Prince Charmont
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Prince Charmont
''Ella Enchanted'' is a 2004 jukebox musical fantasy comedy film directed by Tommy O'Haver and written by Karen McCullah Lutz and Kirsten Smith, loosely based on Gail Carson Levine's 1997 novel of the same name. Starring Anne Hathaway and Hugh Dancy, the film plays with the usual fairy tale genre. The film is a co-production between companies in the United States, Ireland, and the United Kingdom. Plot In the kingdom of Lamia, misguided fairy godmother Lucinda Perriweather bestows the “gift” of obedience on newborn Ella of Frell, causing her to instantly obey any command she is given. Some years later, on her deathbed, Ella's mother warns her daughter not to tell anyone about the gift, for fear that someone might use it to exploit Ella. Years later, Ella's father Sir Peter marries wealthy socialite, Dame Olga, who dislikes Ella and treats her poorly. Ella meets Prince "Char" Charmont, who invites her to his coronation ball. Jealous, Olga’s daughters Hattie and Oli ...
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Tommy O'Haver
Tommy O'Haver (born October 24, 1968, Indianapolis, Indiana) is an American film director and screenwriter. He grew up in Carmel, Indiana, a suburb of Indianapolis. He graduated from Carmel High School and matriculated at Indiana University with a joint degree in Journalism and Comparative Literature. In the mid-1990s, he attended the MFA Film program at the University of Southern California School of Cinematic Arts. While there, he directed shorts that appeared at major festivals, including Sundance and The New York Film Festival. ''Billy's Hollywood Screen Kiss'', featuring Sean Hayes, was O'Haver's directorial debut. ''Billy's Hollywood Screen Kiss'' played in competition at the 1998 Sundance Film Festival and screened at the Helsinki International Film Festival. His follow-up film '' Get Over It'' featured Kirsten Dunst, Ben Foster, Mila Kunis and Zoe Saldana in a teen comedy about a school theater production. O'Haver's third film, ''Ella Enchanted'', starred Anne Hathaway. Ca ...
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British Board Of Film Classification
The British Board of Film Classification (BBFC, previously the British Board of Film Censors) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray (including 3D and 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors by members of the film industry, who preferred to manage their own censorship than to have national or local gove ...
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Anthropocentrism
Anthropocentrism (; ) is the belief that human beings are the central or most important entity in the universe. The term can be used interchangeably with humanocentrism, and some refer to the concept as human supremacy or human exceptionalism. From an anthropocentric perspective, humankind is seen as separate from nature and superior to it, and other entities (animals, plants, minerals, etc.) are viewed as resources for humans to use. Anthropocentrism interprets or regards the world in terms of human values and experiences. It is considered to be profoundly embedded in many modern human cultures and conscious acts. It is a major concept in the field of environmental ethics and environmental philosophy, where it is often considered to be the root cause of problems created by human action within the ecosphere. However, many proponents of anthropocentrism state that this is not necessarily the case: they argue that a sound long-term view acknowledges that the global environment mus ...
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Ogre
An ogre ( feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend with a taste for infants. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in "Jack and the Beanstalk" and " Jack the Giant Killer", the Giant Despair in ''The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in "Puss in Boots" ...
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Coronation
A coronation is the act of placement or bestowal of a coronation crown, crown upon a monarch's head. The term also generally refers not only to the physical crowning but to the whole ceremony wherein the act of crowning occurs, along with the presentation of other items of regalia, marking the formal investiture of a monarch with regal power. Aside from the crowning, a coronation ceremony may comprise many other rituals such as the taking of special vows by the monarch, the investing and presentation of regalia to the monarch, and acts of homage by the new ruler's subjects and the performance of other ritual deeds of special significance to the particular nation. Western-style coronations have often included anointing the monarch with holy anointing oil, holy oil, or chrism as it is often called; the anointing ritual's religious significance follows examples found in the Bible. The monarch's consort may also be crowned, either simultaneously with the monarch or as a separate eve ...
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Fairy Godmother
In fairy tales, a fairy godmother () is a fairy with magical powers who acts as a mentor or parent to someone, in the role that an actual godparent was expected to play in many societies. In Perrault's ''Cinderella'', he concludes the tale with the moral that no personal advantages will suffice without proper connections. The fairy godmother is a special case of the donor. In fairy tale and legend Actual fairy godmothers are rare in fairy tales, but became familiar figures because of the popularity of the literary fairy tales of Madame d'Aulnoy and other précieuses, and Charles Perrault. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother. The fairy godmother has her roots in the figures of the Fates; this is especially clear in ''Sleeping Beauty'', where they decree her fate, and are associated with spinning. In the tales of précieuses and later successors, the fairy godmother acts in a manner atypi ...
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Cinema Of The United Kingdom
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, (with Emeric Pressburger) and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Olivia de Havilland, Glynis Johns, Maggie Smith, Roger Moore, Michael Caine, Sean Connery, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Hugh Grant and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the third and sixth highest-grossing film franchises (''Harry Potter'' and ''James Bond''). The identity of the British film industry, particularly as it relates to Hollywood, has often been the subject of debat ...
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Cinema Of Ireland
The Irish film industry has grown somewhat in recent years thanks partly to the promotion of the sector by Fís Éireann/Screen Ireland and the introduction of heavy tax breaks. According to the Irish Audiovisual Content Production Sector Review carried out by the Irish Film Board and PricewaterhouseCoopers in 2008 this sector, has gone from 1,000 people employed six or seven years ago, to well over 6,000 people in that sector now and is valued at over €557.3 million and represents 0.3% of GDP. Most films are produced in English as Ireland is largely Anglophone, though some productions are made in Irish either wholly or partially. According to an article in ''Variety'' magazine spotlighting Irish cinema, a decade ago the Republic of Ireland had only two filmmakers anyone had heard of: Neil Jordan and Jim Sheridan. , the Republic of Ireland can boast more than a dozen directors and writers with significant and growing international reputations. Ireland is now achieving critical ...
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Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ...
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International Co-production
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, ''Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadcast simultaneously in all three countries", was first broadcast in December 1940. Following the Second World War, US film companies were forbidden by the Marshall Plan to take their film profits in the form of foreign exchange out of European countries. As a result, seve ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic (paranormal), magic, incantation, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance (love), romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true ...
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Comedy Film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending (black comedy being an exception). Comedy is one of the oldest genres in film and it is derived from the classical comedy in theatre. Some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1930s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue. Comedy, compared with other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. In '' The Screenwriters Taxonomy'' (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story. Therefore the labels "drama" and "comedy" are t ...
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