Quick Step And Side Kick
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Quick Step And Side Kick
''Quick Step & Side Kick'' is the third studio album by the British new wave group Thompson Twins. It was released in February 1983 by Arista Records, and was their first album to be released as a trio (the band consisted of up to seven members during previous releases). The album reached no. 2 on the UK Albums Chart and was later certified Platinum by the BPI. In the United States and Canada, the album was titled simply as ''Side Kicks'', and was only the second Thompson Twins album to be released there. The album was the first collaboration between the band and producer Alex Sadkin and was recorded at Compass Point Studios in the Bahamas. The singer Grace Jones (who had worked with Sadkin on three of her albums by that time) made a guest appearance on the track " Watching", though her vocals were not included on the track when it was remixed and released as a single in mid-1983. The album has several different versions according to different territories, containing differen ...
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Thompson Twins
Thompson Twins were a British Pop music, pop band formed in 1977 in Sheffield. Initially a New wave music, new wave group, they switched to a more mainstream pop sound and achieved considerable popularity during the mid-1980s, scoring a string of hits in the United Kingdom, the United States, and around the world. In 1993, they changed their name to Babble (band), Babble, to reflect their change in music from pop to Dub music, dub-influenced Chill-out music, chill-out. They continued as Babble until 1996, at which point the group permanently broke up. The band's name was based on the two bumbling detectives Thomson and Thompson (who are close doubles not twins) in the English language version of Hergé's comic strip ''The Adventures of Tintin''. At various stages they had up to seven members, but their best known line-up was as a trio between 1982 and 1986. The band became a prominent act in the US during the Second British Invasion, and in 1985 performed at Live Aid in Philade ...
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Grace Jones
Grace Beverly Jones (born 19 May 1948) is a model, singer and actress. Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of ''Elle'' and ''Vogue''. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features. Beginning in 1977, Jones embarked on a music career, securing a record deal with Island Records and initially becoming a high-profile figure of New York City's Studio 54-centered disco scene. In the early 1980s, she moved toward a new wave style that drew on reggae, funk, post-punk, and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie. She scored Top 40 entries on the UK Single ...
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Brit Funk
Brit funk (or Britfunk) is a musical style that has its origins in the British music scene of the late 1970s and which remained popular into the 1980s. It mixes elements from jazz, funk, soul, urban dance rhythms and pop hooks. The scene originated in southern England and spread with support from DJs including DJ Froggy, Greg Edwards, Robbie Vincent, Chris Hill and Colin Curtis. Major funk acts included Jimmy James and the Vagabonds, Average White Band, Ian Dury & the Blockheads, Carl Douglas, Hot Chocolate, the Delegation, Hi-Tension, Light of the World, Level 42, Central Line, the Pasadenas, Beggar and Co and Soul II Soul. The genre also influenced 1980s new wave/pop groups such as Culture Club, Bow Wow Wow, Pigbag, Dexys Midnight Runners and Haircut 100. Name and characteristics The term Brit funk evolved from the club DJs and James Hamilton of ''Record Mirror'' whose column had a major influence in launching new records. Brit funk was a fusion of R&B, funk, soul music ...
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White People
White is a racialized classification of people and a skin color specifier, generally used for people of European origin, although the definition can vary depending on context, nationality, and point of view. Description of populations as "White" in reference to their skin color predates this notion and is occasionally found in Greco-Roman ethnography and other ancient or medieval sources, but these societies did not have any notion of a White or pan-European race. The term "White race" or "White people", defined by their light skin among other physical characteristics, entered the major European languages in the later seventeenth century, when the concept of a "unified White" achieve universal acceptance in Europe, in the context of racialized slavery and unequal social status in the European colonies. Scholarship on race distinguishes the modern concept from pre-modern descriptions, which focused on physical complexion rather than race. Prior to the modern era, no Europe ...
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Black People
Black is a racialized classification of people, usually a political and skin color-based category for specific populations with a mid to dark brown complexion. Not all people considered "black" have dark skin; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry and the indigenous peoples of Oceania, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term ''black'' as a racial identity outside of influences brought by Western cultures. The term "black" may or may not be capitalized. The '' AP Stylebook'' changed its guide to capitalize the "b" in ''black'' in 2020. The '' ASA Style Guide'' says that the "b" should not be capitalized. S ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Crispin Sartwell
Crispin Gallagher Sartwell (born 1958) is an American academic, philosopher, and journalist who is a faculty member of the philosophy department at Dickinson College in Carlisle, Pennsylvania. He has taught philosophy, communication, and political science at a number of schools, including Vanderbilt University, University of Alabama, Millersville University of Pennsylvania, the Maryland Institute College of Art, and Dickinson College. Early life and education Born in Washington, D.C., Sartwell is the son of Franklin Gallagher Sartwell, a reporter, editor, and photographer. His grandfather, also Franklin Gallagher Sartwell, was a columnist and editorial page editor at the '' Washington Times-Herald''. His great-grandfather, Herman Bernstein broke the story of a secret correspondence between Kaiser Wilhelm and Nicholas II of Russia during World War I in ''The New York Times''. Sartwell worked as a freelance rock critic for publications, including ''Record'' and ''Melody Maker''. H ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Random House
Random House is an American book publisher and the largest general-interest paperback publisher in the world. The company has several independently managed subsidiaries around the world. It is part of Penguin Random House, which is owned by German media conglomerate Bertelsmann. History Random House was founded in 1927 by Bennett Cerf and Donald Klopfer, two years after they acquired the Modern Library imprint from publisher Horace Liveright, which reprints classic works of literature. Cerf is quoted as saying, "We just said we were going to publish a few books on the side at random," which suggested the name Random House. In 1934 they published the first authorized edition of James Joyce's novel ''Ulysses'' in the Anglophone world. ''Ulysses'' transformed Random House into a formidable publisher over the next two decades. In 1936, it absorbed the firm of Smith and Haas—Robert Haas became the third partner until retiring and selling his share back to Cerf and Klopfer in 19 ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ...
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Record Collector
''Record Collector'' is a British monthly music magazine. It was founded in 1980 and distributes worldwide. History The early years The first standalone issue of ''Record Collector'' was published in March 1980, though its history stretches back further. In 1963, publisher Sean O'Mahony (alias Johnny Dean) had launched an official Beatles magazine, ''The Beatles Book''. Although it shut down in 1969, ''The Beatles Book'' reappeared in 1976 due to popular demand. Through the late-1970s, the small ads section of ''The Beatles Book'' became an increasingly popular avenue through which collectors could make contact and buy, sell, or trade Beatles records. Reflecting a burgeoning collecting scene in the 1970s, as time went by, the adverts were becoming dominated by traders who were interested in rare vinyl unassociated with the Beatles. In September 1979, ''The Beatles Book'' came with a record collecting supplement, and the response was positive enough for O'Mahony to launch ''Re ...
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