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Proserpine (Saint-Saëns)
''Proserpine'' is an 1887 ''drame lyrique'' in four acts by Camille Saint-Saëns Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano C ... to a libretto by Louis Gallet after Auguste Vacquerie. Roles * Proserpine (soprano) * Angiola (soprano) * Sabatino (tenor) * Squarocca (baritone) * Renzo (basse) * Orlando (tenor) * Ercole (baritone) * Filippo (tenor) * Gil (tenor) * ''Une religieuse'' ‘a nun’ * ''Trois jeunes filles'' ‘three girls’ * ''Trois novices'' ‘three novices’ * ''Seigneurs, mendiants, religieuses, soldats'' ‘Lords, mendicants, nuns, soldiers’ Recordings * Veronique Gens as Proserpine, Marie-Adeline Henry Angiola; Frédéric Antoun Sabatino; Andrew Foster-Williams Squarocca; Jean Teitgen Renzo; Mathias Vidal Orlando; Philippe-Nicolas Martin Ercole; Artavaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Petit (photographer)
:''Pierre Petit is not to be confused with (Jean) Pierre Yves-Petit (1886–1969), another French photographer who usually operated under the name Yvon''. Pierre Lanith Petit (15 August 1832 – 16 February 1909) was a French photographer. He is sometimes credited as Pierre Lamy Petit. Work Petit learned photography in Paris in the workshop of André-Adolphe-Eugène Disdéri (1819–1889) (together with 76 other employees). In 1858, he opened his own workshop in Paris with Antoine René Trinquart, later to be called ''La Photographie des Deux Mondes''. This proved to be very successful and workshops were opened in Baden-Baden and Marseille (in partnership with Emile Cazalis). In his lifetime he made thousands of photographs. In 1908 he handed over the business to his son. Some highlights in Petit's career: * He was the official photographer of the ''International Exposition of 1867''. * He went to New York City several times to report on the construction of the Statue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Gallet
Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and Scripture— to provide librettos of cantatas and opera, notably by composers Georges Bizet, Camille Saint-Saëns and Jules Massenet. Life and career By day Gallet supported himself by a minor post in the Administration of Assistance to the Poor and positions, first as treasurer then as general administrator, at the Beaujon hospital, Paris, and other hospitals (ref. Saint-Saëns). In 1871, Camille du Locle, the manager of the Paris Opéra-Comique, offered to produce a one-act work of Camille Saint-Saëns. He proposed as collaborator Louis Gallet, whom Saint-Saëns did not know, and the result was the slight piece '' La princesse jaune''; it was notable as the first '' japonerie'' on the operatic stage, Japan having only very recentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Vacquerie
Auguste Vacquerie (1819–1895) was a French journalist and man of letters. Biography Vacquerie was born at Villequier (Seine-Maritime) on 19 November 1819. He was from his earliest days an admirer of Victor Hugo, with whom he was connected by the marriage of his brother Charles with Léopoldine Hugo. His earlier romantic productions include a volume of poems, ''L'Enfer de l'esprit'' (1840); a translation of the ''Antigone'' (1844) in collaboration with Paul Meurice; and ''Tragaldabas'' (1848), a melodrama. He was one of the principal contributors to the journal ''L'Événement'' and followed Hugo into his exile in Jersey in 1852, where he took photographs of the Hugo family and relatives. In 1869 he returned to Paris, and with Meurice and others founded the anti-imperial ''Rappel''. His articles in this paper were more than once the occasion of legal proceedings. After 1870 he became editor of ''Rappel''. His other works include ''Souvent homme varie'' (1859), a comedy in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proserpina
Proserpina ( , ) or Proserpine ( ) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone. Proserpina replaced or was combined with the ancient Roman fertility goddess Libera, whose principal cult was housed in the Aventine temple of the grain-goddess Ceres, along with the wine god Liber. Each of these three deities occupied their own ''cella'' at the temple. Their cults were served or supervised by a male public priesthood. Ceres was by far the senior of the three, one of the dii consentes, Rome's approximate equivalent to the Greek Twelve Olympians. She was identified with Greek Demeter and Liber was identified with Bacchus and Dionysus. Libera is sometimes described as a female version of Liber Pater, concerned with female fertility. Otherwise she is given no clear identity or mythology by Roman sources, and no Greek equivalent. Nothing is known of her native iconography: her name translates as a feminine form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulf Schirmer
Ulf Schirmer (born 1959) is a German conductor and opera house administrator. Born in Eschenhausen, Lower Saxony, Schirmer studied at the Bremen Conservatory, and also at the Hochschule für Musik und Theater Hamburg, with György Ligeti, Christoph von Dohnányi and Horst Stein. He worked as an assistant to Lorin Maazel and conducted at the Wiener Staatsoper productions of Luciano Berio's ''Un re in ascolto'', Arnold Schoenberg's ''Erwartung'', and Alexander Glazunov's ''Raymonda''. From 1988 to 1991, Schirmer was Generalmusikdirektor (GMD) of the city of Wiesbaden, serving as artistic director of symphonic concerts and opera and ballet at the Hessisches Staatstheater Wiesbaden. He conducted Hans Werner Henze's '' Das verratene Meer'' in 1990. In 1999, he conducted the premiere of Gerd Kühr's opera ''Tod und Teufel'' at the Grazer Oper. His other work in opera has included conducting the first staged production of ''Szenen aus dem Leben der Heiligen Johanna'' by Walter Braunfe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Camille Saint-Saëns
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
