Psychedelic Shack (song)
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Psychedelic Shack (song)
"Psychedelic Shack" is a 1969 single for the Motown label performed by The Temptations and produced by Norman Whitfield. It became a hit single in 1970. This single features the Temptations and Whitfield's continuing their submergence into psychedelia, with multilead vocals, hard rock guitars, synthesizer sound effects, multitracked drums, and stereo-shifting vocals giving the record a distinct sound. The song's title and lyrics refer to a type of hippie nightclub popular in the late 1960s. "Psychedelic Shack's" LP mix begins with the sounds of a person entering a psychedelic shack and dropping the needle on a record, "I Can't Get Next to You" which was the Temptations single that immediately preceded this one. The use of the recording of "I Can't Get Next to You" from its 45 RPM single makes "Psychedelic Shack" one of the first songs to use sampling, a technique that would become a staple of hip hop music in the coming decade. The song ends, after its fourth verse, with the ...
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The Temptations
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single " Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit under the name ''the Elgins''. The founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams of the Primes. In 1964, Bryant was replaced by David Ruffin, w ...
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Stereophonic Sound
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and internet. Etymology The word ''stereophonic'' derives from the Greek language, Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and i ...
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Paul Williams (The Temptations)
Paul Williams (July 2, 1939 – August 17, 1973) was an American baritone singer and choreographer. Williams was noted for being one of the founding members and original lead singer of the Motown group The Temptations. Along with Elbridge "Al" Bryant, Otis Williams, and fellow Alabamians Eddie Kendricks and Melvin Franklin, Williams was a member of The Temptations. Personal problems and failing health forced Williams to retire in 1971. He was found dead two years later as the result of an apparent suicide. Early years Paul Williams was born and raised in the Ensley neighborhood of Birmingham, Alabama. He was the son of Sophia and Rufus Williams, a gospel singer in a gospel music vocal group called the Ensley Jubilee Singers. He met Eddie Kendricks in elementary school; supposedly, the two first encountered each other in a fistfight after Williams dumped a bucket of mop water on Kendricks. Both boys shared a love of singing, and sang in their church choir together. As teenage ...
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Eddie Kendricks
Edward James Kendrick (December 17, 1939 – October 5, 1992), better known as Eddie Kendricks, was an American singer and songwriter. Noted for his distinctive falsetto singing style, Kendricks co-founded the Motown singing group the Temptations, and was one of their lead singers from 1960 until 1971. He was the lead voice on such famous songs as "The Way You Do the Things You Do", " Get Ready", and "Just My Imagination (Running Away with Me)". As a solo artist, Kendricks recorded several hits of his own during the 1970s, including the number-one single " Keep On Truckin'". Life and career Early years: 1939–1960 Kendricks was born to Johnny and Lee Bell Kendrick in Union Springs, Alabama on December 17, 1939. He had one sister, Patricia, and three brothers, Charles, Robert, and Clarence. His family moved to the Ensley neighborhood of Birmingham, where he met and began singing with his best friend Paul Williams in their church choir in the late 1940s. In 1955, Kendricks, Wi ...
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Dennis Edwards
Dennis Edwards Jr. (February 3, 1943 – February 1, 2018) was an American soul and R&B singer who was best known as the frontman in The Temptations The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top ..., on Motown Records. Edwards joined the Temptations in 1968, replacing David Ruffin and sang with the group from 1968 to 1976, 1980 to 1984 and 1987 to 1989. In the mid-1980s, he attempted a solo career, scoring a hit in 1984 with "Don't Look Any Further" (featuring Siedah Garrett). Until his death, Edwards was the lead singer of The Temptations Review, a Temptations splinter group. Biography Early years and career Edwards was born in Fairfield, Alabama, about eight miles from Birmingham, Alabama, Birmingham, to Reverend Dennis Edwards Sr. He began singing as a toddler, just two yea ...
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Psychedelic Shack (album)
''Psychedelic Shack'' is the twelfth studio album by The Temptations for the Gordy (Motown) label released in 1970. Completely written by Norman Whitfield and Barrett Strong and produced by Whitfield, ''Psychedelic Shack'' almost completely abandoned the "Motown Sound" formula, instead delving fully into psychedelia. Along with the hit title track, the album also features the group's original version of "War", which became a major hit for Edwin Starr later in 1970. Background and recording ''Psychedelic Shack'' was one of the last albums completed before the third incarnation of The Temptations (Dennis Edwards, Paul Williams, Eddie Kendricks, Melvin Franklin, and Otis Williams) broke apart. During the recording of the album, Paul Williams, already possessing a fragile condition because of sickle-cell disease, was now also fighting complications from five years of heavy alcoholism. Williams would frequently be unable to record or perform, and the Temptations had to resort to hiring ...
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Psychedelic Soul (album)
Psychedelic soul (originally called black rock or conflated with psychedelic funk) is a music genre that emerged in the late 1960s and saw Black soul musicians embrace elements of psychedelic rock, including its production techniques, instrumentation, effects units (wah-wah pedal, phaser, etc.) and drug influences. It came to prominence in the late 1960s and continued into the 1970s, playing a major role in the development of funk and disco. Pioneering acts working in the genre included Sly and the Family Stone, Jimi Hendrix, Isaac Hayes, and the Temptations. Mainstream acts that developed a psychedelic sound included the Supremes, Stevie Wonder, the Chambers Brothers, the 5th Dimension, Edwin Starr, Rare Earth, Arthur Brown and George Clinton's Parliament-Funkadelic ensemble. History Origins Following the lead of Jimi Hendrix in psychedelic rock, in the late 1960s psychedelia began to have a widespread impact on Afro American musicians, particularly the stars of the Motow ...
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Earl Van Dyke
Earl Van Dyke (July 8, 1930 – September 18, 1992) was an American soul musician, most notable as the main keyboardist for Motown Records' in-house Funk Brothers band during the late 1960s and early 1970s. Career Van Dyke, who was born in Detroit, Michigan, United States, was preceded as keyboardist and bandleader of the Funk Brothers by Joe Hunter. In the early 1960s, he also recorded as a jazz organist with saxophonists Fred Jackson and Ike Quebec for the Blue Note label. Besides his work as the session keyboardist on Motown hits such as "Bernadette" by The Four Tops, "I Heard It Through the Grapevine" by Marvin Gaye and " Runaway Child, Running Wild" by The Temptations, Van Dyke performed with a small band as an opening act for several Motown artists, and released instrumental singles and albums himself. Several of Van Dyke's recordings feature him playing keys over the original instrumental tracks for Motown hits; others are complete covers of Motown songs. His 1967 hit ...
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Funk Brothers
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. Its members are considered among the most successful groups of studio musicians in music history. Among their hits are " My Girl", "I Heard It Through the Grapevine", "Baby Love", " I Was Made to Love Her", "Papa Was a Rollin' Stone", "The Tears of a Clown", "Ain't No Mountain High Enough", and "Heat Wave". Some combination of the members played on each of Motown's 100-plus U.S. R&B number one singles and 50-plus U.S. Pop number ones released from 1961 to 1972. There is no undisputed list of the members of the group. Some writers have claimed that virtually every musician who ever played on a Motown track was a "Funk Brother". There are 13 Funk Brothers identified in Paul Justman's 2002 documentary film ''Standing in the Shadows of Motown'', based on Allan Slutsky's book of the same name. These 13 memb ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ...
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