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Princess Yoshiko (Arisugawa-no-miya)
, issue-link = , issue-pipe = , native_name = 吉子女王 , native_name_lang = ja , full name = Tokugawa Yoshiko , noble family = Chiefs of the Tokugawa shogunate as:{{plainlist, * Ieyoshi (12th, brother-in-law) * Yoshinobu (15th) * Feudal lords as: * Yoshiatsu, Mito Domain * Tsuchiya Tsugunao, Tsuchiura Domain (stepson) * Akitake, Shimizu-Tokugawa Family (stepson) , house-type = , father = {{plainlist, * Prince Taruhito of Arisugawa-no-miya * (twelfth and the last daughter) , mother = Ando Kiyoko , birth_name = Arisugawa-no-miya Tomi , birth_date = {{Birth date, 1804, 10, 28 , birth_place = , christening_date = , christening_place = , death_date = {{Death date and age, 1893, 01, 27, 1804, 10, 28, df=y , death_place = Tokyo , burial_date = , burial_place = Zuiryuzan temple, Mito, Ibaraki Prefecture , occupation = Imperial princess, the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Nariaki
Tokugawa Nariaki (徳川 斉昭, April 4, 1800 – September 29, 1860) was a prominent Japanese ''daimyō'' who ruled the Mito Domain (now Ibaraki Prefecture) and contributed to the rise of nationalism and the Meiji Restoration. Biography Clan leader Nariaki was the 3rd son of Tokugawa Harutoshi, the seventh-generation ''daimyō'' of Mito. The family headship first passed to Harutoshi's eldest son Narinobu, before being passed on to Nariaki in 1829. Nariaki was also leader of the '' Jōi'' (expel the barbarian) party and made a Bakufu adviser on national defence. His childhood name was Torasaburo (虎三郎) later changed to Keisaburo (敬三郎). Bakufu official Nariaki was put in charge of Bakufu efforts to defend the country against encroaching foreigners. His own view was that the bakufu should strengthen its military and fight the foreigners, and was at odds with Ii Naosuke on the issue. He was pro-emperor and favored imperial restoration. Nariaki also greatly expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the '' daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the '' bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rōjū
The , usually translated as '' Elder'', was one of the highest-ranking government posts under the Tokugawa shogunate of Edo period Japan. The term refers either to individual Elders, or to the Council of Elders as a whole; under the first two ''shōguns'', there were only two ''Rōjū''. The number was then increased to five, and later reduced to four. The ''Rōjū'' were appointed from the ranks of the ''fudai daimyōs'' with domains of between 25,000 and 50,000 ''koku''. Duties The ''Rōjū'' had a number of responsibilities, most clearly delineated in the 1634 ordinance that reorganized the government and created a number of new posts: :#Relations with the Emperor, the Court, and the Prince-Abbots. :#Supervision of those ''daimyō'' who controlled lands worth at least 10,000 ''koku''. :#Managing the forms taken by official documents in official communications. :#Supervision of the internal affairs of the Shogun's domains. :#Coinage, public works, and enfiefment. :#Governmental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metsuke
were the censors or the inspectors of Tokugawa shogunate. They were ''bakufu'' officials ranking somewhat lower than the ''bugyō.'' The ''metsuke'' were charged with the special duty of detecting and investigating instances of maladministration, corruption or disaffection anywhere in Japan, and particularly amongst the populace having status below the ''daimyō''.Beasley, William G. (1955). ''Select Documents on Japanese Foreign Policy, 1853–1868'', p. 326. Intelligence gathering The shogunate recognized the need for some kind of internal intelligence-gathering apparatus and for some degree of covert espionage within its own ranks. It could be said that the ''metsuke'' functioned as the Shogun's intelligence agency or as internal spies, reporting to the officials in Edo on events and situations across the country.Cunningham, Don. (2004) ''Taiho-jutsu: Law and Order in the Age of the Samurai,'' p. 39./ref> The ''metsuke'' were charged with focusing on those ranking below ''da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ii Naosuke
was ''daimyō'' of Hikone (1850–1860) and also Tairō of the Tokugawa shogunate, Japan, a position he held from April 23, 1858, until his death, assassinated in the Sakuradamon Incident on March 24, 1860. He is most famous for signing the Harris Treaty with the United States, granting access to ports for trade to American merchants and seamen and extraterritoriality to American citizens. He was also an enthusiastic and accomplished practitioner of the Japanese tea ceremony, in the Sekishūryū style, and his writings include at least two works on the tea ceremony. Under Ii Naosuke’s guidance, the Tokugawa shogunate navigated past a particularly difficult conflict over the succession to the ailing and childless Tokugawa Iesada. Ii Naosuke managed to coerce the Tokugawa shogunate to the last brief resurgence of its power and position in Japanese society before the start of the Meiji period. Ii was assassinated in the Sakuradamon incident by a group of 17 Mito and 1 Satsuma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hichiriki
The is a double reed Japanese used as one of two main melodic instruments in Japanese music. It is one of the "sacred" instruments and is often heard at Shinto weddings in Japan. Its sound is often described as haunting. According to scholars, the emerged after the 12th century when the popularity of the Chinese melodies in Japan called waned. Description Although a double reed instrument like the oboe, the has a cylindrical bore and thus its sound is similar to that of a clarinet. It is difficult to play due in part to the double reed configuration. It is made of a piece of bamboo that measures with a flat double reed inserted which makes a loud sound. Pitch and ornamentation (most notably bending tones) are controlled largely with the embouchure. The instrument is particularly noted for the ("salted plum seasoning"), a kind of pitch-gliding technique. The is the most widely used of all instruments in and it is used in all forms of music aside from poetry recitat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (instrument)
The is a Japanese Plucked string instrument, plucked Tube zither#Half-tube zithers, half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese people, Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia, Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridge (instrument), bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as Bass (instrument), bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embroidery
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. Some of the basic techniques or stitches of the earliest embroidery are chain stitch, buttonhole or blanket stitch, running stitch, satin stitch, and cross stitch. Those stitches remain the fundamental techniques of hand embroidery today. History Origins The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. Indeed, the remarkable stability of basic embroidery stitches has been noted: The art of embroidery has been found worldwide and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Calligraphy
also called is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles. Styles The term shodō (書道, "way of writing") is of Chinese origin, and is widely used to describe the art of Chinese calligraphy during the medieval Tang dynasty. Early Japanese calligraphy was originated from Chinese calligraphy. Many of its principles and techniques are very similar, and it recognizes the same basic writing styles: * seal script (篆書 ''tensho'') (pinyin: ''zhuànshū''). The seal script (tensho) was commonly used throughout the Zhou dynasty (1046–256 BC) and the following Qin dynasty (221–206 BC) of China. After this time period, tensho style fell out of popularity in favor of reisho. However, tensho was still used for titles of published works or inscriptions. The c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
