Procession In St. Mark's Square
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Procession In St. Mark's Square
The ''Procession in St. Mark's Square'' (Italian: ''Processione in piazza San Marco'') is a tempera on canvas painting by Italian Renaissance artist Gentile Bellini, dating from ''c.'' 1496. It is housed in the Gallerie dell'Accademia in Venice. History The painting was commissioned for the Grand Hall of the Scuola Grande di San Giovanni Evangelista, the seat of the eponymous brotherhood in Venice. The commission included a total of nine large canvasses, by prominent artists of the time such as Bellini, Perugino, Vittore Carpaccio, Giovanni Mansueti, Lazzaro Bastiani, and Benedetto Rusconi. The subject of the paintings were to be the miracles of a fragment of the True Cross. The item had been donated to the brotherhood by Philippe de Mézières, chancellor of the Kingdom of Cyprus and Kingdom of Jerusalem, Jerusalem in 1369, and soon became the object of veneration in the city. The canvasses were all executed in 1496–1501. Description The canvas shows an event that took pla ...
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Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe. B ...
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Piazza San Marco
Piazza San Marco (; vec, Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as ''la Piazza'' ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called ''campi'' ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe". Description The square is dominated at its eastern end by St Mark's Basilica. It is described here by a perambulation starting from the west front of the church (facing the length of the piazza) and proceeding to the right. The church is described in the article ...
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Paintings By Gentile Bellini
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1496 Paintings
Year 1496 ( MCDXCVI) was a leap year starting on Friday (link will display the full calendar) of the Julian calendar. Events January–December * February – Pietro Bembo's ''Petri Bembi de Aetna Angelum Chalabrilem liber'', a description of a journey to Mount Etna, is published in Venice by Aldus Manutius, the first book printed in the old-style serif or humanist typeface cut by Francesco Griffo (known from the 20th century as Bembo) and with early adoption of the semicolon (dated 1495 according to the ''more veneto''). * February 24 – King Henry VII of England signs the commercial treaty ''Intercursus Magnus'' with Venice, Florence, and the cities of the Hanseatic League and the Netherlands. * March 5 – Henry VII of England issues letters patent to Italian-born adventurer John Cabot and his sons, authorizing them to discover unknown lands. * March 10 – Christopher Columbus leaves Hispaniola for Spain, ending his second visit to the Western Hemisp ...
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Miracle Of The Relic Of The Cross At The Ponte Di Rialto
The ''Miracle of the Cross at the Ponte di Rialto'' (Italian: ''Miracolo della Croce a Rialto''), also known as ''The Healing of the Madman'', is a painting by Italian Renaissance artist Vittore Carpaccio, dating from c. 1496. It is now housed at the Gallerie dell'Accademia in Venice. History The painting was commissioned for the Grand Hall of the Scuola Grande di San Giovanni Evangelista, the seat of the eponymous brotherhood in Venice. The commission included a total of nine large canvasses by prominent artists of the time, including Gentile Bellini, Perugino, Vittore Carpaccio, Giovanni Mansueti, Lazzaro Bastiani and Benedetto Rusconi. The subject of the paintings was to be the miracles of a fragment of the True Cross. The item had been donated to the brotherhood by Philippe de Mézières (or Filippo Maser), chancellor of the Kingdom of Cyprus and Jerusalem in 1369, and soon became the object of veneration in the city. The canvasses were all executed in 1494–1496. All surv ...
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Miracle Of The True Cross In The Canal Of S
A miracle is an event that is inexplicable by natural or scientific lawsOne dictionary define"Miracle"as: "A surprising and welcome event that is not explicable by natural or scientific laws and is therefore considered to be the work of a divine agency." and accordingly gets attributed to some supernatural or praeternatural cause. Various religions often attribute a phenomenon characterized as miraculous to the actions of a supernatural being, (especially) a deity, a magician, a miracle worker, a saint, or a religious leader. Informally, English-speakers often use the word ''miracle'' to characterise any beneficial event that is statistically unlikely but not contrary to the laws of nature, such as surviving a natural disaster, or simply a "wonderful" occurrence, regardless of likelihood (e.g. "the miracle of childbirth"). Some coincidences may be seen as miracles. A true miracle would, by definition, be a non-natural phenomenon, leading many writers to dismiss miracles as phy ...
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Mosaics
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Domes
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a rotunda wall, a drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian, Hellenistic, Roman, and Chinese architecture in the ancient world, as well as among a number of indigenous building traditions throughout the worl ...
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Byzantine Architecture
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire. The Byzantine era is usually dated from 330 AD, when Constantine the Great moved the Roman capital to Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. However, there was initially no hard line between the Byzantine and Roman empires, and early Byzantine architecture is stylistically and structurally indistinguishable from earlier Roman architecture. This terminology was introduced by modern historians to designate the medieval Roman Empire as it evolved as a distinct artistic and cultural entity centered on the new capital of Constantinople (modern-day Istanbul) rather than the city of Rome and its environs. Its architecture dramatically influenced the later medieval architecture throughout Europe and the Near East, and became the primary progenitor of the Renaissance and Ottoman architectural traditions that followed its collapse. Characteristic ...
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St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ...
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Miracle
A miracle is an event that is inexplicable by natural or scientific lawsOne dictionary define"Miracle"as: "A surprising and welcome event that is not explicable by natural or scientific laws and is therefore considered to be the work of a divine agency." and accordingly gets attributed to some supernatural or praeternatural cause. Various religions often attribute a phenomenon characterized as miraculous to the actions of a supernatural being, (especially) a deity, a magician, a miracle worker, a saint, or a religious leader. Informally, English-speakers often use the word ''miracle'' to characterise any beneficial event that is statistically unlikely but not contrary to the laws of nature, such as surviving a natural disaster, or simply a "wonderful" occurrence, regardless of likelihood (e.g. "the miracle of childbirth"). Some coincidences may be seen as miracles. A true miracle would, by definition, be a non-natural phenomenon, leading many writers to dismiss miracles as p ...
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Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
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