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Quasimidi Rave-O-Lution 309
The Quasimidi Rave-O-Lution 309 is a stand-alone groovebox produced by Quasimidi in 1996. It features an onboard sequencer and has the ability to mute parts during playback making this unit ideal for live performances. The machine features two oscillators for sound generation, (pulse, pulse variable, saw down, saw up, square, and triangle.) Sounds The Rave-O-Lution 309 contains analogue, electronic drum and bass synth sounds. Sequencer The unit features 100 preset and 100 user patterns. Effects The effects included with this machine are: * Modulation * Delay * Reverb Controls Notable users * Apollo 440 * Nine Inch Nails * KMFDM KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. ... References Further reading * * *{{cite magazine, title=Quasimidi Rave-O-Lution, page=37, ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quasimidi
Quasimidi Musikelektronik GmbH was a German synthesizer manufacturer from Hesse. It was founded in 1987 by Friedhelm Haar and Jörg Reichstein. It was originally based in Kirchhain, but moved to Rauschenberg in 1998. The company folded in 2000. During the early part of its life, the company produced MIDI master keyboards, and later the Quasimidi Styledrive, which could store and replay MIDI sequences and SYSEX/CC messages. The company also produced an upgrade kit to expand the capabilities of the popular Roland E-20 keyboard, as well as several ROM cards for the E-20 offering additional accompaniment styles. Subsequently, they became notable for their range of synthesizers, which were aimed primarily at the dance music market of the day. Their first popular synthesizer was the Quasimidi Quasar, a rack-mounted digital synthesizer module which was released in 1993. The presets and drum sounds eschewed the typical General Midi specification, which was in vogue at the time, in favour o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based Synthesis
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instruments have been used since the Computer Music Melodian, the Fairlight CMI an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physical Modelling Synthesis
Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument. General methodology Modelling attempts to replicate laws of physics that govern sound production, and will typically have several parameters, some of which are constants that describe the physical materials and dimensions of the instrument, while others are time-dependent functions describing the player's interaction with the instrument, such as plucking a string, or covering toneholes. For example, to model the sound of a drum, there would be a mathematical model of how striking the drumhead injects energy into a two-dimensional membrane. Incorporating this, a larger model would simulate the properties of the membrane (mass density, stiffness, etc.), its coupling with the resonance of the cylindrical body of the drum, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groovebox
A groovebox is a self-contained electronic or digital musical instrument for the production of live, loop-based electronic music with a high degree of user control facilitating improvisation. The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. The term has since entered general use, and the concept dates back to the Movement Computer Systems Drum Computer in 1981. A groovebox consists of three integrated elements. * One or more sound sources, such as a drum machine, a synthesizer, or a sampler * A music sequencer * A control surface that is a combination of knobs (potentiometers or rotary encoders), sliders, buttons, and display elements (LEDs and/or an LCD screen) The integration of these elements into a single system allows the musician to rapidly construct and control a pattern-based sequence, often with multiple instrumental or percussion voices playing simultaneously. These sequences may also be quickly chained to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and adj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo 440
Apollo 440 (also known as Apollo Four Forty or @440) are a British electronic music group formed in Liverpool in 1990. The group has written, recorded, and produced five studio albums, collaborated with and produced other artists, remixed as Apollo 440 and as ambient cinematic alter-ego Stealth Sonic Orchestra, and created music for film, television, advertisements and multimedia. They notched up ten UK top 40 singles with three top-tens, and had a chart presence worldwide. Its name comes from the Apollo program and the frequency of concert pitch — the A note at 440 Hz, often denoted as "A440", and the Sequential Circuits sampler/sequencer, the Studio 440. They changed the writing of their name from Apollo 440 to Apollo Four Forty in 1996, though they switched back for their latest album. To date, Apollo 440's remixes range from U2, P. Diddy/ Jimmy Page, Jean-Michel Jarre and Ennio Morricone. Among their Stealth Sonic Orchestra remixes are a series of Manic Street Preac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Inch Nails
Nine Inch Nails, commonly abbreviated as NIN and stylized as NIИ, is an American industrial rock band formed in Cleveland in 1988. Singer, songwriter, multi-instrumentalist, and producer Trent Reznor was the only permanent member of the band until his frequent collaborator, Atticus Ross, joined in 2016. The band's debut album, ''Pretty Hate Machine'' (1989), was released via TVT Records. After disagreeing with TVT about how to promote the album, the band signed with Interscope Records and released the EP ''Broken'' (1992). The following albums, ''The Downward Spiral'' (1994) and ''The Fragile'' (1999), were released to critical acclaim and commercial success. Following a hiatus, Nine Inch Nails resumed touring in 2005 and released the album ''With Teeth'' (2005). Following the release of the album ''Year Zero'' (2007), the band left Interscope after a feud. Nine Inch Nails continued touring and independently released ''Ghosts I–IV'' (2008) and ''The Slip'' (2008) before a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KMFDM
KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on Metropolis Records, and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizers
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
