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Rababi
Rababi (Gurmukhi: ਰਬਾਬੀ) is a term used to refer to a player of the rabab instrument. In the Sikh liturgical tradition, there are three types of musicians—rababis, ragis, and dhadhis, all of which flourished during the period of the gurus. The descendants remained rababis to all the 10 gurus, keeping alive rabab music. History Indian temple art of the first century A.D. depicted the Gandharan lute, though the ancestor of the rabab in India is likely the Persian instrument of the same name. The rabab, in its various forms, proliferated throughout West, Central, South and Southeast Asia. Those rababs used in Hindustani classical music of northern India are plucked. Guru Nanak started the Sikh rababi tradition by engaging Bhai Mardana as his accompanist. The Muslim singers formerly called ''mirasi'', were rechristened ''rababi'' by Nanak, because they played on the rabab. The last of the line of rababis was Bhai Chand. During the 20th century CE the instrument's us ...
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Elias Rababi
Elias Rababi (1913–1999) was a Lebanese journalist and politician who served as the general secretary of the Kataeb Party. He was also Lebanese ambassador to Germany and Argentine. His other significant post was the editor-in-chief of the Kataeb Party's newspaper, ''Al Amal (Lebanon), Al Amal''. Biography Born in 1913 Rababi was a Maronites, Maronite and a member of the Kataeb Party. Following the establishment of the party in 1936 he was appointed its regional director and actively involved in the recruitment activities. He was the candidate of the party in the by-election on 4 May 1945 in Mount Lebanon I, Mount Lebanon. However, not Rababi but Philippe Takla won the seat. The party's newspapers, ''Al Amal'' and ''Action'', were also edited by him for a long time, and Rababi headed the propaganda and press department of the party. Rababi was one of the persons who developed early connections between the Israeli officials and the Kataeb Party in the period 1948–1951. In the ...
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Mirasi
The Mirasi ( ur, ; hi, मीरासी, translit=Mīrāsī; pa, , ਮਰਾਸੀ , translit=Marāsī) are a community found in North India and Pakistan. They are the genealogists and traditional singers and dancers of a number of communities. The word "mirasi" is derived from the Arabic word (ميراث) ''mīrās'', which means inheritance or sometimes heritage. In the strict grammatical sense of the term, they are considered to be propagators of the cultural and social heritage. History and origin In North India Included within the name Mirasi are a number of sub-groups, each with their own history and origin myths. Some Mirasi groups are Muslim converts from the Hindu Dom caste, while others claim to have originally belonged to the Hindu Charan community. They are said to have converted to Islam at the hands of Amir Khusro, the 13th Century Sufi poet. The word mirasi is derived from the Arabic word ''miras'', which means inheritance or sometimes heritage. They a ...
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Bhai Mardana
Bhai Mardana ( pa, ਭਾਈ ਮਰਦਾਨਾ; 6 February 1459 — 1534) was one of the first Sikhs and longtime companion of Guru Nanak Dev, first in the line of gurus noted in Sikhism. Bhai Mardana, a Muslim, accompanied Guru Nanak Dev on his journeys. Bhai Mardana was born to a Mirasi Muslim family, a couple, Badra and Lakkho, of Rai Bhoi di Talwandi, now Nankana Sahib of Pakistan. He was the seventh born, all other children had died at birth. He had very good knowledge of music and played rabāb when Guru Nanak sung Gurbani. Swami Haridas (teacher of Tansen) was the disciple of Bhai Mardana and learnt Classical Music from him. Guru Nanak Dev Ji and Bhai Mardana It is said that Bhai Mardana first contacted Guru Nanak to seek help as many people in his family were dying at a young age. Guru Nanak approached the family and had seen that Mardana's mother was crying because she felt her son will die. Mardana's mother told Guru Ji that the reason she was crying is because all he ...
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Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ...
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Seni Rebab
The Seni rebab ( Hindustani: सेनी रबाब (Devanagari), (Nastaleeq), Punjabi: ਸੇਨੀ ਰੱਬਾਬ), also known as the Seniya rabab ( Hindustani: सेनिया रबाब (Devanagari), (Nastaleeq)) is a plucked string instrument used in northern India that is said to have been developed by, and to have taken its name from, the notable musician Tansen in the time of the emperor Akbar the Great. It has "a large hook at the back of its head, making it easier for a musician to sling it over the shoulder and play it even while walking." It has been used in Hindustani classical music and religiously, in Sikh music. The rebab influenced the development of the sarod, another Indian musical instrument. Three types of Sikh musician - rababis, ragis and dhadhis - flourished during the period of the Sikh gurus. History As the ''Dekhani rabāb'', the instrument was listed as a native instrument of Central India by Mughal chronicler Abu'l Fazl. It was played ...
