Pygmy Music
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Pygmy Music
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers (or "Pygmies"), predominantly in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Bayaka, the Mbuti, and the Batwa. Music is an important part of Pygmy life, and casual performances take place during many of the day's events. Music comes in many forms, including the spiritual likanos stories, vocable singing and music played from a variety of instruments including the bow harp (''ieta''), '' ngombi'' (harp zither) and '' limbindi'' (a string bow). Researchers who have studied Pygmy music include Simha Arom, Louis Sarno, Colin Turnbull and Jean-Pierre Hallet. Polyphonic song The Mbenga ( Aka/Benzele) and Baka peoples in the west and the Mbuti (Efé) in the east are particularly known for their dense contrapuntal communal improvisation. Simha Arom says that the level of polyphonic complexity of Mbenga–Mbuti music was reached in Europe only ...
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Africa Speaks! (1930) - Pygmy Drummers
''Africa Speaks!'' is a 1930 American documentary film directed by Walter Futter and narrated by Lowell Thomas. It is an exploitation film. Premise Paul L. Hoefler heads a 1928 expedition to Africa capturing wildlife and tribes on film. Production Although the film was shot over the fourteen months of the expedition in the Serengeti and in Uganda, a scene involving an attack by a lion on a native was apparently staged at the Selig Zoo in Los Angeles and involved a toothless lion. Hoefler wrote a book entitled ''Africa Speaks'' about the expedition that was published in 1931. References in popular culture The title of the film was parodied in the 1940 cartoon '' Africa Squeaks'' and the 1949 Abbott and Costello film ''Africa Screams''. DVD release ''Africa Speaks'' was released on Region 0 DVD-R by Alpha Video on July 7, 2015. See also *Goona-goona epic "Goona-goona epic" refers to a particular type of native-culture exploitation film set in remote parts of the Far Ea ...
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Colin Turnbull
Colin Macmillan Turnbull (November 23, 1924 – July 28, 1994) was a British-American anthropologist who came to public attention with the popular books '' The Forest People'' (on the Mbuti Pygmies of Zaire) and '' The Mountain People'' (on the Ik people of Uganda), and one of the first anthropologists to work in the field of ethnomusicology. Early life Turnbull was born in London and educated at Westminster School and Magdalen College, Oxford, where he studied politics and philosophy. During World War II he was in the Royal Naval Volunteer Reserve after which he was awarded a two-year grant in the Department of Indian Religion and Philosophy, Banaras Hindu University, India, from which he graduated with a master's degree in Indian Religion and Philosophy. Career In 1951, after his graduation from Banaras, Turnbull traveled to the Belgian Congo (present-day Democratic Republic of the Congo) with Newton Beal, a schoolteacher from Ohio he met in India. Turnbull and Beal first ...
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Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ...
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Bali
Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy. Bali is the only Hindu-majority province in Indonesia, with 86.9% of the population adhering to Balinese Hinduism. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in ...
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Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass- ostinato and written in triple metre. Origin The term passacaglia ( es, pasacalle; french: passacaille; Italian: ''passacaglia'', ''passacaglio'', ''passagallo'', ''passacagli'', ''passacaglie'') derives from the Spanish ''pasar'' (to walk) and ''calle'' (street). It originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. Despite the form's Spanish roots (confirmed by references in Spanish literature of the period), the first written examples of passacaglias are found in an Italian source dated 1606. These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula. The passacaglia was redefined in the late 1620s by Italian composer Girolamo ...
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as " Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of ...
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Representative List Of The Intangible Cultural Heritage Of Humanity
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. the programme compiles two lists. The longer, Representative List of the Intangible Cultural Heritage of Humanity, comprises cultural "practices and expressio ...
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Aka (Pygmy Tribe)
Aka, AKA or a.k.a. may refer to: * "Also known as", used to introduce an alternative name Languages * Aka language (Sudan) * Aka language, in the Central African Republic * Hruso language, in India, also referred to as Aka * a prefix in the names of Great Andamanese languages * Akan language (ISO 639-2 and ISO 639-3 codes) People * Aka (name), a list of people with the given name or surname * Aka people, in the Central African Republic and Congo * Aka (tribe), of Kameng, Arunachal Pradesh, India * AKA (rapper), stage name of South African Kiernan Forbes (1988–2023) Places Japan * Aka, Fukuoka, a village * Mount Aka (Daisetsuzan), Daisetsuzan National Park, Hokkaidō * Mount Aka (Yatsugatake), Yatsugatake Mountains, Honshū * Aka Island, Okinawa Prefecture * Aka River, Yamagata Prefecture Elsewhere * Aka, Hungary, a village * Aka Hills, Arunachal Pradesh, India * Aka, Iran, a village in Khuzestan Province Arts and entertainment Film and television * ''AKA'' (film), a ...
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Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to ...
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Improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals. Engineering Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw. Engineering improvisations may ...
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has bee ...
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