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Quadriga
A () is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire until the Late Middle Ages. The word derives from the Latin contraction of , from ': four, and ': yoke. The four-horse abreast arrangement in quadriga is distinct from the more common four-in-hand array of two horses in the front and two horses in the back. Quadriga was raced in the Ancient Olympic Games and other contests. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a quadriga by throwing it into the sea. The quadriga was adopted in ancient Roman chariot racing. Quadrigas were emblems of triumph; Victory or Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods; the god of the sun Helios (often identified with Apollo, the god of light) was depicted drivi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helios
In ancient Greek religion and mythology, Helios (; grc, , , Sun; Homeric Greek: ) is the god and personification of the Sun (Solar deity). His name is also Latinized as Helius, and he is often given the epithets Hyperion ("the one above") and Phaethon ("the shining"). Helios is often depicted in art with a radiant crown and driving a horse-drawn chariot through the sky. He was a guardian of oaths and also the god of sight. Though Helios was a relatively minor deity in Classical Greece, his worship grew more prominent in late antiquity thanks to his identification with several major solar divinities of the Roman period, particularly Apollo and Sol. The Roman Emperor Julian made Helios the central divinity of his short-lived revival of traditional Roman religious practices in the 4th century AD. Helios figures prominently in several works of Greek mythology, poetry, and literature, in which he is often described as the son of the Titans Hyperion and Theia and brother of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chariot Racing
Chariot racing ( grc-gre, ἁρματοδρομία, harmatodromia, la, ludi circenses) was one of the most popular ancient Greek, Roman, and Byzantine sports. In Greece, chariot racing played an essential role in aristocratic funeral games from a very early time. With the institution of formal races and permanent racetracks, chariot racing was adopted by many Greek states and their religious festivals. Horses and chariots were very costly. Their ownership was a preserve of the wealthiest aristocrats, whose reputations and status benefitted from offering such extravagant, exciting displays. Their successes could be further broadcast and celebrated through commissioned odes and other poetry. In standard racing practise, each chariot held a single driver and was pulled by four horses, or sometimes two. Drivers and horses risked serious injury or death through collisions and crashes; this added to the excitement and interest for spectators. Most charioteers were slaves or contract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horses Of Saint Mark
The Horses of Saint Mark ( it, Cavalli di San Marco), also known as the Triumphal Quadriga or Horses of the Hippodrome of Constantinople, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing). The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack and looting of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia. Origins The sculptures date from classical antiquity. A date in the 2nd or 3rd century AD is considered likely; the famous Equestrian Statue of Marcus Aurelius in Rome (c. 175 AD) provides a point of comparison. However, some scholars do claim the naturalistic rendering of the animals and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chariot
A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 2000 BCE. The critical invention that allowed the construction of light, horse-drawn chariots was the spoked wheel. The chariot was a fast, light, open, two- wheeled conveyance drawn by two or more horses that were hitched side by side, and was little more than a floor with a waist-high guard at the front and sides. It was initially used for ancient warfare during the Bronze and Iron Ages, but after its military capabilities had been superseded by light and heavy cavalries, chariots continued to be used for travel and transport, in processions, for games, and in races. Etymology The word "chariot" comes from the Latin term ''carrus'', a loanword from Gaulish. In ancient Rome and some other ancient Mediterranean civilizations, a '' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solar Deity
A solar deity or sun deity is a deity who represents the Sun, or an aspect of it. Such deities are usually associated with power and strength. Solar deities and Sun worship can be found throughout most of recorded history in various forms. The Sun is sometimes referred to by its Latin name ''Sol'' or by its Greek name ''Helios''. The English word ''sun'' derives from Proto-Germanic *''sunnǭ''. Overview Predynasty Egyptian beliefs attribute Atum as the Sun god and Horus as god of the sky and Sun. As the Old Kingdom theocracy gained influence, early beliefs were incorporated into the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting Sun. Osiris became the divine heir to Atum's power on Earth and passed his divine authority to his son, Horus. Other early Egyptian myths imply that the Sun is incorporated with the lioness Sekhmet at night and is reflected in her eyes; or that the Sun is found within the cow Hathor during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four-in-hand (carriage)
A Four-in-hand is any vehicle drawn by four horses driven by one person.''Oxford English Dictionary'' online accessed 20 August 2020 Driving large heavy carriages and private coaches drawn by four horses was a popular sporting activity of the rich after the middle of the 19th century.Alexander Mackay-Smith, Jean R. Druesedow, Thomas Ryder ''Man and the Horse: An Illustrated History of Equestrian Apparel'' P 100, The Metropolitan Museum of Art, Simon and Schuster, New York. 1984 
England's Four-in-Hand Dr ...
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Roman Empire
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Roman Republic, Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by Roman emperor, emperors. From the Constitutional reforms of Augustus, accession of Caesar Augustus as the first Roman emperor to the Crisis of the Third Century, military anarchy of the 3rd century, it was a Principate with Roman Italy, Italia as the metropole of Roman province, its provinces and the Rome, city of Rome as its sole capital. The Empire was later ruled by dominate, multiple emperors who shared control over the Western Roman Empire and the Byzantine Empire#Early history, Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the fall of the republic in 1797, it was the chapel of the Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra'' for administrative and financial affairs. The present structure is the third church, begun probably in 1063 to express Venice's growing civic cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Sculpture
Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style. The main subject of Ancient Greek sculpture from its earliest days was the human figure, usually male and nude (or nearly so). Apart from the heads of portrait sculptures, the bodies were highly idealized but achieved an unprecedented degree of naturalism. In addition to free standing statues, the term classical sculpture incorporates relief work (such as the famous Elgin Marbles of the Parthenon) and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pheme
In Greek mythology, Pheme ( ; Greek: , ''Phēmē''; Roman equivalent: Fama), also known as Ossa in Homeric sources, was the personification of fame and renown, her favour being notability, her wrath being scandalous rumours. She was a daughter either of Gaia or of Elpis (Hope), was described as "she who initiates and furthers communication" and had an altar at Athens. A tremendous gossip, Pheme was said to have pried into the affairs of mortals and gods, then repeated what she learned, starting off at first with just a dull whisper, but repeating it louder each time, until everyone knew. In art, she was usually depicted with wings and a trumpet. In Roman mythology, Fama ("rumor") was described as having multiple tongues, eyes, ears and feathers by Virgil (in ''Aeneid'' IV line 180 and following) and other authors. Virgil wrote that she "had her feet on the ground, and her head in the clouds, making the small seem great and the great seem greater". In Homer Pheme is called Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippodrome Of Constantinople
Sultanahmet Square ( tr, Sultanahmet Meydanı) or the Hippodrome of Constantinople ( el, Ἱππόδρομος τῆς Κωνσταντινουπόλεως, Hippódromos tēs Kōnstantinoupóleōs; la, Circus Maximus Constantinopolitanus; tr, Hipodrom) is a square in Istanbul, Turkey. Previously, it was a circus that was the sporting and social centre of Constantinople, capital of the Byzantine Empire. The word ''hippodrome'' comes from the Greek ''hippos'' (), horse, and ''dromos'' (δρόμος), path or way. For this reason, it is sometimes also called ("Horse Square") in Turkish. Horse racing and chariot racing were popular pastimes in the ancient world and hippodromes were common features of Greek cities in the Hellenistic, Roman and Byzantine eras. History and use Construction Although the Hippodrome is usually associated with Constantinople's days of glory as an imperial capital, it actually predates that era. The first Hippodrome was built when the city was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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