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Prométhée (bande Dessinée)
''Prométhée'', Op. 82, (''Prometheus'') is a ''tragédie lyrique'' (grand cantata) in three acts by the French composer Gabriel Fauré with a French libretto by the Symboliste poets Jean Lorrain and (1865–1940). It was partly based on the opening of the Greek tragedy of ''Prometheus Bound''. The first performance at Arènes de Béziers on 27 August 1900 involved almost 800 performers (including two wind bands and 15 harps) and was watched by an audience of 10,000. Between 1914 and 1916, Jean Roger-Ducasse reworked the score for a reduced orchestra. This version (which was later revised by Fauré) made its debut at the Paris Opéra on 17 May 1917 but never became popular. Designated as a ''tragédie lyrique'', the work resists easy categorisation. It was intended to be on a large-scale with spoken and musical sections. Warrack and West call it a grand cantata, arguing that since "only some of the characters participate in the stage action it is scarcely an opera, though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard De Max
Édouard Alexandre de Max (born Eduard-Alexandru Max Romalo; 14 February 1869 – 28 October 1924) was a Romanian actor who became a star in Parisian theatre. As a student at the Paris Conservatoire he won prizes for tragedy and comedy, but it was as a tragedian that he became celebrated, appearing in classic works by Shakespeare, Racine, Schiller, Victor Hugo and others, as well as new works by writers including Oscar Wilde, Victorien Sardou and Henri Bernstein. He appeared with many leading performers, including Gabrielle Réjane, but his best known and most frequent partnership was with Sarah Bernhardt. De Max's career was curtailed by ill health, and within two months of his final performance, at the Comédie-Française, he died at his Paris home at the age of 55. Life and career 19th century De Max was born in Iași, Romania, on 14 February 1869."Death of French Actor: M. de Max's Career", ''The Times'', 29 October 1924, p. 13 His father was the physician Emil Max, whose home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short piece of music, the form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Norrington
Sir Roger Arthur Carver Norrington (born 16 March 1934) is an English conductor. He is known for historically informed performances of Baroque, Classical and Romantic music. In November 2021 Norrington announced his retirement. Life Norrington is the son of Sir Arthur Norrington, and his brother is Humphrey Thomas Norrington. He studied at The Royal Conservatory of Music in Toronto, Dragon School, Oxford, Westminster School, Clare College, Cambridge and the Royal College of Music under Adrian Boult among others. Norrington played the violin, and worked as a tenor through the 1960s. In 1962 he founded the Schütz Choir (later the Schütz Choir of London). Conductor in Britain and US From 1969 to 1984, Norrington was music director of Kent Opera. In 1978, he founded the London Classical Players and remained their musical director until 1997. From 1985 to 1989, he was principal conductor of the Bournemouth Sinfonietta. He is also president of the Oxford Bach Choir. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte-Carlo Philharmonic Orchestra
The Monte-Carlo Philharmonic Orchestra (french: Orchestre Philharmonique de Monte-Carlo, OPMC) is the main orchestra in the Principality of Monaco. The orchestra gives concerts primarily in the Auditorium Rainier III, but also performs at the Salle des Princes in the Grimaldi Forum. History The orchestra was founded in 1856 and gave its first concert on 14 December 1856, with an ensemble of 15 musicians, at the "Maison de jeux" ( the future casino), under the direction of Alexandre Hermann. By 1874, the orchestra had increased in size to 70 musicians, in particular during the leadership of Eusèbe Lucas. In 1953, Prince Rainier III had ordered the renaming of the ensemble to ''L'Orchestre National de l'Opéra de Monte-Carlo''. The orchestra acquired its current name in 1980, again through Rainier III. Past principal conductors of the orchestra have included Paul Paray, Louis Frémaux, Igor Markevitch, Lovro von Matačić, Lawrence Foster, Gianluigi Gelmetti, James DePreist, Marek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kratos (mythology)
In Greek mythology, Kratos (or Cratos) is the divine personification of strength. He is the son of Pallas and Styx. Kratos and his siblings Nike ('Victory'), Bia ('Force'), and Zelus ('Glory') are all essentially personifications of a trait. Kratos is first mentioned alongside his siblings in Hesiod's ''Theogony''. According to Hesiod, Kratos and his siblings dwell with Zeus because their mother Styx came to him first to request a position in his regime, so he honored her and her children with exalted positions. Kratos and his sister Bia are best known for their appearance in the opening scene of Aeschylus' ''Prometheus Bound''. Acting as agents of Zeus, they lead the captive Titan Prometheus on stage. Kratos compels the mild-mannered blacksmith god Hephaestus to chain Prometheus to a rock as punishment for his theft of fire. Kratos is characterized as brutal and merciless, repeatedly mocking both Hephaestus and Prometheus and advocating for the use of unnecessary violence. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaia
In Greek mythology, Gaia (; from Ancient Greek , a poetical form of , 'land' or 'earth'),, , . also spelled Gaea , is the personification of the Earth and one of the Greek primordial deities. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (the sky), from whose sexual union she bore the Titans (themselves parents of many of the Olympian gods), the Cyclopes, and the Giants; as well as of Pontus (the sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Etymology The Greek name Γαῖα (''Gaia'' or ) is a mostly epic, collateral form of Attic (''Gē'' ), and Doric (''Ga'' ), perhaps identical to (''Da'' ), both meaning "Earth". The word is of uncertain origin. Beekes suggested a Pre-Greek origin. Robert S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, pp. 269–270 ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bia (mythology)
In Greek mythology, Bia (; Ancient Greek: Βία ; means "power, force, strength") is the personification of force. Family Bia was the daughter of the Titan Pallas and Oceanid Styx, and sister of Nike, Kratos, and Zelus. : From Pallas the giant and Styx ere born Scylla, Vis (Force) ia Invidia (Jealousy) elos Potestas (Power) ratos Victoria (Victory) ikeHyginus, ''Fabulae'' Preface Mythology Bia and her siblings were constant companions of Zeus. They achieved this honour after supporting him in the Titan War along with their mother. Bia is one of the characters named in the Greek tragedy ''Prometheus Bound'', attributed to Aeschylus, where Hephaestus is compelled by the gods to bind Prometheus after he was caught stealing fire and offering the gift to mortals. Although she appears alongside her brother Kratos, she does not speak. Titanomachy Along with their mother, Bia and her siblings helped Zeus in his war against the Titans. The war, which was referred to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
