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Quasimidi Polymorph
The Quasimidi Polymorph sequencer and synthesizer was released by Quasimidi in 1999. The synthesiser is a full featured and powerful Analog emulation synthesizer that assumes an evolved form and purpose of its predecessor - the Quasimidi Rave-O-Lution 309 which was released in 1996. Sound The ''Polymorph'' is basically four synths loaded with synth and drum sounds, geared towards electronica and other forms of synthesizer music. Individual ADSR envelope generators and filters per oscillator make for a totally tweakable and flexible synthesizer. Sequencer The sequencer: 16 step, 8 variations, 4 parts or instruments. Parts and even notes can be muted or changed in real time to build and decompose grooves or synth textures. There are also preset phrase patterns to play around with. Effects Can be assigned to each of the four parts independently * Distortion * EQing * Reverb * Chorus * Flange Controls The controls, knobs and sequencer can all be controlled via MIDI for in-stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quasimidi
Quasimidi Musikelektronik GmbH was a German synthesizer manufacturer from Hesse. It was founded in 1987 by Friedhelm Haar and Jörg Reichstein. It was originally based in Kirchhain, but moved to Rauschenberg in 1998. The company folded in 2000. During the early part of its life, the company produced MIDI master keyboards, and later the Quasimidi Styledrive, which could store and replay MIDI sequences and SYSEX/CC messages. The company also produced an upgrade kit to expand the capabilities of the popular Roland E-20 keyboard, as well as several ROM cards for the E-20 offering additional accompaniment styles. Subsequently, they became notable for their range of synthesizers, which were aimed primarily at the dance music market of the day. Their first popular synthesizer was the Quasimidi Quasar, a rack-mounted digital synthesizer module which was released in 1993. The presets and drum sounds eschewed the typical General Midi specification, which was in vogue at the time, in favour o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ADSR Envelope Generator
In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencies (with the use of filters) or pitch. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common form of envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Development The Hammond Novachord in 1938 used an early implementation of an ADSR envelope. A seven-position rotary knob selects preset ADS parameter for all 72 notes; a pedal controls the release. The envelope generator was created by the American engineer Robert Moog in the 1960s. While experimenting with the first Moog synthesizers, composer Herbert Deutsch suggested Moog find a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prodigy (rapper)
Albert Johnson (November 2, 1974 – June 20, 2017), better known by his stage name Prodigy, was an American rapper. With Havoc, he was one half of the hip hop duo Mobb Deep. Early life Prodigy was born on November 2, 1974, in Hempstead, New York, on Long Island. He was raised in LeFrak City, in Queens. He had one elder brother, Greg Johnson. He came from a musical family. His grandfather Budd Johnson was a saxophonist who was inducted into the Big Band and Jazz Hall of Fame in 1993. His grand-uncle, Keg Johnson, was a trombonist. Both of them are remembered for their contributions to the bebop era of jazz. His mother, Fatima Frances (Collins) Johnson,Blisteen, JonMobb Deep Rapper Prodigy Dead at 42 ''Rolling Stone''. June 20, 2017. was a member of The Crystals. His father, Budd Johnson Jr., was a member of a doo-wop music group called The Chanters. His great-great-great-grandfather, William Jefferson White, founded Georgia's Morehouse College. While attending the High S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. But his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by ''Équinoxe'', and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orbital (band)
Orbital are an English electronic music duo from Otford, Kent, England, consisting of brothers Phil and Paul Hartnoll. The band's name is taken from Greater London's orbital motorway, the M25, which was central to the early rave scene during the early days of acid house. Additionally, the cover art on three of their albums showcase stylised atomic orbitals. Orbital have been critically and commercially successful, known particularly for their live improvisation during shows. They were initially influenced by early electro and punk rock. Career Early years In 1989, Orbital recorded " Chime" on their father's 4 track tape deck, which they released on Oh Zone Records in December 1989 and re-released on FFRR Records a few months later. The track became a rave anthem, reaching number 17 in the UK charts and earning them an appearance on ''Top of the Pops'', during which they wore anti- Poll Tax T-shirts. According to Paul Hartnoll, the track was recorded "under the stairs" of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanging
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term "flang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus Effect
Chorus (or chorusing, choruser or chorused effect) is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device. When the effect is produced successfully, none of the constituent sounds are perceived as being out of tune. It is characteristic of sounds with a rich, shimmering quality that would be absent if the sound came from a single source. The shimmer occurs because of beating. The effect is more apparent when listening to sounds that sustain for longer periods of time. The chorus effect is especially easy to hear when listening to a choir or string ensemble. A choir has multiple people singing each part ( alto, tenor, etc.). A string ensemble has multiple violinists and possibly multiples of other stringed instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equalization (audio)
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent. Since equalizers "adjust the amplitude of audio signals at particular frequencies" they are, "in other words, frequency-specific volume knobs." Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement and in instrument amplifiers, such as guitar amplifiers, to correct or adjust the response of mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Oscillator
An electronic oscillator is an electronic circuit that produces a periodic, oscillation, oscillating electronic signal, often a sine wave or a square wave or a triangle wave. Oscillation, Oscillators convert direct current (DC) from a power supply to an alternating current (AC) signal. They are widely used in many electronic devices ranging from simplest clock generators to digital instruments (like calculators) and complex computers and peripherals etc. Common examples of signals generated by oscillators include signals broadcast by Transmitter, radio and television transmitters, clock signals that regulate computers and quartz clocks, and the sounds produced by electronic beepers and video games. Oscillators are often characterized by the frequency of their output signal: *A Low-frequency oscillation, low-frequency oscillator (LFO) is an electronic oscillator that generates a frequency below approximately 20 Hz. This term is typically used in the field of audio synthesiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Filter
An audio filter is a frequency dependent circuit, working in the audio frequency range, 0 Hz to 20 kHz. Audio filters can amplify (boost), pass or attenuate (cut) some frequency ranges. Many types of filters exist for different audio applications including hi-fi stereo systems, musical synthesizers, effects units, sound reinforcement systems, instrument amplifiers and virtual reality systems. Types ;Low-pass :Low-pass filters pass through frequencies below their cutoff frequencies, and progressively attenuates frequencies above the cutoff frequency. Low-pass filters are used in audio crossovers to remove high-frequency content from signals being sent to a low-frequency subwoofer system. ;High-pass :A high-pass filter does the opposite, passing high frequencies above the cutoff frequency, and progressively attenuating frequencies below the cutoff frequency. A high-pass filter can be used in an audio crossover to remove low-frequency content from a signal being sent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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