Proportions Of Man
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Proportions Of Man
The ''Vitruvian Man'' ( it, L'uomo vitruviano; ) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to . Inspired by the writings by the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. Described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization," the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance. The drawing represents Leonardo's conception of ideal body proportions, originally derived from Vitruvius but influenced by his own measurements, the drawings of his contemporaries, and the '' De pictura'' treatise by Leon Battista Alberti. Leonardo produced the ''Vitruvian Man'' in Milan and the work was probably passed to his student Francesco Melzi. It later came into the possession ...
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Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Itali ...
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Compass (drawing Tool)
A compass, more accurately known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs. As dividers, it can also be used as a tool to mark out distances, in particular, on maps. Compasses can be used for mathematics, drafting, navigation and other purposes. Prior to computerization, compasses and other tools for manual drafting were often packaged as a set with interchangeable parts. By the mid-twentieth century, circle templates supplemented the use of compasses. Today those facilities are more often provided by computer-aided design programs, so the physical tools serve mainly a didactic purpose in teaching geometry, technical drawing, etc. Construction and parts Compasses are usually made of metal or plastic, and consist of two "legs" connected by a hinge which can be adjusted to allow changing of the radius of the circle drawn. Typically one leg has a spike at its end for anchoring, and the other leg holds a drawing ...
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Golden Ratio
In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Expressed algebraically, for quantities a and b with a > b > 0, where the Greek letter phi ( or \phi) denotes the golden ratio. The constant \varphi satisfies the quadratic equation \varphi^2 = \varphi + 1 and is an irrational number with a value of The golden ratio was called the extreme and mean ratio by Euclid, and the divine proportion by Luca Pacioli, and also goes by several other names. Mathematicians have studied the golden ratio's properties since antiquity. It is the ratio of a regular pentagon's diagonal to its side and thus appears in the construction of the dodecahedron and icosahedron. A golden rectangle—that is, a rectangle with an aspect ratio of \varphi—may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has been used to analyze the proportions of natural object ...
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Cesare Cesariano
240px, The 1521 Italian edition of Vitruvius' ''De architectura'', translated and illustrated by Cesare Cesariano.">De_architectura.html" ;"title="Vitruvius' ''De architectura">Vitruvius' ''De architectura'', translated and illustrated by Cesare Cesariano. Cesare di Lorenzo Cesariano (December 10, 1475 – March 30, 1543) was an Italian painter, architect and architectural theorist. He authored the first Italian-language version of Vitruvius' '' De architectura''. Biography Cesariano was born in Milan. Information about his life is scarce. In 1496 he lived for a period at Reggio Emilia; in the early 1500s he worked at Parma, where he painted the sacristy of San Giovanni Evangelista. In 1507 he was in Rome, where he met Perugino, Pinturicchio and Luca Signorelli. However, most of his activity was in Milan, where he returned in 1512-1513 as military engineer at Maximilian Sforza's court. He worked at Santa Maria presso San Celso and to part of the renovation of the Sforz ...
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De Architectura
(''On architecture'', published as ''Ten Books on Architecture'') is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus, as a guide for building projects. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It contains a variety of information on Greek and Roman buildings, as well as prescriptions for the planning and design of military camps, cities, and structures both large (aqueducts, buildings, baths, harbours) and small (machines, measuring devices, instruments). Since Vitruvius published before the development of cross vaulting, domes, concrete, and other innovations associated with Imperial Roman architecture, his ten books give no information on these hallmarks of Roman building design and technology ...
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Giacomo Andrea
Giacomo Andrea da Ferrara (also known as Iacomo Andrea; died May 12, 1500) was an architect from Ferrara and the author on a commentary on Vitruvius. Very little is known about him; his name did not appear on any buildings in Milan. Luca Pacioli wrote that Giacomo Andrea was almost like a brother to Leonardo da Vinci. Giacomo Andrea, active by the 1480s, drew a prototypical '' Vitruvian Man'' which may have served as the basis for Leonardo's drawing, or have been conceived alongside it as a collaborative effort. Giacomo Andrea was very loyal to the Sforza family. After the occupation of Milan by the French French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with Franc ..., he is said to have plotted against the French. He was put on trial and sentenced to death. Archbishop Pallavicini atte ...
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Francesco Di Giorgio Martini
Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting :Italian architects, later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of Star fort, star-shaped fortifications. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for ''Cassone, cassoni'' he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective (graphical), perspective. He composed an architectural treatis''T ...
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De Rerum Natura
''De rerum natura'' (; ''On the Nature of Things'') is a first-century BC didactic poem by the Roman poet and philosopher Lucretius ( – c. 55 BC) with the goal of explaining Epicurean philosophy to a Roman audience. The poem, written in some 7,400 dactylic hexameters, is divided into six untitled books, and explores Epicurean physics through poetic language and metaphors. Greenblatt (2011). Namely, Lucretius explores the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by ''fortuna'' ("chance"), and not the divine intervention of the traditional Roman deities. Background To the Greek philosopher Epicurus, the unhappiness and degradation of humans arose largely from the dread which they entertained of the power of the deities, from ...
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Poggio Bracciolini
Gian Francesco Poggio Bracciolini (11 February 1380 – 30 October 1459), usually referred to simply as Poggio Bracciolini, was an Italian scholar and an early Renaissance humanist. He was responsible for rediscovering and recovering many classical Latin manuscripts, mostly decaying and forgotten in German, Swiss, and French monastic libraries. His most celebrated finds are ''De rerum natura'', the only surviving work by Lucretius, ''De architectura'' by Vitruvius, lost orations by Cicero such as '' Pro Sexto Roscio'', Quintilian's ''Institutio Oratoria'', Statius' ''Silvae'', and Silius Italicus's ''Punica'', as well as works by several minor authors such as Frontinus' ''De aquaeductu'', Ammianus Marcellinus’ ''Res Gestae'' (''Rerum gestarum Libri XXXI''), Nonius Marcellus, Probus, Flavius Caper, and Eutyches. Birth and education Poggio di Guccio (the surname Bracciolini added during his career) was born near Arezzo in Tuscany, in the village of Terranuova, which in 1862 wa ...
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De Architectura
(''On architecture'', published as ''Ten Books on Architecture'') is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus, as a guide for building projects. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It contains a variety of information on Greek and Roman buildings, as well as prescriptions for the planning and design of military camps, cities, and structures both large (aqueducts, buildings, baths, harbours) and small (machines, measuring devices, instruments). Since Vitruvius published before the development of cross vaulting, domes, concrete, and other innovations associated with Imperial Roman architecture, his ten books give no information on these hallmarks of Roman building design and technology ...
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Roman Empire
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western ...
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Annunciation (Leonardo)
The ''Annunciation'' is a painting widely attributed to the Italian Renaissance artist Leonardo da Vinci, dated to . Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio. The painting was made oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical subject in 15th-century Florence. Since 1867 it has been housed in the Uffizi in Florence, the city where it was created. Though the work has been criticized for inaccuracies in its composition, it is among the best known portrayals of the Annunciation in Christian art. Description The subject matter of the work is drawn from Luke 1.26–39. It depicts the angel Gabriel announcing to Mary that she would conceive miraculously and give birth to a son to be named Jesus and called "the Son of God", whose reign would never end. The subject of the annunciation was very popular for contemporaneous artworks painted in Christian cou ...
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