|
Psychotic Reaction
"Psychotic Reaction" is a song by the American garage rock band Count Five, released in June 1966 on their Psychotic Reaction (album), debut studio album of the same name. Background "Psychotic Reaction" was born out of an instrumental that Count Five played for six months before their manager Sol Ellner, Kenn Ellner's father, suggested that rhythm guitarist John "Sean" Byrne" write lyrics for it. Inspiration came in early 1966 when Byrne was seated in a health education class during his freshmen year at San Jose City College in California. As his professor lectured about psychosis and neurosis, Byrne's friend Ron Lamb, seated next to him, leaned over and whispered, "You know what would be a great name for a song? Psychotic Reaction!" Byrne later stated, "That was the missing punch-line for the song". He finished the lyrics and presented them to the rest of the group at band practice that night. When the band played the song live a few weeks later at a dance at West Valley College ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hansa Records
Hansa Records (also known as Hansa, Hansa Musik Produktion or Hansa International) was a record label founded in the 1960s based in Berlin, Germany. Profile The label's most successful act commercially was the German-based band Boney M. with million-selling hits like "Rivers of Babylon", " Brown Girl in the Ring" and " Mary's Boy Child - Oh My Lord". David Bowie mastered '' Low'' and recorded ''Heroes'' at their studio in Berlin. After a decline in sales both domestically and internationally in the mid 80s, Hansa was eventually purchased by Bertelsmann Music Group, who merged them with several other labels like Ariola Records to form BMG Berlin Musik GmbH/ BMG-Ariola, later to become part of international conglomerate Sony Music Entertainment, under which it was phased-out in 2009. It is used today only for reissues of its previous releases. Artists signed, recorded and/or released on Hansa * Kent: Röd * The Action * Alphaville * Aneka * Angletrax * Blue System * Boney M. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melrose Avenue
Melrose Avenue is a shopping, dining and entertainment destination in Los Angeles that starts at Santa Monica Boulevard, at the border between Beverly Hills and West Hollywood. It ends at Lucile Avenue in Silver Lake. Melrose runs north of Beverly Boulevard and south of Santa Monica Boulevard. Paved in 1909, Melrose Avenue's namesake comes from the Massachusetts town of the same name. Its most famous section, known as the ''Melrose District'', is the West End through West Hollywood and Hollywood. At the corner of Fairfax and Melrose is Fairfax High School, which marks the start of the Fairfax District. One of the most famous landmarks located on Melrose Avenue is Paramount Pictures. Metro Local line 10 operates on Melrose Avenue. Melrose District The eastern end of the district, which runs from Fairfax to Highland Avenue, became a popular underground and new wave shopping area in the early 1980s and a centerpoint for the new wave and punk subcultures. The avenue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monad (music)
In music, a monad is a single note or pitch.Castine, Peter (1994). ''Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music'', p.33. . The Western chromatic scale The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce th ..., for example, is composed of twelve monads. Monads are contrasted to dyads, groups of two notes, triads, groups of three, and so on. References Intervals (music) Simultaneities (music) {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(I Can't Get No) Satisfaction
"(I Can't Get No) Satisfaction" is a song recorded by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff by Richards is widely considered one of the greatest hooks of all time. The song lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, ''Out of Our Heads'', released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive. It later became the Rolling Stones' fourth number one in the United Kingdom. It is one of the world's most popular songs, and was No. 31 on ''Rolling Stone'' magazine's 500 Greatest Songs of Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Had Too Much To Dream (Last Night)
"I Had Too Much to Dream (Last Night)" is a song written with music by Annette Tucker and lyrics by Nancie Mantz, which was recorded in late 1966 by the garage rock band The Electric Prunes. Released as the band's second single, it reached number 49 in the UK and peaked at number 11 on the ''Billboard'' Hot 100 the week ending February 11, 1967. Retrieved September 13, 2022. It was also the lead track of the band's debut album, and became more widely known as the opening track on the influential '' |
The Electric Prunes
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries. The band was signed to Reprise Records in 1966 and released their first single, "Ain't It Hard", in the latter part of the year. Their first album, ''The Electric Prunes'', included the band's two nationally charting s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treble (sound)
Treble describes tones of high frequency or high pitch, ranging from 6kHz to 20kHz, comprising the higher end of the human hearing range. In music, this corresponds to ''high notes''. The treble clef is often used to notate such notes. Treble sound is the counterpart to bass sound. Examples of treble sounds include soprano voices, flute tones, and piccolos. The term ''treble'' derives from the Latin ''triplum'', used in 13th century motets to indicate the third and highest range. The treble control is used in sound reproduction to change the volume of treble notes relative to those of the middle and bass frequency ranges. See also *Boy sopranos *C (musical note) * Treble booster *Treble voice *Tweeter A tweeter or treble speaker is a special type of loudspeaker (usually dome, inverse dome or horn-type) that is designed to produce high audio frequencies, typically deliver high frequencies up to 100 kHz. The name is derived from the high ... References Pitch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seventh Son
"The Seventh Son" (also listed as "Seventh Son") is a rhythm and blues song written by Willie Dixon. The title refers to the seventh son of a seventh son of folklore, which Dixon referenced previously in his "Hoochie Coochie Man". The lyrics include: In 1955, Willie Mabon was the first to record it. The jazz pianist and singer Mose Allison released it as a single in 1959 and on an album in 1964, calling it one of his "featured numbers". Johnny Rivers recorded the song as the lead track for his album ''Meanwhile Back at the Whisky à Go Go'' in 1965. Also released as a single, "The Seventh Son" was one of Rivers most popular singles. Willie Mabon song In his autobiography, Dixon described writing several tunes for Mabon, including "The Seventh Son". He noted that Mabon stuck to his arrangement, unlike others who recorded the song, and commented on its background: Chess Records released the song as a single with "Lucinda" as the A-side and B-side, B-side, however, it did no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Rivers
Johnny Rivers (born John Henry Ramistella; November 7, 1942) is an American musician. His repertoire includes pop, folk, blues, and old-time rock 'n' roll. Rivers charted during the 1960s and 1970s but remains best known for a string of hit singles between 1964 and 1968, among them "Memphis, Tennessee (song), Memphis" (a Chuck Berry cover), "Mountain of Love" (a Harold Dorman cover), "The Seventh Son" (a Willie Dixon, Willie Mabon cover), "Secret Agent Man (Johnny Rivers song), Secret Agent Man", "Poor Side of Town" (a US No. 1), "Baby I Need Your Loving, Baby I Need Your Lovin'" (a 1967 cover of the Four Tops single from 1964), and "Summer Rain (Johnny Rivers song), Summer Rain". Life and career Early years Rivers was born as John Henry Ramistella in New York City, of Italian ancestry. His family moved from New York to Baton Rouge, Louisiana, Baton Rouge, Louisiana. Influenced by the distinctive music of Louisiana, Louisiana musical style, Rivers began playing guitar at age eig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Hicks (musicologist)
Michael Dustin Hicks (born 1956) is an American professor of music, poet and artist, who has studied a broad array of topics, although his work on music and the Church of Jesus Christ of Latter-day Saints has been ground-breaking in that field. Hicks was born and raised in California. Hicks has a DMA from the University of Illinois at Urbana-Champaign. He has been on the music faculty at Brigham Young University (BYU) since 1984. Hicks has a bachelor's degree from BYU. He has been a full professor at BYU since 1996. Hicks first book was ''Mormonism and Music: A History'' (1989). This work received awards from both the Mormon History Association The Mormon History Association (MHA) is an independent, non-profit organization dedicated to the study and understanding of all aspects of Mormon history to promote understanding, scholarly research, and publication in the field. MHA was founded i ... and the Association of Mormon Letters. In 1990 his work ''Sixties Rock: Garage, Psychede ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F♯ (musical Note)
F (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to ''sol bémol'' or G (G-flat). However, in some temperaments, it is not the same as G. G is a major third below B, whereas F is a major third above D (a minor third below A). Another enharmonic note is E (E-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the F above middle C (or F4) is approximately 369.994 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
