Queen Of The Night Clubs
''Queen of the Night Clubs'' is a 1929 American Pre-Code musical drama film produced and directed by Bryan Foy, distributed by Warner Bros., and starred legendary nightclub hostess Texas Guinan. The picture, which featured appearances by Eddie Foy, Jr., Lila Lee, and George Raft, is now considered a lost film. A still existing vintage movie trailer of this film displays no clip of the feature. Plot After working as a hostess for Nick and Andy, Tex Malone leaves their employ and opens a club of her own. Looking for talent to book for the floor show, Tex hires Bee Walters and thereby breaks up Bee's act with Eddie Parr. Andy spitefully kills Tex's friend, Holland, and young Eddie is arrested for the crime on circumstantial evidence. Tex then learns from Eddie's father, Phil, that Eddie is her long-lost son. At the trial, Tex comes to Eddie's defense and persuades one member of the jury that there is reasonable doubt of Eddie's guilt. The jury repairs to Tex's club, where Tex d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bryan Foy
Bryan Foy (December 8, 1896 – April 20, 1977) was an American film producer and director. He produced more than 200 films between 1924 and 1963. He also directed 41 films between 1923 and 1934. He headed the B picture unit at Warner Bros. where he was known as "the keeper of the B's". Biography He was born in Chicago, Illinois, on December 8, 1896. He was the eldest son of the vaudeville star Eddie Foy and appeared with his father in the vaudeville act "Eddie Foy and The Seven Little Foys." The act broke up when Bryan Foy left to join the U.S. Army in World War I in 1918, after which his remaining siblings continued performing with their father under the title, "Eddie Foy and the Younger Foys", through 1923, when their father retired. He was also a songwriter, and by 1916 had several published songs, including "My Honolulu Girl". Foy led Warners B picture unit until 1942 when the studio ended their second features. He was recruited 20th Century Fox where he produced t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charlotte Merriam
Charlotte Merriam (April 5, 1903 – July 10, 1972) was an American motion picture actress. Career Bessie Charlotte Merriam was the daughter of army colonel Henry Clay Merriam (1879-1955) and born in Fort Sheridan, Illinois. Her film career began in 1919 at the age of 16 with a role in ''The Flip of a Coin''. While visiting Universal Pictures that year, she was offered a part in a comedy series starring Eddie Lyons and Leo Moran, possibly to replace their female regular, Betty Compson, who graduated to features. Merriam accepted. Afterward, she played leads in one- and two-reel comedies, and appeared in important parts in longer features. She performed with Colleen Moore in '' The Nth Commandment'' (1923) and was the female lead in '' The Brass Bottle'' (1923), directed by Maurice Tourneur. She signed a long-term contract with Vitagraph Studios in June 1924. Her role of Mary Trail in '' Captain Blood'' (1924) was her transition from comedy to more serious films. Merriam ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Lost Films
For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films. Reasons for loss Films may go missing for a number of reasons. One major contributing factor is the common use of nitrate film until the early 1950s. This type of film is highly flammable, and there have been several devastating fires, such as the Universal Pictures fire in 1924, the 1937 Fox vault fire and the 1965 MGM vault fire. Black-and-white film prints judged to be otherwise worthless were sometimes incinerated to salvage the meager scrap value of the silver image particles in their emulsions. Films have disappeared when production companies went bankrupt. Occasionally, a studio would remake a film and destroy the earlier version. Silent films in particular were once seen as having no further commercial value and were simply junked ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Newsreel
A newsreel is a form of short documentary film, containing news stories and items of topical interest, that was prevalent between the 1910s and the mid 1970s. Typically presented in a cinema, newsreels were a source of current affairs, information, and entertainment for millions of moviegoers. Newsreels were typically exhibited preceding a feature film, but there were also dedicated newsreel theaters in many major cities in the 1930s and ’40s, and some large city cinemas also included a smaller theaterette where newsreels were screened continuously throughout the day. By the end of the 1960s television news broadcasts had supplanted the format. Newsreels are considered significant historical documents, since they are often the only audiovisual record of certain cultural events. History Silent news films were shown in cinemas from the late 19th century. In 1909 Pathé started producing weekly newsreels in Europe. Pathé began producing newsreels for the UK in 1910 and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dick Cavett
Richard Alva Cavett (; born November 19, 1936) is an American television personality and former talk show host. He appeared regularly on nationally broadcast television in the United States for five decades, from the 1960s through the 2000s. In later years, Cavett has written an online column for ''The New York Times'', promoted DVDs of his former shows as well as a book of his ''Times'' columns, and hosted replays of his TV interviews with Bette Davis, Lucille Ball, Salvador Dalí, Lee Marvin, Groucho Marx, Katharine Hepburn, Judy Garland, Marlon Brando, Orson Welles, Woody Allen, Ingmar Bergman, Jean-Luc Godard, Robert Mitchum, John Lennon, George Harrison, Richard Burton, Sophia Loren, Marcello Mastroianni, Kirk Douglas and others on Turner Classic Movies. Early life and education Cavett was born in Buffalo County, Nebraska, but sources differ as to the specific town, locating his birthplace in either Gibbon, where his family lived, or nearby Kearney, the loca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Home Box Office
Home Box Office (HBO) is an American pay television, premium television network, which is the flagship property of namesake parent subsidiary Home Box Office, Inc., itself a unit owned by Warner Bros. Discovery. The overall Home Box Office business unit is based at Warner Bros. Discovery's corporate headquarters inside 30 Hudson Yards in Manhattan's West Side (Manhattan), West Side district. Programming featured on the network consists primarily of Art release#Film, theatrically released feature film, motion pictures and Original programming, original television programs as well as made-for-cable movies, documentaries, occasional comedy and concert television special, specials, and periodic Interstitial television show, interstitial programs (consisting of short films and making-of documentaries). HBO is the oldest and longest continuously operating subscription television service in the United States. HBO pioneered modern pay television upon its launch on November 8, 1972: it w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Cagney
James Francis Cagney Jr. (; July 17, 1899March 30, 1986) was an American actor, dancer and film director. On stage and in film, Cagney was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances. He is remembered for playing multifaceted tough guys in films such as '' The Public Enemy'' (1931), '' Taxi!'' (1932), '' Angels with Dirty Faces'' (1938), ''The Roaring Twenties'' (1939), '' City for Conquest'' (1940) and ''White Heat'' (1949), finding himself typecast or limited by this reputation earlier in his career. He was able to negotiate dancing opportunities in his films and ended up winning the Academy Award for his role in the musical '' Yankee Doodle Dandy'' (1942). In 1999 the American Film Institute ranked him eighth among its list of greatest male stars of the Golden Age of Hollywood. Orson Welles described Cagney as "maybe the greatest actor who ever appeare ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Winner Take All (1932 Film)
''Winner Take All'' is a 1932 American pre-Code drama film directed by Roy Del Ruth and starring James Cagney as a boxer. The film also features a single scene of George Raft conducting a band that had been lifted from '' Queen of the Nightclubs'', an earlier filmEverett Aaker, ''The Films of George Raft'', McFarland & Company, 2013, p. 27 and lost film.Everett Aaker, ''The Films of George Raft'', McFarland & Company, 2013 p. 14 Cagney and Raft would not make a full-fledged film together until ''Each Dawn I Die'' seven years later. Footage from Cagney's fight scenes would be used 52 years later in Cagney's final performance, the 1984 TV-movie '' Terrible Joe Moran'', which also told the story of a former boxer. Plot Rising boxer Jimmy Kane is sent from New York City to the Rosario Ranch and Hot Springs in New Mexico to regain his health after spending too much time with women and drink. There he meets young widow Peggy Harmon and her son Dickie. She eventually falls in love wit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vitaphone
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone was the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack was not printed on the film itself, but issued separately on phonograph records. The discs, recorded at rpm (a speed first used for this system) and typically in diameter, would be played on a turntable physically coupled to the projector motor while the film was being projected. It had a frequency response of 4300 Hz. Many early talkies, such as '' The Jazz Singer'' (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound". The "Vitaphone" trademark was later associated with cartoons and other short subjects that had optical soundtracks and did not use discs. Early history In the e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the cultural life of New York City, ''The New Yorker'' has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of short stories and literary reviews, its rigorous fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue. Overview and history ''The New Yorker'' was founded by Harold Ross and his wife Jane Grant, a ''New York Times'' reporter, and debuted on February 21, 1925. Ross wanted t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Mosher (writer)
John Chapin Mosher (June 2, 1892 – September 3, 1942) was an American short story writer as well as the first regularly assigned film critic for ''The New Yorker'', a position he held from 1928 to 1942. Life and career Mosher was born in Ogdensburg, New York, and graduated from Williams College in Massachusetts in 1914. Moving to New York City in 1915, he joined the editorial staff of the general interest magazine ''Every Week'' and became involved in the Greenwich Village theater community, writing the one-act comedy plays ''Sauce for the Emperor'' and ''Bored'', which were staged by the Provincetown Players in 1916–17. During the First World War Mosher served in the shell shock ward of a U.S. Medical Corps hospital in Portsmouth, England. After the war, Mosher traveled around Europe and wrote various freelance articles for magazines before becoming an English instructor at Northwestern University in Evanston, Illinois. In 1926 he joined the staff of ''The New Yorker' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Film Daily
''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, information on court cases and union difficulties, and equipment breakthroughs. Publication history The publication was originated by Wid Gunning in 1913 (though not as a daily) and was known as ''Wid's Film and Film Folk'' (1915–1916) and ''Wid's Independent Review of Feature Films'' (1916–1918). Gunning was previously film editor at the '' New York Evening Mail''. He also published ''Wid's Weekly'', and ''Wid's Year Book''. In 1918, Joseph ("Danny") Dannenberg and Jack Alicoate purchased an interest in ''Wid's Weekly''. On March 8, 1918 they released a daily publication, ''Wid's Daily''. In 1921, Dannenberg and Alicoate took control of Wid's Films & Film Folk Inc., with Dannenberg as president and editor, and the publication changed name, in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |