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Quatre Gats
Els Quatre Gats (; ) is a café in Barcelona, Catalonia, Spain that famously became a popular meeting place for famous artists throughout the modernist period in Catalonia, known as ''Modernisme''. The café opened on 12 June 1897 in the famous Casa Martí, and served as a hostel, bar and cabaret until it eventually became a central meeting point for Barcelona’s most prominent modernist figures, such as Pablo Picasso and Ramon Casas i Carbó. The bar closed due to financial difficulties in June 1903, but was reopened and eventually restored to its original condition in 1989. History Pere Romeu had the idea to open Els Quatre Gats, drawing inspiration from a French café called Le Chat Noir, where he had previously worked. Le Chat Noir translates to “The Black Cat” in English, but the name is a little different in Catalan. Els Quatre Gats means “The Four Cats,” which is derived from a Catalan expression which means “only a few people.” The phrase is usually used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramon Casas
Ramon Casas i Carbó (; 4 January 1866 – 29 February 1932) was a Catalan artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond. He was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets (El garrot). Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as '' modernisme''. Barcelona and Paris Casas was born in Barcelona. His father had made a fortune in Matanzas, Cuba; his mother was from a well-off Catalan family. In 1877 he abandoned the regular course of schooling to study art in the studio of Joan Vicens. In 1881, still in his teens, he was a co-founder of the magazine ''L'Avenç''; the 9 October 1881 issue included his sketch of the cloister of Sant Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josep Llimona I Bruguera
Josep Llimona i Bruguera (; 8 April 1864, in Barcelona – 27 February 1934) was a Spanish sculptor. His first works were academic, but after a stay in Paris, influenced by Auguste Rodin, his style drew closer to ''modernisme''. He was very prolific, and exhibited in Catalonia, Madrid, Paris, Brussels and Buenos Aires. Some of his monumental work is familiar to Barcelona residents and visitors alke. Artistic education and career He studied at the Llotja School in Barcelona and in the studio of the brothers Agapit and Venaci Vallmitjana. He was also a disciple of Rossend Nobas, with whom he worked for two years, and the painter Martí i Alsina, in the school of fine arts in Barcelona. When he was 16 years old he obtained a Fortuny grant, awarded by the City Council, and moved to Rome, where as well as producing the works that were mandatory under the terms of his grant, he made an initial model for an equestrian statue of the count of Barcelona Ramon Berenguer the Great. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Joseph
Joseph (; el, Ἰωσήφ, translit=Ioséph) was a 1st-century Jewish man of Nazareth who, according to the canonical Gospels, was married to Mary, the mother of Jesus, and was the legal father of Jesus. The Gospels also name some brothers of Jesus who may have been: (1) the sons of Mary, the mother of Jesus, and Joseph; (2) sons of Mary, the wife of Clopas and sister of Mary the mother of Jesus; or (3) sons of Joseph by a former marriage. Joseph is venerated as Saint Joseph in the Catholic Church, Orthodox Church, Oriental Orthodox Church and Anglicanism. His feast day is observed by some Lutherans. In Catholic traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. The month of March is dedicated to Saint Joseph. Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a happy death, due to the belief that he died in the presence of Jesus and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, genres, revivals, the artists' crafts, and the artists themselves. Art historians attempt to classify medieval art into major periods and styles, often with some difficulty. A generally accepted scheme includes the later phases of Early Christian art, Migration Period art, Byzantine art, Insular art, Pre-Romanesque, Romanesque art, and Gothic art, as well as many other periods within these central styles. In addition, each region, mostly during the period in the process of becoming nations or cultures, had its own distinct artistic style, such as Anglo-Saxon art or Viking art. Medieval art was produced in many media, and works survive in large numbers in sculpture, illuminated manuscripts, stained glass, metalwork and mosaics, all of which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casa Martí (Barcelona)
The Casa Martí () is a ''modernista'' building designed by Josep Puig i Cadafalch in 1896, having been commissioned by relatives of Francesc Vilumara, a textile magnate. It stands at Carrer Montsió, 3, Barcelona. Striking features of the building, more northern-European than Catalan in appearance, are the large pointed arches on the ground floor containing stained-glass windows, the curious ornamentation of the upper-floor windows and the balconies in Flamboyant style. The exterior is also notable for sculptures by Eusebi Arnau, wrought ironwork by Manuel Ballarín and, on a pedestal on the corner, a statue of Saint Joseph by Josep Llimona. The existing one is a reproduction of the original, which was destroyed during the Civil War and replaced by the City Council in 2000. The building has not been preserved in its entirety. The original lintel of the door by Puig i Cadafalch disappeared in one of the modifications that the building has undergone in its more than one hundre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lluïsa Vidal
Lluïsa Vidal i Puig (Barcelona, 2 April 1876 – 22 October 1918) was a painter. Raised in a well-off family closely related to Catalan modernist circles, she is known as the only professional women painter of Catalan modernism, and one of the few women of that period who went abroad to receive art lessons. Biography Born in the number 13 of Barcelona's Trafalgar street, Lluïsa Vidal was the second of 12 siblings (nine girls and two boys): one of her sisters became associated with Pablo Casals, and another one became the wife of the philologist and writer Manuel de Montoliu. Her father, Francesc Vidal i Jevellí, was a cabinetmaker, set designer, and a foundry worker interested in art and business. Lluïsa grew up in an encouraging environment for artistic creations. She received her first lessons from her father, and also from Joan González ( Julio González's brother), Arcadi Mas i Fondevila and Simó Gómez. While in Paris, she attended Eugène Carrière's lessons, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miquel Utrillo
Miquel Utrillo i Morlius (16 February 1862, Barcelona - 20 January 1934, Sitges) was a Catalan art critic, scenographer, painter, and engineer. Biography He was born to the lawyer, Miquel Utrillo i Riu, originally from Tremp, a liberal republican who lived in exile in France from 1867 to 1882, and his wife, Ramona Morlius i Borràs, from Lleida. He and his mother followed his father into exile, and Miquel was given a bilingual education, initially in Avignon. Later, from 1880 to 1882, he studied engineering at the Institut National Agronomique. When his parents returned to Spain, he remained in Paris and was attracted to the artistic milieu in Montmartre. He was a frequent visitor to the cabaret, Le Chat Noir, where he met the artist, Suzanne Valadon, and became her lover. In 1883, she gave birth to a son; Maurice. She never identified the father, and was known to have had other lovers.Vinyet Panyella, ''Miquel Utrillo i les Arts'', Ajuntament de Sitges, 2009 In 1885, af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricard Opisso
Ricard Opisso (1880–1966) was a Catalan cartoonist, caricaturist, illustrator and painter. Biography Son of Alfred Opisso i Viñas, journalist, historian and critic, and of Antonia Sala I Gil, his sister Regina Opisso, was also a writer. He comes from an illustrious family of artists. His paternal grandfather was Josep Opisso I Roig, journalist and director of the ''Diari de Tarragona'', father of the writers Antonia Opisso i Viña and Antoni Opisso i Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala i Francés. His nephew was Arturo Llorens i Opisso, a writer best known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In the modernist Barcelona of the late nineteenth century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lluís Millet
Lluís Millet i Pagès (18 April 1867 in El Masnou – 7 December 1941 in Barcelona) was a Spanish Catalan composer, musician and co-founder of Orfeó Català in 1891. A student of Felip Pedrell, from 1896 he taught choral music at Barcelona's Escuela Municipal de Musica where he later succeeded Nicolau as director.Spanish Music in the Twentieth Century: 1993- Page 75 "Therefore, we begin with Lluis Millet (1867-1941), a significant figure for Catalonian music not so much as composer but as catalyst of ideas. One of Pedrell's students, he founded the Orfeo Catala in 1891 — of fundamental importance in the musical life of Barcelona — and served as its director until his death. Beginning in 1896 he taught choral music at Barcelona's Escuela Municipal de Musica and later succeeded Nicolau as director. He was a brilliant speaker and writer. As a composer, in addition to an Egloga and Catalanesques for orchestra, ..." He died in 1941 and is interred in the Montjuïc Cemetery in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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