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Balvand Rai
Balvand Rai was a poet mystic and rebeck player in the court of Guru Arjan. He was a Muslim belonging to the Mirasi community who embraced Sikh thought during the time of Guru Arjan. His three hymns are included in Guru Granth Sahib in Ramkali measure at Amritsar. He co-composed this Ballad of Ramkali with his rebeck player Bhai Satta Doom, which includes a total of six hymns. He is said to have died in Lahore during the time of Guru Hargobind (1595–1644) and was buried on the bank of the River Ravi.The Sikh Encyclopedia
Rai Balwand


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Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ...
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Punjabi Language
Punjabi (; ; , ), sometimes spelled Panjabi, is an Indo-Aryan language of the Punjab region of Pakistan and India. It has approximately 113 million native speakers. Punjabi is the most widely-spoken first language in Pakistan, with 80.5 million native speakers as per the 2017 census, and the 11th most widely-spoken in India, with 31.1 million native speakers, as per the 2011 census. The language is spoken among a significant overseas diaspora, particularly in Canada, the United States, and the United Kingdom. In Pakistan, Punjabi is written using the Shahmukhi alphabet, based on the Perso-Arabic script; in India, it is written using the Gurmukhi alphabet, based on the Indic scripts. Punjabi is unusual among the Indo-Aryan languages and the broader Indo-European language family in its usage of lexical tone. History Etymology The word ''Punjabi'' (sometimes spelled ''Panjabi'') has been derived from the word ''Panj-āb'', Persian for 'Five Waters', referring to the ...
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Partition Of India
The Partition of British India in 1947 was the Partition (politics), change of political borders and the division of other assets that accompanied the dissolution of the British Raj in South Asia and the creation of two independent dominions: Dominion of India, India and Dominion of Pakistan, Pakistan. The Dominion of India is today the India, Republic of India, and the Dominion of Pakistan—which at the time comprised two regions lying on either side of India—is now the Pakistan, Islamic Republic of Pakistan and the Bangladesh, People's Republic of Bangladesh. The partition was outlined in the Indian Independence Act 1947. The change of political borders notably included the division of two provinces of British India, Bengal Presidency, Bengal and Punjab Province (British India), Punjab. The majority Muslim districts in these provinces were awarded to Pakistan and the majority non-Muslim to India. The other assets that were divided included the British Indian Army, ...
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Kirtan
Kirtana ( sa, कीर्तन; ), also rendered as Kirtan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent. With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response style song or chant, set to music, wherein multiple singers recite or describe a legend, or express loving devotion to a deity, or discuss spiritual ideas. It may include dancing or direct expression of ''bhavas'' (emotive states) by the singer. Many kirtan performances are structured to engage the audience where they either repeat the chant,Sara Brown (2012), ''Every Word Is a Song, Every Step Is a Dance'', PhD Thesis, Florida State University (Advisor: Michael Bakan), pages 25-26, 87-88, 277 or reply to the call of ...
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Guru Nanak With Bhai Mardana With Rabab
Guru ( sa, गुरु, IAST: ''guru;'' Pali'': garu'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or '' shisya'' in Sanskrit, literally ''seeker f knowledge or truth'' or student, with the guru serving as a "counselor, who helps mold values, shares experiential knowledge as much as literal knowledge, an exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown explains that a tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the same potentialities that the ''guru'' has already realized. The oldest references to the concep ...
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Guru Nanak
Gurū Nānak (15 April 1469 – 22 September 1539; Gurmukhi: ਗੁਰੂ ਨਾਨਕ; pronunciation: , ), also referred to as ('father Nānak'), was the founder of Sikhism and is the first of the ten Sikh Gurus. His birth is celebrated worldwide as Guru Nanak Gurpurab on '' Katak Pooranmashi'' ('full-moon of Kattak'), i.e. October–November. Nanak is said to have travelled far and wide across Asia teaching people the message of ''ik onkar'' (), who dwells in every one of his creations and constitutes the eternal Truth. With this concept, he would set up a unique spiritual, social, and political platform based on equality, fraternal love, goodness, and virtue. Nanak's words are registered in the form of 974 poetic hymns, or ''shabda'', in the holy text of Sikhism, the Guru Granth Sahib, with some of the major prayers being the ''Japji Sahib'' (; ''ji'' and ''sahib'' are suffixes signifying respect); the ''Asa di Var'' ('ballad of hope'); and the '' Sidh Gosht'' ('discussi ...
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