|
Progressive Segmented Frame
Progressive segmented Frame (PsF, sF, SF) is a scheme designed to acquire, store, modify, and distribute progressive scan video using interlaced equipment. With PsF, a progressive frame is divided into two ''segments'', with the odd lines in one segment and the even lines in the other segment. Technically, the segments are equivalent to interlaced ''fields'', but unlike native interlaced video, there is no motion between the two fields that make up the video frame: both fields represent the same instant in time. This technique allows for a progressive picture to be processed through the same electronic circuitry that is used to store, process and route interlaced video. The term ''progressive segmented frame'' is used predominantly in relation to high-definition video, high definition video. In the world of standard-definition video, which traditionally has been using interlaced scanning, it is also known as ''quasi-interlace'', ''progressive recording'' or ''movie mode''. Other na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Scan
Progressive scanning (alternatively referred to as noninterlaced scanning) is a format of displaying, storing, or transmitting moving images in which all the lines of each frame are drawn in sequence. This is in contrast to interlaced video used in traditional analog television systems where only the odd lines, then the even lines of each frame (each image called a video field) are drawn alternately, so that only half the number of actual image frames are used to produce video. The system was originally known as "sequential scanning" when it was used in the Baird 240 line television transmissions from Alexandra Palace, United Kingdom in 1936. It was also used in Baird's experimental transmissions using 30 lines in the 1920s. Burns, R.W. ''John Logie Baird, Television Pioneer'', Herts: The Institution of Electrical Engineers, 2000. 316. Progressive scanning became universally used in computer screens beginning in the early 21st century. Interline twitter This rough animation c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Sokurov
Alexander Nikolayevich Sokurov, PAR (russian: link=no, Александр Николаевич Сокуров; born 14 June 1951) is a Russian filmmaker. His most significant works include a feature film, ''Russian Ark'' (2002), filmed in a single unedited shot, and ''Faust'' (2011), which was honoured with the Golden Lion, the highest prize for the best film at the Venice Film Festival. Life and work Sokurov was born in Podorvikha, Irkutsky District, in Siberia, into a military officer's family. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. There he became friends with Tarkovsky and was deeply influenced by his film ''Mirror''. Most of Sokurov's early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including ''The Dialogues with Solzhenitsyn'' and a reportage about Grigori Kozintsev's flat in Saint Petersburg. His film '' Mour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chroma Subsampling
Chroma subsampling is the practice of encoding images by implementing less resolution for chroma information than for luma information, taking advantage of the human visual system's lower acuity for color differences than for luminance. It is used in many video and still image encoding schemesboth analog and digitalincluding in JPEG encoding. Rationale Digital signals are often compressed to reduce file size and save transmission time. Since the human visual system is much more sensitive to variations in brightness than color, a video system can be optimized by devoting more bandwidth to the luma component (usually denoted Y'), than to the color difference components Cb and Cr. In compressed images, for example, the 4:2:2 Y'CbCr scheme requires two-thirds the bandwidth of non-subsampled "4:4:4" R'G'B'. This reduction results in almost no visual difference as perceived by the viewer. How subsampling works At normal viewing distances, there is no perceptible loss incurred by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camcorder
A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens. The earliest camcorders were tape-based, recording analog signals onto videotape cassettes. In 2006, digital recording became the norm, with tape replaced by storage media such as mini-HD, microDVD, internal flash memory and SD cards. More recent devices capable of recording video are camera phones and digital cameras primarily intended for still pictures, whereas dedicated camcorders are often equipped with more functions and interfaces than more common cameras, such as an internal optical zoom lens that is able to operate silently with no throttled speed, whereas cameras with protracting zoom lenses commonly thro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AVCHD
AVCHD (Advanced Video Coding High Definition) is a file-based format for the digital recording and playback of high-definition video. It is H.264 and Dolby AC-3 packaged into the MPEG transport stream, with a set of constraints designed around the camcorders. Developed jointly by Sony and Panasonic, the format was introduced in 2006 primarily for use in high definition consumer camcorders. Related specifications include the professional variants AVCCAM and NXCAM. Favorable comparisons of AVCHD against HDV and XDCAM EX solidified perception of AVCHD as a format acceptable for professional use. Both Panasonic and Sony released the first consumer AVCHD camcorders in spring of 2007. Panasonic released the first AVCHD camcorder aimed at the professional market in 2008, though it was nothing more than the (by then discontinued) FLASH card consumer model rebadged with a different model number. In 2011 the AVCHD specification was amended to include 1080-line 50-frame/s and 60-frame/s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Widescreen Signaling
In television technology, Wide Screen Signaling (WSS) is digital metadata embedded in invisible part of the analog TV signal describing qualities of the broadcast, in particular the intended aspect ratio of the image. This allows television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format, by displaying them in full screen, letterbox, widescreen, pillar-box, zoomed letterbox, etc. This development is related to introduction of widescreen TVs and broadcasts, with the PALplus system in the European Union (mid 1990s), the Clear-Vision system in Japan (early 1990s), and the need to downscale HD broadcasts to SD in the US. The bandwidth of the WSS signal is low enough to be recorded on VHS (at the time a popular home video recording technology). It is standardized on Rec. ITU-R BT.1119-2. A modern digital equivalent would be the Active Format Description, a standard set of codes that can be sent in a MPEG vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog TV
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal. Analog signals vary over a continuous range of possible values which means that electronic noise and interference may be introduced. Thus with analog, a moderately weak signal becomes snowy and subject to interference. In contrast, picture quality from a digital television (DTV) signal remains good until the signal level drops below a threshold where reception is no longer possible or becomes intermittent. Analog television may be wireless (terrestrial television and satellite television) or can be distributed over a cable network as cable television. All broadcast television systems used analog signals before the arrival of DTV. Motivated by the lower bandwidth requirements of compressed digital signals, beginning in the 2000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PALplus
PALplus (or ''PAL+'') is an analogue television broadcasting system aimed to improve and enhance the PAL format by allowing 16:9 (or 1.77:1) aspect ratio broadcasts, while remaining compatible with existing television receivers, defined by ITU recommendation BT.1197-1. Introduced in 1993, it followed experiences with the HD-MAC (high definition) and D2-MAC, hybrid analogue-digital widescreen formats that were incompatible with PAL receivers. It was developed at the University of Dortmund in Germany, in cooperation with German terrestrial broadcasters and European and Japanese manufacturers. The system had some adoption across Europe during the late 1990s and helped introduce widescreen TVs in the market, but never became mainstream. A similar system, developed in Japan at the same time and named EDTV-II/ Wide-aspect Clear-vision, allows for 16:9 NTSC broadcasts. History The MAC family of standards was adopted in Europe in 1983, primarily for Direct Broadcasting by Satellite ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interline Twitter
Interlaced video (also known as interlaced scan) is a technique for doubling the perceived frame rate of a video display without consuming extra Bandwidth (signal processing), bandwidth. The interlaced signal contains two field (video), fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker (screen), flicker by taking advantage of the phi phenomenon. This effectively doubles the time resolution (also called ''temporal resolution'') as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. cathode-ray tube, CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting" a video image on an electronic display screen (the other being progressive video, progressive scan) by scanning or displaying each li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
