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Quadrille (Guitry)
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The quadrille also gave rise to Cape Breton Square Dancing via American square dancing in New England. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as '' kwadril'', and the dance is also still found in Madagascar as well as old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a smal ...
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The First Quadrille At Almack's
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archai ...
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Arabesque (ballet Position)
Arabesque (; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the ''supporting'' leg–with the other leg–the ''working'' leg– turned out and extended behind the body, with both legs held straight. In classical ballet, an arabesque can be executed with the supporting leg ''en pointe'' or '' demi pointe'' or with foot flat on the floor. The working leg may touch the floor in ''tendu'' back – an ''arabesque par terre'' – or be elevated. Common elevation angles of the raised leg are 45° – ''à demi hauteur'' – and 90° – ''à la hauteur''. When the angle is much greater than 90° and the body trunk leans forward to counterbalance the working leg, the position is called ''arabesque penchée''. The arms may be held in various positions. Arabesques are described from the perspective of the dancer, in terms of the stage reference points used by the training system. ...
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Country Dance
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles. As a musical form written in or time, the contredanse was used by Beethoven and Mozart. Introduced to South America by French immigrants, Country Dance had great influence upon Latin American music as contradanza. The ''Anglais'' (from the French word meaning "English") or ''Angloise'' is another term for the English country dance. A Scottish country dance may be termed an . ...
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Square Dance
A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances contain elements from numerous traditional dances and were first documented in 16th-century England, but they were also quite common in France and throughout Europe. Early square dances, particularly English country dances and French quadrilles, traveled to North America with the European settlers and developed significantly there. In some countries and regions, through preservation and repetition, square dances have attained the status of a folk dance. Square dancing is strongly associated with the United States, in part due to its association with the romanticized image of the American cowboy in the 20th century, and 31 states have designated it as their official state dance. The main North American types of square dances include traditional square dance and modern western square dance, which is widely k ...
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Joseph Binns Hart
Joseph Binns Hart (5 June 1794 – 10 December 1844) was an English organist, and a compiler of dance music, particularly of the quadrille. Life He was born in London on 5 June 1794. He was chorister at St Paul's Cathedral under John Sale from 1801 to 1810, and during those years took organ lessons from Samuel Wesley and Matthew Cook, piano lessons from Johann Baptist Cramer. Aged eleven Hart often deputised for Thomas Attwood, the organist of St Paul's Cathedral. In 1810 he became organist of St Mary's Church, Walthamstow, and joined the Earl of Uxbridge's household as organist for three years. He subsequently became organist of All Hallows' Church, Tottenham. On the introduction of the quadrille at Almack's by Lady Jersey after 1815, Hart, who was described as teacher and pianist at private balls, began his long series of adaptations of national and operatic airs to the fashionable dance measures. His most notable achievement was the compilation in 1819 of a set of '' Les ...
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Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as '' kwadril'', and the dance is also still found in Madagascar and is within old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a small square). The dance was introduced in France around 1760: originally it was a form of cotillion in ...
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The Mock Turtle%27s Song
"The Mock Turtle's Song", also known as the "Lobster Quadrille", is a song recited by the Mock Turtle in Lewis Carroll's 1865 novel ''Alice's Adventures in Wonderland'', accompanied by a dance. It was taught to him at school by his teacher called Tortoise. Context "The Lobster Quadrille" is a song written by Charles Lutwidge Dodgson (Lewis Carroll). It is a parody of " The Spider and the Fly" by Mary Botham Howitt. It appeared in Chapter 10 of Carroll's book ''Alice's Adventures in Wonderland'', and was sung by a character in the book, the Mock Turtle. The poem is very similar to "The Spider and the Fly" in its rhyme scheme, meter, and tone. The first lines of the two songs are as follows: ''Will you walk a little faster said a whiting to a snail...'' (The Lobster Quadrille) ''Will you walk into my parlour said a spider to a fly...'' (The Spider and the Fly) The song fits into the flow of chapters 9 and 10, "The Mock Turtle's Story" and "The Lobster Quadrille", which are a ...
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Alice's Adventures In Wonderland
''Alice's Adventures in Wonderland'' (commonly ''Alice in Wonderland'') is an 1865 English novel by Lewis Carroll. It details the story of a young girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book. It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating a new era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her given name with Alice Liddell, a girl Carrol ...
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Lewis Carroll
Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ''Through the Looking-Glass'' (1871). He was noted for his facility with word play, logic, and fantasy. His poems ''Jabberwocky'' (1871) and ''The Hunting of the Snark'' (1876) are classified in the genre of literary nonsense. Carroll came from a family of high-church Anglicanism, Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, the daughter of Christ Church's dean Henry Liddell, is widely identified as the original inspiration for ''Alice in Wonderland'', though Carroll always denied this. An avid puzzler, Carroll created the word ladder puzzle (which he then called "Doublets"), which he published in his weekly column for ''Vanity Fair ( ...
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Balance Of Power In International Relations
The balance of power theory in international relations suggests that states may secure their survival by preventing any one state from gaining enough military power to dominate all others. If one state becomes much stronger, the theory predicts it will take advantage of its weaker neighbors, thereby driving them to unite in a defensive coalition. Some realists maintain that a balance-of-power system is more stable than one with a dominant state, as aggression is unprofitable when there is equilibrium of power between rival coalitions. When threatened, states may seek safety either by ''balancing'', allying with others against the prevailing threat; or '' bandwagoning'', aligning themselves with the threatening power. Other alliance tactics include '' buck-passing'' and ''chain-ganging''. Realists have long debated how the polarity of a system impacts the choice of tactics; however, it is generally agreed that in bipolar systems, each great power has no choice but to direc ...
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Stately Quadrille
{{Unreferenced, date=December 2018 The ''stately quadrille'' is the name given to set of constantly shifting alliances between the great powers of Europe during the 18th century. The ultimate objective was to maintain the balance of power in Europe to stop any one alliance or country becoming too strong. It takes its name from the quadrille, a dance in which the participants constantly swap partners. The most widely cited instance was in 1756, when Britain and Austria abandoned their 25-year-long Anglo-Austrian Alliance and instead made new alliances with their former enemies, Prussia and France, respectively. That was known as the Diplomatic Revolution. Background Shifting alliances had long been a factor in European politics and were often regarded as responses to shifting power and threat. During the 16th century and the early 17th century, much of the emphasis in European politics had been on restricting the power of the Habsburgs in Spain and the Holy Roman Empire. Under th ...
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