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Querini Stampalia Museum
The Pinacoteca Querini Stampalia is an art collection and museum in Venice, Italy. Situated inside the Palazzo Querini Stampalia, in the sestiere of Castello, on the left bank of the Grand Canal, it includes famous paintings as a ''self- portrait'' and ''Adam and Eve'' by Palma Giovane, a ''Sacra Conversazione'' by Palma Vecchio and a ''Madonna and Child'' by Bernardo Strozzi. It also holds prized drawings by Giovanni Bellini, Raphael, Paolo Veronese, Titian, and Tintoretto. The picture gallery is displayed within twenty rooms on the second floor of the palace which also contains furniture, a large public library, porcelains and musical instruments, along with works by artists ranging from the 14th-18th century. History The palazzo was renovated from its original state before the 1960s. From 1961–1963, Carlo Scarpa restored parts of the building, while changing others. Scarpa created a series of islands, and allowed the water to come into the lobby space. He also restored the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Querini Stampalia (Venice)
There are several entries linked with the family name of Querini Stampalia: *Fondazione Querini Stampalia, a cultural institution in Venice, Italy * Pinacoteca Querini Stampalia, an art collection and museum in Venice, Italy *Astypalaia Astypalaia (Greek: Αστυπάλαια, ), is a Greek island with 1,334 residents (2011 census). It belongs to the Dodecanese, an archipelago of fifteen major islands in the southeastern Aegean Sea. The island is long, wide at the most, and ... or ''Stampalia'', a Greek island where the name ''Querini Stampalia'' originated See also * Quirinus (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Scarpa
Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design. Biography Scarpa was born in Venice. Much of his early childhood was spent in Vicenza, where his family relocated when he was 2 years old. After his mother's death when he was 13, he moved with his father and brother back to Venice. Carlo attended the Academy of Fine Arts where he focused on architectural studies. Graduated from the Accademia in Venice, with the title of Professor of Architecture, he apprenticed with the architect Francesco Rinaldo. Scarpa married Rinaldo's niece, Nini Lazzari (Onorina Lazzari). However, Scarpa refused to sit the ''pro forma'' professional exam administrated by the Italian Government after World War II. As a consequence, he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Forabosco
Girolamo Forabosco or Gerolamo Forabosco (1605 – 23 January 1679) was an Italian painter of the Baroque period. He was active in Padua and his birthplace of Venice, where he was enrolled in the Venetian ''Fraglia dei Pittori'' between 1634–39 and paid taxes in Venice from 1640-44. He was a pupil of Alessandro Varotari (il Padovanino), and influenced in Venice by Bernardo Strozzi. Gregorio Lazzarini and Pietro Bellotto were among his pupils. He died in Padua Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the .... Sources Web gallery of Art [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith named Andrea d' Oderigo. He was apprenticed to Andrea del Verrocchio, probably in the mid-1470s. He eventually became Verrocchio's primary assistant and inherited his workshop on Verrocchio's death in 1488. On Verrocchio's behalf he completed the famous ''Madonna di Piazza'' for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. Lorenzo's earliest independent works include an ''Annunciation'' in the Uffizi, two panels of the ''Madonna and Child'' at the Galleria Sabauda in Turin, another at the National Gallery in London and ''Adoration of the Child'' at the Pinacoteca Querini Stampali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Cervelli
Federico Cervelli (1625 in Milan – before 1700) was an Italian painter, who established his workshop in Venice at the age of about thirty. Biography He initially trained with Pietro Ricci (il Lucchese). His first documented and dated painting is a ''Sacrifice of Noah'' (1678) conserved at San Giorgio Maggiore in Bergamo. A ''Massacre of the Innocents'' by Cervelli in San Giorgio Maggiore in Venice, and a ''Martyrdom of Saint Teodoro'', coming from the Scuola Grande di San Teodoro, were attributed to him in 1956 His fully Venetian manner is in the mode established by Pietro Liberi and Sebastiano Mazzoni. Among his pupils, according to the connoisseur Antonio Maria Zanetti,Zanetti, ''Della pittura veneziana e delle opere pubbliche de' veneziani maestri'' (Venice, 1771). was Aidan Rajswing and Sebastiano Ricci Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Ceresa
