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Quenacho
The quena (hispanicized spelling of Quechua ''qina'', sometimes also written ''kena'' in English) is the traditional flute of the Andes. Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked). To produce sound, the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut into the end. It is normally in the key of G, with G4 being the lowest note. It produces a very "textured" and "dark" timbre because of the length-to-bore ratio of about 16 to 20 (subsequently causing difficulty in the upper register), which is very unlike the tone of the Western concert flute with a length-to-bore ratio of about 38 to 20. The quenacho (also "kenacho" in English) is a greater, lower-toned version of the quena and made the same way. It is in the key of D, with D4 being the lowest note, a perfec ...
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Quenacho
The quena (hispanicized spelling of Quechua ''qina'', sometimes also written ''kena'' in English) is the traditional flute of the Andes. Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked). To produce sound, the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut into the end. It is normally in the key of G, with G4 being the lowest note. It produces a very "textured" and "dark" timbre because of the length-to-bore ratio of about 16 to 20 (subsequently causing difficulty in the upper register), which is very unlike the tone of the Western concert flute with a length-to-bore ratio of about 38 to 20. The quenacho (also "kenacho" in English) is a greater, lower-toned version of the quena and made the same way. It is in the key of D, with D4 being the lowest note, a perfec ...
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Quena01
The quena (hispanicized spelling of Quechua ''qina'', sometimes also written ''kena'' in English) is the traditional flute of the Andes. Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked). To produce sound, the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut into the end. It is normally in the key of G, with G4 being the lowest note. It produces a very "textured" and "dark" timbre because of the length-to-bore ratio of about 16 to 20 (subsequently causing difficulty in the upper register), which is very unlike the tone of the Western concert flute with a length-to-bore ratio of about 38 to 20. The quenacho (also "kenacho" in English) is a greater, lower-toned version of the quena and made the same way. It is in the key of D, with D4 being the lowest note, a perfec ...
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Los Enanitos Verdes
Enanitos Verdes (literal translation: "Little green dwarves", roughly equivalent to the English phrase "Little green men") is a rock trio from Argentina, formed in 1979 in the city of Mendoza. History The band started in 1979, with Marciano Cantero (bass guitar, keyboards and vocals), Felipe Staiti (guitar) and Daniel Piccolo drums. That same year, they performed throughout the Cuyo region. Later they traveled to Buenos Aires to record a demo, with unusable results that were never released. In spite of this failure, they continued doing shows in Mendoza and in Buenos Aires. In 1984 the band added two new members: Sergio Embrioni (guitar and vocals) and Tito Dávila (keyboard). As a quintet they published the disc ''Los Enanitos Verdes'', with the hit "Aún sigo cantando" ("I'm still singing"). Embrioni left the band in 1985. In 1986 they published their second album, entitled ''Contrarreloj'' (''Counterclockwise''), with the artistic production of Andrés Calamaro. The alb ...
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Aymara
Aymara may refer to: Languages and people * Aymaran languages, the second most widespread Andean language ** Aymara language, the main language within that family ** Central Aymara, the other surviving branch of the Aymara(n) family, which today includes only the endangered Jaqaru/Kawki language * Aymara people, the native ethnic group identified with the speakers of Altiplano Aymara Culture * ''Corazón Aymara'' (English: ''Aymara Heart''), 1925 Bolivian silent feature film directed by Pedro Sambarino * Grupo Aymara, Bolivian folk troupe of traditional music of pre-Hispanic and contemporary music of the Andes * Socialist Aymara Group (Spanish: ''Grupo Aymara Socialista''), left-wing indigenous political group in Bolivia Places * Aymaraes Province, the largest of seven provinces of the Apurímac Region in Peru * Aymara Lupaca Reserved Zone, a protected area in southeastern Peru Nature * ''Aymaramyia'', genus of crane bird found in Peru * ''Aymaratherium'', genus of extinct sloth ...
