Processional Hymn
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Processional Hymn
A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian Church, Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walking behind the processional cross. Occasionally, a service will also contain a recessional hymn, although in the Protestant tradition this is usually an organ voluntary (music), voluntary. The genre first appears in the early Middle Ages, and is a distinct genre from breviary hymns, often containing a refrain. With its longer cathedrals and churches, England was particularly rich in these and several are to be found in the ''Sarum Processional''. In ''The English Hymnal'' nos. 613 to 640 are described as "Processional" and nos. 641 to 646 are "Suitable for use in procession". The processional hymns include "Of the Father's Heart Begotten" (''Corde natus ex parentis'', by Prudentius), "Ride On, Ride On in Majesty!"(by Henr ...
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Mass At St Louis Cathedral NOLA For LA Purchase Centennial
Mass is an Intrinsic and extrinsic properties, intrinsic property of a body. It was traditionally believed to be related to the physical quantity, quantity of matter in a Physical object, physical body, until the discovery of the atom and particle physics. It was found that different atoms and different elementary particle, elementary particles, theoretically with the same amount of matter, have nonetheless different masses. Mass in modern physics has multiple Mass in special relativity, definitions which are conceptually distinct, but physically equivalent. Mass can be experimentally defined as a measure (mathematics), measure of the body's inertia, meaning the resistance to acceleration (change of velocity) when a net force is applied. The object's mass also determines the Force, strength of its gravitational attraction to other bodies. The SI base unit of mass is the kilogram (kg). In physics, mass is Mass versus weight, not the same as weight, even though mass is often det ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Recessional Hymn
A recessional hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church and Anglican Church, an equivalent to the concluding voluntary, which is called a Recessional Voluntary, for example a Wedding Recessional. See also Processional hymn A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walki ... References External links * Hymnology Order of Mass {{Song-stub ...
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Venantius Fortunatus
Venantius Honorius Clementianus Fortunatus ( 530 600/609 AD; french: Venance Fortunat), known as Saint Venantius Fortunatus (, ), was a Latin poet and hymnographer in the Merovingian Court, and a bishop of the Early Church who has been venerated since the Middle Ages. Life Venantius Fortunatus was born between 530 and 540 AD at Duplavis (or Duplavilis), near Treviso in Veneto, Italy. He grew up during the Roman reconquest of Italy, but there is controversy concerning as to where Fortunatus spent his childhood. Some historians, such as D. Tardi, suggest that Fortunatus’ family moved to Aquileia because of the turbulent political situation in Treviso after the death of King Theoderic. This theory is suggested because there is evidence of Fortunatus speaking warmly about one of the bishops there, Bishop Paul of Aquileia. Other scholars, such as Judith George, suggest that his family never moved to Aquileia, pointing out that the poet speaks more of Duplavis than any other p ...
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Henry Hart Milman
Henry Hart Milman (10 February 1791 – 24 September 1868) was an English historian and ecclesiastic. Life He was born in London, the third son of Sir Francis Milman, 1st Baronet, physician to King George III (see Milman Baronets). Educated at Eton and at Brasenose College, Oxford, his university career was brilliant. He won the Newdigate prize with a poem on the ''Apollo Belvidere'' in 1812, was elected a fellow of Brasenose in 1814, and in 1816 won the English essay prize with his ''Comparative Estimate of Sculpture and Painting''. In 1816 he was ordained, and two years later became parish priest of St Mary's, Reading. In 1821 Milman was elected professor of poetry at Oxford; and in 1827 he delivered the Bampton lectures o''The character and conduct of the Apostles considered as an evidence of Christianity'' In 1835, Sir Robert Peel made him Rector of St Margaret's, Westminster, and Canon of Westminster, and in 1849 he became Dean of St Paul's. He was elected a Forei ...
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Ride On, Ride On In Majesty!
"Ride On, Ride On in Majesty!", also titled "Ride On! Ride On in Majesty", is a Christian hymn written by Henry Hart Milman in 1820. It is a Palm Sunday hymn and refers to Matthew 21:1–17 and Jesus' triumphal entry into Jerusalem. History While Milman wrote "Ride On, Ride On in Majesty!" in 1820, it was not published in a hymn book until 1827 when it was published in Bishop Reginald Heber's ''Hymns Written and Adapted to the Weekly Church Service of the Year''. This is reported to only have happened after Milman met Heber in 1823 before Heber became Bishop of Calcutta. It was described by composer Stanley L. Osbourne as "Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge". The hymn proved popular: in 1907, John Julian, in his ''Dictionary of Hymnology'', stated it was the most popular Palm Sunday hymn in ...
