Proserpine (Paisiello)
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Proserpine (Paisiello)
''Proserpine'' is a French-language opera by the Italian composer Giovanni Paisiello. It takes the form of a ''tragédie lyrique'' in three acts. The libretto, by Nicolas-François Guillard, is a reworking of Philippe Quinault's '' Proserpine''. Paisiello's opera was first performed on 28 March 1803 at the Paris Opéra. Background Paisiello was the favourite composer of Napoleon Bonaparte. When Napoleon became First Consul of France in 1801, he invited Paisiello to Paris to become his private ''maître de chapelle''. The seventy-one-year-old musician was reluctant to leave Naples but King Ferdinand IV pressured him to agree in order to help Franco-Neapolitan diplomatic relations. Paisiello arrived in Paris in 1802. Here the Opéra proposed he should write a setting of Guillard's reworking of ''Proserpine'', a libretto by Philippe Quinault originally set by Jean-Baptiste Lully and premiered in 1680. The fashion for such reworkings had emerged in the late 18th century. Examples ...
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Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ...
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Ceres (mythology)
In ancient Roman religion, Ceres ( , ) was a goddess of agriculture, grain crops, fertility and motherly relationships.Room, Adrian, ''Who's Who in Classical Mythology'', p. 89-90. NTC Publishing 1990. . She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular ''Ludi Ceriales'' (Ceres' games). She was also honoured in the May ''lustratio'' of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites. She is usually depicted as a mature woman. Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whos ...
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Alexandrine-Caroline Branchu
Thimoléone-Rose-Caroline Chevalier Lavit, known by her married name as Alexandrine-Caroline (or Caroline or simply Mme) Branchu (2 November 1780 – 14 October 1850) was a French opera soprano with origins from the free people of colour of Saint-Domingue where she was born at Cap-Français, the former French colony which is the modern-day Cap-Haïtien, Haiti.She was the daughter of the "free mulatto" Jean-Joseph Lavit, the son of a French nobleman of the colony (Pierre Bardin, ''Joseph Sieur de Saint-Georges : Le Chevalier Noir'', Paris, Guénégaud, 2006, p. 193, ). A gifted vocalist, for the better part of the first quarter of the 19th century, she was a leading soprano at the Paris Opéra. Branchu was one of the first students at the Paris Conservatoire after it opened in 1795, and studied singing under Pierre Garat. Although Branchu frequently performed works by Christoph Willibald Gluck and was notable for roles in '' Anacréon'' and ''Les Abencérages'' by Luigi Cherub ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Ascalaphus
The name Ascalaphus (; Ancient Greek: Ἀσκάλαφος ''Askalaphos'') is shared by two people in Greek mythology: * Ascalaphus, son of Acheron and Orphne. * Ascalaphus, son of Ares and Astyoche.Homer, ''Iliad'' 13.518 Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. ISBN 0-674-99135-4Online version at the Perseus Digital Library.Greek text available from the same website
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Homer Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and ...
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François Lays
François Lay, better known under the stage name Lays (14 February 1758 – 30 March 1831), was a French baritone and tenor opera singer. Originally destined for a career in the church, Lays was recruited by the Paris Opéra in 1779. He soon became a leading member of the company, in spite of quarrels with the management. Lays enthusiastically welcomed the French Revolution and became involved in politics with the encouragement of his friend Bertrand Barère. Barère's downfall led to Lays being imprisoned briefly, but he soon won back the public and secured the patronage of Napoleon, at whose coronation and second wedding he sang. This association with the Emperor caused him trouble when the Bourbon monarchy was restored and Lays's final years were darkened by disputes over his pension, mounting debts, the death of his only son and his wife's illness. After a career spanning more than four decades, he died in poverty. Lays was famous for the beauty of his voice. One of the Op ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Martina Franca
Martina Franca, or just Martina ( Martinese: ), is a town and ''municipality'' in the province of Taranto, Apulia, Italy. It is the second most populated town of the province after Taranto, and has a population (2016) of 49,086. Since 1975, the town has hosted the annual summer opera festival, the Festival della Valle d'Itria.''Festival della Valle d'Itria'' Official Website


History


Jewish presence

In 1495 one third of the population of Martina was made of practising Jews or Jews converted to Christianity. The escape involved one third of the population: 150 to 200 families (at least one thousand people). Among the privileges granted the city council of Martina in 1495, King Frederick of Aragon forbade Jews and Crypto-Jews and Neofiti to press ch ...
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Festival Della Valle D'Itria
The ''Festival della Valle d'Itria'' is a summer opera festival held in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale.''The Rough Guide to Italy'' Robert Andrews, Martin Dunford - 2011- Page 821 1848367171 "Southern Italy's top performing-arts festival, the Festival della Valle d'Itria (T080.480.5100, www.festivaldellavalleditria.it), takes place in Martina Franca in late July / early August every year. On a par with the Maggio Musicale in Florence (see" The primary aim of the festival is to present obscure, neglected or rarely performed works, and often works in the standard operatic repertoire are given in their original versions (such as Verdi's original 1857 version of ''Simon Boccanegra''). Notable revivals include: *33rd Festival 2007 Marcella by Umberto Giordano *34th Festival 200 ...
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Bagni Di Lucca
Bagni di Lucca (formerly Bagno a Corsena) is a comune of Tuscany, Italy, in the Province of Lucca with a population of about 6,100. The comune has 27 named frazioni (wards). History Bagni di Lucca has been known for its thermal springs since the Etruscan and Roman ages. The place was noted for the first time in an official document of 983 AD as "Corsena", with reference to a donation by the Bishop Teudogrimo of the territory of Bagni di Lucca to Fraolmo of Corvaresi. The area is rich in chestnut forests, mentioned by the Roman poet Virgil. Some of the earliest accounts of occupation were by the Lombards. Their leader Alboin occupied the whole Serchio Valley for many years, building guard towers that were later converted to churches. One of them is Pieve di Controne. Between the 10th and 11th centuries, the village became a feudal property of the Suffredinghi, then the Porcareschi, and later the Lupari families. In the 12th century, the commune of Lucca occupied the territory ...
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