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Iain Kelso
Iain Kelso (born June 19, 1975) is a Canadian musician and film score composer. Education Kelso studied several musical instruments, and participated in the 2003 ASCAP film scoring workshop under composer Richard Bellis. Career Kelso wrote scores for several independent films, beginning in 2003. He created the score for the 2011 independent film ''Jacob'', directing and recording live musicians. The score received the award for best music at the 45th WorldFest-Houston International Film Festival in 2012. Filmography * 2003: ''Love Wine'' * 2006: ''Blind Eye'' * 2008: ''The Mystical Adventures of Billy Owens'' * 2009: ''Billy Owens and the Secret of the Runes ''Billy Owens and the Secret of the Runes'' is a 2010 fantasy film, a sequel to ''The Mystical Adventures of Billy Owens''. The low-budget film was produced as a mockbuster, capitalizing on the success of Harry Potter (film series), ''Harry Potter' ...'' * 2011: ''Jacob'' References External links * Official Site 19 ...
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Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi.
The Asahi Shimbun
Kotobank, Shakuhachi.
The Asahi Shimbun
A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century.
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Native American Flute
The Native American flute is a flute that is held in front of the player, has open finger holes, and has two chambers: one for collecting the breath of the player and a second chamber which creates sound. The player breathes into one end of the flute without the need for an embouchure. A ''block'' on the outside of the instrument directs the player's breath from the first chamber—called the slow air chamber—into the second chamber—called the sound chamber. The design of a ''sound hole'' at the proximal end of the sound chamber causes air from the player's breath to vibrate. This vibration causes a steady resonance of air pressure in the sound chamber that creates sound. Native American flutes comprise a wide range of designs, sizes, and variations—far more varied than most other classes of woodwind instruments. Names The instrument is known by many names. Some of the reasons for the variety of names include: the varied uses of the instrument (e.g. courting), the wide ...
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Bamboo Flute
The bamboo flute, especially the bone flute, is one of the oldest musical instruments known. Examples of Paleolithic bone flutes have survived for more than 40,000 years, to be discovered by archaeologists. While the oldest flutes currently known were found in Europe, Asia too has a long history with the instrument that has continued into the present day. In China, a playable bone flute was discovered, about 9000 years old. Historians have found the bamboo flute has a long history as well, especially China and India. Flutes made history in records and artworks starting in the Zhou dynasty. The oldest written sources reveal the Chinese were using the kuan (a reed instrument) and hsio (or xiao, an end-blown flute, often of bamboo) in the 12th-11th centuries b.c., followed by the chi (or ch'ih) in the 9th century b.c. and the yüeh in the 8th century b.c. Of these, the chi is the oldest documented cross flute or transverse flute, and was made from bamboo. The Chinese have a word ...
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Tarka (flute)
The tarka ( Quechua, Aymara: tharqa) is an indigenous flute of the Andes. Usually made of wood, it has 6 finger holes, fipple on mouth end and free hole on distant end. The tarka is a blockflute, like a recorder, but is comparatively shorter and quite angular in shape, requires greater breath, and has a darker, more penetrating sound. The tarka has three variants: big, medium (tuned by fifth above) and small (tuned by octave above). Usually all three kinds of tarka are used together in a big ensemble, all playing the same melody on three voices at fixed intervals and accompanied by percussion instruments (''tinya'', ''wankar''). This traditional genre is called ''tarqueada''. The tarka is a unique flute of the Andes made by artisans from the western region of Bolivia and Peru Sierra region. Artisans create a delightful sounding instrument which is also a beautifully intricate piece of art rich in detail and (sometimes) color. Versions are also marketed from Bolivia and ot ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ...
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Pinkillu
A pinkillu, pinkuyllu or pinqullu (Quechua or Aymara, Hispanicized spellings ''pincollo, pincuyllo, pingullo, pinquillo'', also ''pinkillo, pinkiyo, pinkullo, pinkuyo'') is a flute found throughout the Andes, used primarily in Argentina, Bolivia, Chile, Ecuador and Peru. It is usually played with one hand, leaving the other one free to accompany oneself on a drum like the ''tinya''. It is used in a variety of public festivals and other kinds of communal ceremonies. Construction and materials The ''pinkillu'' can measure in length up to 1 meter 20 cm, and has six finger holes. It is most commonly made out of cane, but can be made out of bamboo, bone, or tree branches as well. In Peru and Bolivia, sheep and llama nerves are used to tie the instrument together. Among the different kinds there are ''ch'aka pinkillu'' (bone flute), ''qina qina pinkillu'' (cane flute) and ''tupa pinkillu'' (made out of thicker ''tuquru'' cane). Cultural uses and significance The ''pinkillu'' ...
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