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Prudentius
Aurelius Prudentius Clemens () was a Roman citizen, Roman Christianity, Christian poet, born in the Roman Empire, Roman province of Tarraconensis (now Northern Spain) in 348.H. J. Rose, ''A Handbook of Classical Literature'' (1967) p. 508 He probably died in the Iberian Peninsula some time after 405, possibly around 413. The place of his birth is uncertain, but it may have been Caesaraugusta (Saragossa), Tarraco (Tarragona), or Calagurris (Calahorra). Life Prudentius practiced law with some success, and was twice provincial governor, perhaps in his native country, before the emperor Theodosius I summoned him to court. Towards the end of his life (possibly around 392) Prudentius retired from public life to become an ascetic, fasting until evening and abstaining entirely from animal food; and writing poems, hymns, and controversial works in defence of Christianity. Prudentius later collected the Christian poems written during this period and added a preface, which he himself dated 4 ...
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Of The Father's Heart Begotten
"Of the Father's heart begotten" alternatively known as "Of the Father's love begotten" is a doctrinal hymn based on the Latin poem "Corde natus" by the Roman poet Aurelius Prudentius, from his ''Liber Cathemerinon'' (hymn no. IX) beginning "Da puer plectrum" which includes the Latin stanzas listed below. History The ancient poem was translated and paired with a medieval plainchant melody "Divinum mysterium". "Divinum mysterium" was a "Sanctus trope" – an ancient plainchant melody which over the years had been musically embellished.Raymond F. Glover, ''The Hymnal 1982 Companion: Service Music and Biographies'', Volume 2 (Church Publishing, Inc., 1994), pp. 81–83 An early version of this chant appears in manuscript form as early as the 10th century, although without the melodic additions, and "trope" versions with various melodic differences appear in Italian, German, Gallacian, Bohemian and Spanish manuscripts dating from the 13th to 16th centuries. "Divinum mysterium" firs ...
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The English Hymnal
''The English Hymnal'' is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music. Methodology The preface to the hymnal describes itself as "a collection of the best hymns in the English language." Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London, and the hymnbook could be considered a musical companion to ''The Parson's Handbook'', Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings. The high quality of the music is due largely to the work of Vaughan Williams as musical editor. The standard of the arrangements and original compositions made it a landmark in English hymnody and one of the most influential hymnals of the 20th century. The hymnal included the first printing of sev ...
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Catholic Encyclopedia
The ''Catholic Encyclopedia: An International Work of Reference on the Constitution, Doctrine, Discipline, and History of the Catholic Church'' (also referred to as the ''Old Catholic Encyclopedia'' and the ''Original Catholic Encyclopedia'') is an English-language encyclopedia published in the United States and designed to serve the Catholic Church. The first volume appeared in March 1907 and the last three volumes appeared in 1912, followed by a master index volume in 1914 and later supplementary volumes. It was designed "to give its readers full and authoritative information on the entire cycle of Catholic interests, action and doctrine". The ''Catholic Encyclopedia'' was published by the Robert Appleton Company (RAC), a publishing company incorporated at New York in February 1905 for the express purpose of publishing the encyclopedia. The five members of the encyclopedia's Editorial Board also served as the directors of the company. In 1912 the company's name was changed to ...
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Breviary
A breviary (Latin: ''breviarium'') is a liturgical book used in Christianity for praying the canonical hours, usually recited at seven fixed prayer times. Historically, different breviaries were used in the various parts of Christendom, such as Aberdeen Breviary, Belleville Breviary, Stowe Breviary and Isabella Breviary, although eventually the Roman Breviary became the standard within the Roman Catholic Church (though it was later supplanted with the Liturgy of the Hours); in other Christian denominations such as the Lutheran Churches, different breviaries continue to be used, such as The Brotherhood Prayer Book. Different breviaries In the Catholic Church, Pope Nicholas III approved a Franciscan breviary, for use in that religious order, and this was the first text that bore the title of breviary. However, the "contents of the breviary, in their essential parts, are derived from the early ages of Christianity", consisting of psalms, Scripture lessons, writings of the ...
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Chant
A chant (from French ', from Latin ', "to sing") is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech. In the later Middle Ages some religious chant evolved into song (forming one of the roots of later Western music). Chant as a spiritual practice Chanting (e.g., mantra, sacred text, the name of God/Spirit, etc.) is a commonly used spiritual practice. Like prayer, chanting may be a component of either personal or group practice. Diverse spiritual traditions consider chant a route to spiritual development. Some examples include chant in African, Hawaiian, and Native American, Assyrian and ...
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