Carlo Ceresa (January 20, 1609 – January 29, 1679) was an Italian painter of the Baroque period active mainly around Bergamo. Biography Born in 1609 at San Giovanni Bianco, a town in the Brembana Valley in the province of Bergamo, Ceresa was a pupil and then assistant of the Milanese painter Daniele Crespi, whose style and vocabulary lived on in his work after the master’s death in 1630. He was active in the area of Bergamo and produced a large number of religious works characterised by a sober, understated approach combined with the vivid color of the Veneto school for the many churches and sanctuaries there. He was also a skilful portrait painter whose services were sought after by the noble families of the city. The naturalism pervading the depiction of his subjects recalls the work of Moroni and looks forward to Fra Galgario and Ceruti (Pitochetto). He died in Bergamo in 1679. References * Domenico SediniCarlo Ceresa online cataloguArtgateby Fondazione Cariplo Fon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Castelli
Bernardino Castelli (15 June 1750, Arsiè - 24 February 1810, Venice) was an Italian painter of portraits and religious figures. Biography He displayed artistic talent at an early age, taking his first lessons in Feltre from a local artist named Giovanni D'Antonio and helping to decorate the Villa Franzoia in Quero, Veneto, Quero. His work there impressed the Canon, Alvise Franzoia, who took him to Treviso and presented him to Bishop who offered to take him under his protection and helped him to continue his studies.Brief biography @ the Treccani, Enciclopedia Treccani. His first major work was a portrait of the Bishop, which brought requests for more portraits by other prelates in the area and launched him on a career as a portrait painter. He also did a painting of Lawrence Giustiniani, Saint Lorenz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Carpioni
Giulio Carpioni (1613 – 29 January 1678) was an Italian painter and etcher of the early Baroque era. Life Born probably in Venice, Carpioni studied under Alessandro Varotari (''il Padovanino'') and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. Work He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being ''St. Anthony of Padua'', ''Christ on the Mount of Olives'', ''The Virgin reading'', and ''The Virgin with Rosary''. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the ''Apotheosis of the Dolfin family'' (1647) and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Coronellia
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor *Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer *Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter *Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter *Vincenzo Consolo (1933–2012), Italian writer *Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor *Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo *Vincenzo Marra (born 1972), Italian filmmaker *Vincenzo Migliaro (1858–1938), Italian painter *Vincenzo Natali (bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fondazione Querini Stampalia
The Fondazione Querini Stampalia is a cultural institution in Venice, Italy, founded in 1869 at the behest of the last descendant of the Venetian Querini Stampalia family, Conte Giovanni Querini (Count John Querini). Architect Carlo Scarpa designed interior, exterior, and garden elements and spaces on the ground floor of the historic building. Location The foundation is located in the Palazzo Querini Stampalia and includes living quarters, an archive, a library, and a museum of paintings and furnishings, the Pinacoteca Querini Stampalia. Located just South of the Church of Santa Maria Formosa in the sestiere Castello, the Foundation is open to the public for academic research. Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 6328671.jpg, Entrance Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 6337242.jpg, Atrium Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 6337243.jpg, Interior Paolo Monti - Servizio fotografico (Venezia, 1963) - BEIC 63372 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Botta
Mario Botta (born 1 April 1943) is a Swiss architect. Career Botta designed his first building, a two-family house at Morbio Superiore in Ticino, at age 16. He graduated from the Università Iuav di Venezia (1969). While the arrangements of spaces in this structure is inconsistent, its relationship to its site, separation of living from service spaces, and deep window recesses echo of what would become his stark, strong, towering style. His designs tend to include a strong sense of geometry, often being based on very simple shapes, yet creating unique volumes of space. His buildings are often made of brick, yet his use of material is wide, varied, and often unique. His trademark style can be seen widely in Switzerland particularly the Ticino region and also in the Mediatheque in Villeurbanne (1988), a cathedral in Évry (1995), and the San Francisco Museum of Modern Art or SFMOMA (1994). He also designed the Europa-Park Dome, which houses many major events at the Europa-Park t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
