Quadrangle (Springfield, Massachusetts)
The Quadrangle is the common name for a cluster of museums and cultural institutions in Metro Center, Springfield, Massachusetts, on Chestnut Street between State and Edwards Streets. The Dr. Seuss National Memorial Sculpture Garden, in the center of the Quadrangle, is surrounded by a park, a library, five museums, and a cathedral. A second cathedral is just on the Quadrangle's periphery. Merrick Park On the corner of Chestnut and State Streets, Merrick Park is distinguished by sculptor Augustus Saint-Gaudens ''The Puritan'', a statue depicting one of Springfield's settlers, Deacon Samuel Chapin. Springfield Central Library and Christ Church Cathedral are adjacent to the park. Springfield City Library The Central Library, constructed in 1913, was paid for by Andrew Carnegie. It is the second library to be built at that location. The nonfiction department is based in Rice Hall (named for William Rice), consisting of a main floor and mezzanine. Opposite Rice Hall is the A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metro Center, Springfield, Massachusetts
Metro Center is the original colonial settlement of Springfield, Massachusetts, located beside a bend in the Connecticut River. As of 2019, Metro Center features a majority of Western Massachusetts' most important cultural, business, and civic venues.Zimmerman/Volk AssociatesResidential Market Potential, Downtown Springfield for City of Springfield, December 2006 Metro Center includes Springfield's Central Business District, its Club Quarter, its government center, its convention headquarters, and in recent years, it has become an increasingly popular residential district, especially among young professionals, empty-nesters, and creative types, with a population of approximately 7,000 (2010.) Metro Center is physically separated from the Connecticut River by Interstate 91 – a 1958 urban renewal project that separated the city from its riverfront. Early history It is difficult to estimate the origins of human habitation in the Connecticut River Valley, but there are physical sig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Emanuel De Witte
Emanuel de Witte (1617–1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings. Life De Witte was born in Alkmaar and learned geometry from his father a schoolmaster. He joined the local Guild of St Luke in 1636. After a stay in Rotterdam, he moved to Delft and studied with Evert van Aelst. In 1651 de Witte settled in Amsterdam where his first wife, Geerje Arents, died in 1655. He then married a 23-year-old orphan, Lysbeth van der Plas, who exercised a bad influence on de Witte's adolescent daughter. In December 1659 both were arrested for theft from a neighbour. Lysbeth, pregnant, had to leave the city for a period of six years; she lived outside the city walls and died in 1663. Following the arrest of his wife and child, de Witte was forced to indenture himself to the Amsterdam nota ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst, p. 26–27. However, he is best known today for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Patel
Pierre Patel (1605 – 5 August 1676) was a French painter. Patel was born in Picardy and was admitted to the Guild of Saint-Germain-des-Prés in 1633 and the Académie de Saint-Luc The Académie de Saint-Luc was the guild of painters and sculptors set up in Paris in 1391, and dissolved in 1776.Alfred Fierro (1996). ''Histoire et Dictionnaire de Paris''. Paris: Robert Laffont. It was set up by the Provost of Paris in 1391, a ... in 1635. He primarily painted landscapes. In 1648 he had a son Pierre-Antoine Patel, who also became a painter. Patel died in Paris in 1676. References External links * 17th-century French painters French male painters 1605 births 1676 deaths Painters from Paris {{France-painter-17thC-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Goswin Van Der Weyden
Goswin is a Germanic male given name originally meaning "friend (''win'') of the Goths (''gos'')"Goswijn in the Corpus of First Names in The Netherlands. As ''Gosewijn'', ''Goswijn'' or ''Gozewijn'' (with short forms ''Goos'', ''Goes'', ''Gosse'' and ''Geus'') it was quite common in the Middle Ages in the Low Countries. an Gosse in the Corpus of First Names in The Netherlands. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Daniele Da Volterra
Daniele Ricciarelli (; 15094 April 1566), better known as Daniele da Volterra (, ), was a Mannerist Italian painter and sculptor. He is best remembered for his association with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo. After Michelangelo's death, Daniele was hired to cover the genitals in his '' Last Judgment'' with vestments and loincloths. This earned him the nickname ("the breeches maker"). Biography Daniele Ricciarelli was born in Volterra (in present-day Tuscany). As a boy, he initially studied with the Sienese artists Il Sodoma and Baldassare Peruzzi, but he was not well received and left them. He appears to have accompanied the latter to Rome in 1535, and helped paint the frescoes in the Palazzo Massimo alle Colonne. He then became an apprentice to Perino del Vaga. From 1538 to 1541 he helped Perino with the painting of frescoes in the villa of Cardinal Trivuzio at Salone, in the Ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Il Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolás Francés
Nicolás Francés (died 1468) was a Spanish painter and miniaturist. Early life Originally from Burgundy, Francés has been documented as residing in León, Spain since before 1434 and until May 1468, the date of his death. He worked on an altarpiece for the León Cathedral, around July 25, 1434. A year later he had fixed his residence along with his wife Juana Martinez to Cardiles Street, in a house owned by the city council. By 1461 the painter had executed major expansions to the house. He added a kitchen with cellar, yard, well, stable and barn, and farms. León Cathedral The old altar of the León Cathedral, made up of more than a hundred tables, was since dismantled in 1740 after being replaced by another Baroque altarpiece. Only five of the eighteen major scenes were embedded in the current neomudéjar altarpiece, and a score of smaller tables occupying the grooves, reused in the episcopal chair of the same presbytery. The motifs represented, with a major feature anecdot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Spinello Aretino
Spinello Aretino (c. 1350 – c. 1410) was an Italian painter from Arezzo, who was active in Tuscany at the end of the 14th and the first decennium of the 15th century.S. Petrocchi, ''Spinello Aretino'' in: Enciclopedia dell' Arte Medievale (1999) His style influenced the development of late 14th- and early 15th-century painting in Tuscany. Life Spinello Aretino was the son of a Florentine named Luca. His family was active in the goldsmith trade and had taken refuge in Arezzo in 1310 when the rest of the party was exiled from[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |