusYouth Chorus [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britten Sinfonia
Britten Sinfonia is a chamber orchestra ensemble based in Cambridge, UK. It was created in 1992, following an initiative from Eastern Arts and a number of key figures including Nicholas Cleobury, who recognised the need for an orchestra in the East of England. It is a flexible ensemble composed of chamber musicians in Europe. The players are freelance musicians who are employed on a project-by-project basis and the ensemble performs around 70 concerts per year and works with hundreds of people in the communities where the orchestra is resident. The orchestra is named after the composer Benjamin Britten, who lived in the East of England. It is a not-for-profit organisation, and a registered charity. Background The orchestra does not have a principal conductor but works with a range of international guest artists from across the musical spectrum as suited to each project. Recent seasons have included projects with Brad Mehldau, Thomas Adès, Pierre-Laurent Aimard, James MacM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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