|
Python (painter)
Python (ca. 360-320 BCE) was a Greek vase painter in the city of Poseidonia (modern Paestum) in Campania, Southern Italy, one of the major cities of Magna Graecia in the fourth Century BC. Together with his close collaborator and likely master Asteas, Python is one of only two vase painters from Southern Italy whose names have survived on extant works. It has even been suggested that the joint workshop of Asteas and Python in Paestum was a family business. (He is not to be confused with the attic vase painter of the early fifth century BC of the same name.) There are two extant works signed by the Paestan Python: A bell krater showing Alcmene on the pyre, about to be burned by Amphitryon, being rescued by Zeus, who provided a rainfall that extinguished the flames. Python's signature is in the rim of the obverse face, (with the verb in the contracted form: ΠΥΘΟΝ ΕΓΡΑΦΕ). Reverse: Youthful Dionysus with two dancing maenads and three satyrs watching from a higher level. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antikensammlung Berlin 496
The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork. History of the collection Foundation The collection's foundations were laid in the time of the Brandenburg Elector Friedrich Wilhelm I by ancient sculptures looted in 1656 from the ''Villa Regia'' Palace in Warsaw. The obtained sculptures were purchased in Italy by Polish kings Sigismund III Vasa and Władysław IV Vasa. This core of the collection, originally housed at the Berlin City ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcmene
In Greek mythology, Alcmene () or Alcmena (; Ancient Greek: Ἀλκμήνη or Doric Greek: Ἀλκμάνα, Latin: Alcumena means "strong in wrath") was the wife of Amphitryon by whom she bore two children, Iphicles and Laonome. She is best known as the mother of Heracles, whose father was the god Zeus. Alcmene was also referred to as Electryone (Ἠλεκτρυώνη), a patronymic name as a daughter of Electryon. Mythology Background According to the '' Bibliotheca'', Alcmene was born to Electryon, the son of Perseus and Andromeda, and king of Tiryns and Mycenae or Medea in Argolis. Her mother was Anaxo, daughter of Alcaeus and Astydamia.Apollodorus2.4.5/ref> Other accounts say her mother was Lysidice, the daughter of Pelops and Hippodameia,Plutarch, ''Lives'' Theseu7.1/ref> or Eurydice, the daughter of Pelops. According to Pausanias, the poet Asius made Alcmene the daughter of Amphiaraus and Eriphyle. Hesiod describes Alcmene as the tallest, most beautiful woman with wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lebes
The lebes (Greek 'λέβης', plural ''lebetes'') is a type of ancient Greek cauldron, normally in bronze. It is a deep bowl with a rounded bottom. It was often supported by a sacrificial tripod. In classical times, a foot was attached and it was typically used as a cooking pot. Variants Tripod lebes The tripod lebes is characterized by two round vertical handles and by three strut-supported legs. All were separately cast then riveted to the cauldron. Artefactual evidence indicates the tripod lebes was not used as a mixing bowl, even long after it lost its role as a cooking pot. Lebes gamikos The lebes gamikos (pl. lebetes gamikoi), or ''nuptial lebes'', appears to have been a part of pre-wedding purification ceremonies, and was often made in pottery. It may have stood by the bride's door and was probably used in ritual sprinkling of the bride with water. Lebetes gamikoi stood on variously long or short bases and each typically was painted with a scene of a wedding procession ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphorae
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maenad
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label=Genitive case, genitive Aeolic Greek, Boeotian Aeolic and Doric Greek#Laconian, Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label=Genitive case, genitive el, Δίας, ''Días'' () is the sky father, sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his ancient Roman religion, Roman interpretatio graeca, equivalent Jupiter (mythology), Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz (deity), Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea (mythology), Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphitryon
Amphitryon (; Ancient Greek: Ἀμφιτρύων, ''gen''.: Ἀμφιτρύωνος; usually interpreted as "harassing either side", Latin: Amphitruo), in Greek mythology, was a son of Alcaeus, king of Tiryns in Argolis. His mother was named either Astydameia, the daughter of Pelops and Hippodamia, or Laonome, daughter of Guneus, or else Hipponome, daughter of Menoeceus. Amphitryon was the brother of Anaxo (wife of Electryon), and Perimede (mythology), Perimede, wife of Licymnius. He was a husband of Alcmene, Electryon's daughter, and stepfather of the Greek hero Heracles.Roman, L., & Roman, M. (2010). Mythology Amphitryon, a Thebes, Greece, Theban general, was originally from Tiryns in the eastern part of the Peloponnese, and was a friend of Panopeus (mythology) , Panopeus. Having accidentally killed his father-in-law Electryon, king of Mycenae, Amphitryon was driven out by Electryon's brother, Sthenelus (son of Andromeda and Perseus), Sthenelus. He fled with Alcmene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic Vase
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell-Krater With An Elderly Satyr Followed By Young Dionysos LACMA 50
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asteas
Asteas (active between 350 and 320 BC in Paestum, Southern Italy) was one of the more active ancient Greek vase painters in Magna Graecia, practicing the red-figure style. He managed a large workshop, in which above all hydriai and krater A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, krat ...s were painted. He painted mostly mythological and theatrical scenes. He is one of the few vase painters of the Greek colonies whose name comes down to us. Selected works *Berlin, Antikensammlung :Calyx krater F 304*Kassel, Staatliche Museen :Skyphos *Malibu, J. Paul Getty Museum :Calyx krater 81.AE.78 ''(2006 als Fund aus einer Raubgrabung an Italien zurückgegeben)'*Paris, Musée National du Louvre :Lekanis K 57*Tampa, Tampa Museum of Art :Hydria 89.9 References * Arthur Dale Trendall. ''The re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Satyr")
