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Quatre Motets Sur Des Thèmes Grégoriens
' (Four motets on Gregorian themes), Opus number, Op. 10, are four Sacred music, sacred motets composed by Maurice Duruflé in 1960, based on Gregorian chant, Gregorian Theme (music), themes. He set Ubi caritas et amor, Tota pulchra es, Tu es Petrus and Tantum ergo. History Maurice Duruflé composed the four motets in 1960, based on Gregorian chant, Gregorian Theme (music), themes, as he had done before in his Requiem (Duruflé), Requiem of 1948. He set Latin texts, scored for unaccompanied voices: a mixed choir in Nos. 1, 3 and 4, and a women's choir in No. 2. Duruflé dedicated the work to Auguste Le Guennant, the director of the Gregorian Institute of Paris. The motets were published in 1960 by Éditions Durand, Duruflé's primary publisher. The motets were first performed on 4 May 1961 at the church of Saint-Merri in Paris by the Chorale Stéphane Caillat. Structure, texts and music The four motets set Latin texts for different liturgical occasions: # Ubi caritas et amor # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers /ˈvɛspərz/ () is a Christian liturgy, liturgy of evening prayer, one of the canonical hours in Catholic (both Latin liturgical rites, Latin and Eastern Catholic liturgy, Eastern Catholic liturgical rites), Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran liturgies. The word for this prayer time comes from the Latin ''vesper'', meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox liturgies recognised as vespers (, ) often conclude with compline, especially the all-night vigil. Performing these liturgies together without break was also a common practice in medieval Europe, especially outside of monastic and religious communities. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the liturgy that combines vespers with compline, following the conception of early sixtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James O'Donnell (organist)
James Anthony O'Donnell (born 15 August 1961) is a British organist, choral conductor and academic teacher who has been a professor of organ at the Yale Institute of Sacred Music in Connecticut, United States, since 2023.Yale University, Yale School of Music, People: James O'Donnell, Institute of Sacred Music Retrieved 17 January 2023 He previously served as Organist and Master of the Choristers at from 2000 to 2022, during which time he was responsible for the music at several royal and state functions, including the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westminster Abbey Choir
Westminster Abbey Choir School is a boarding preparatory school for boys in Westminster, London and the only remaining choir school in the United Kingdom which exclusively educates choristers (i.e. only choirboys attend the school). It is located in Dean's Yard, by Westminster Abbey. It educates about 30 boys, aged 8–13 who sing in the Choir of Westminster Abbey, which takes part in state and national occasions as well as singing evensong every day (except Wednesday) and gives concert performances worldwide. Recent tours include to America, Hungary and Moscow. Other tours have included Australia, America and Hong Kong. The school is one of only three choir schools that educate only the male trebles of the choir, the others being Saint Thomas Choir School in New York City and Escolania de Montserrat in Spain. The headteacher is Dr Emma Margrett who became the first female headteacher of Westminster Abbey Choir School on 1 January 2024. The organist and master of the chorister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rutter
Sir John Milford Rutter (born 24 September 1945) is an English composer, conductor, editor, arranger, and record producer, mainly of choral music. Biography Born on 24 September 1945 in London, the son of an industrial chemist and his wife, Rutter grew up living over the Globe pub on London's Marylebone Road. He was educated at Highgate School, where fellow pupils included John Tavener, Howard Shelley, Brian Chapple and Nicholas Snowman. As a chorister there, Rutter took part in the first (1963) recording of Britten's '' War Requiem'' under the composer's baton. He thence read music at Clare College, Cambridge, where he was a member of the choir. Whilst an undergraduate, he had his first compositions published, including the " Shepherd's Pipe Carol". He served as director of music at Clare College from 1975 to 1979, and led the choir to international prominence. In 1981, Rutter founded his own choir, the Cambridge Singers, which he conducts, and with which he has made ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Singers
The Cambridge Singers is an English mixed voice chamber choir formed in 1981 by their director John Rutter with the primary purpose of making recordings under their own label Collegium Records. The group initially comprised former singers from the Choir of Clare College, Cambridge, where Rutter had previously been the music director. They have been involved in the last four Fresh Aire albums (about "mankind's curiosities") of the Mannheim Steamroller band, by composer Chip Davis, but they are primarily a classical choral group. They have recorded several highly acclaimed Christmas albums, including ''Christmas Day in the Morning'', '' Christmas Night: Carols of the Nativity'', ''Christmas Star'', ''Christmas with the Cambridge Singers'', and ''The Cambridge Singers Christmas Album''. List of albums * ''Gloria'' (1983 and 2005) with Philip Jones Brass Ensemble and City of London Sinfonia * ''Fauré: Requiem and other sacred music'' (1984, 1988 and 2010) * ''Hurry to Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Best (conductor)
Matthew Robert Best (6 February 1957 – 10 May 2025) was an English bass singer, choral conductor, composer and academic. He had a long career as a singer at major opera houses of the United Kingdom including the Royal Opera House and the English National Opera, performing lead roles such as Wotan in Wagner's ''Der Ring des Nibelungen''. Best was recognised internationally as conductor of vocal music performed with his ensemble Corydon Singers which he founded at age 16; their recordings of works by Anton Bruckner have been regarded as excellent and earned awards. He taught voice at the Royal Northern College of Music from 2015 until 2024. Life and career Best was born in Farnborough on 6 February 1957. the son of Peter Best and his wife Mary née Reid. He first learned to play the clarinet and became interested in singing and conducting as a teenager. He said in an interview that he was spellbound when he heard a Wagner opera on radio. He attended Sevenoaks School where hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Cleobury
Sir Stephen John Cleobury ( ; 31 December 1948 – 22 November 2019)Sir Stephen Cleobury: Former King's College choir conductor dies aged 70 BBC 23 November 2019 was an English organ (music), organist and music director. He worked with the Choir of King's College, Cambridge, where he served as music director from 1982 to 2019, and with the BBC Singers. King's College has worldwide fame for its Christmas music, having performed a live broadcast on the BBC on Christmas Eve since 1928. During his long tenure as Director of Music, Cleobury made the singers even better known by tours and recordings. From 1984 he introduced the commission of a new Christmas carol annually. Among many honours, he was honorary fellow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir Of King's College, Cambridge
The Choir of King's College, Cambridge is an English Anglican choir. It was created by Henry VI of England, King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his King's College Chapel, Cambridge, Chapel, which remains the main task of the choir to this day. Today the choir is directed by Daniel Hyde (organist), Daniel Hyde and derives much of its fame from the Nine Lessons and Carols, Festival of Nine Lessons and Carols, broadcast worldwide to millions on Christmas Eve every year, and the TV service Carols from King's which accompanies it. The choir commissions a carol from a contemporary composer for each year's festival. History Early history The original statutes specified that the choir should consist of ten chaplains, six clerks (lay singers) and 16 choristers who were to be "poor and needy boys, of sound condition and honest conversation ... knowing competently how to read and sing". Perhaps recognising the workload placed upon the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism In Music
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's '' Impression, Sunrise''. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus their attention on the overall impression.J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, ''A History of Western Music'', eighth edition (New York: W. W. Norton & Company, 2010). . The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pange Lingua
''Pange lingua'' may refer to either of two Mediaeval Latin hymns: *"'' Pange lingua gloriosi proelium certaminis''" by Venantius Fortunatus, a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week. Fortunatus wrote it for a procession that brought a part of the true Cross to Queen Radegunda that year. The last stanza was not written by Fortunatus but was added later. When the hymn is used in the Liturgy of the Hours during Holy Week, it may be broken into smaller units: ''Lustra sex qui iam peregit''; ''En acetum, fel, arundo''; ''Crux fidelis inter omnes''. This hymn is also sometimes found as ''Pange lingua gloriosi lauream certaminis'' *"'' Pange lingua gloriosi corporis mysterium''" by Thomas Aquinas, inspired by the above and written c. 1260, celebrating the Eucharist and used during Corpus Christi. This hymn has often been set to music There is a charming legend that is hinted at in both hymns: the wood of the Cross upon wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
