Presentation At The Temple (Mantegna)
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Presentation At The Temple (Mantegna)
The ''Presentation at the Temple'' is a painting by the Italian Renaissance artist Andrea Mantegna. Dating to c. 1455, it is housed in the Gemäldegalerie, Berlin, Germany. History The date of the painting is unknown, but it belongs to the painter's youth in Padua. Date ranges from 1453, when Mantegna married Nicolosia Bellini, daughter Jacopo Bellini painter and the sister of Giovanni and Gentile, both painters as their father, and 1460 when he left for Mantua. Giovanni Bellini's ''Presentation at the Temple'', explicitly inspired by Mantegna's, dates to around the latter year. Description The scene is set within a marble frame. The cushion on which the Child lies stands on it and partially juts out. The Virgin Mary, in the foreground, is holding the Child while a bearded priest is near her. At the center, in penumbra, is Joseph with an aureola. Also in the background, at the sides, two spectators without aureola have been identified as possibly Mantegna's self-portrait and a ...
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ...
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Presentation At The Temple (Bellini)
The ''Presentation at the Temple'' is a painting of the Presentation of Jesus at the Temple by the Italian master Giovanni Bellini, dating to c. 1460. It is housed in the Fondazione Querini Stampalia, in Venice, Italy. History The dating of the work is uncertain, though it is usually considered to be subsequent to the ''Presentation at the Temple'' by Andrea Mantegna (Berlin, c. 1455), from which Bellini took a very similar placement of the figures. The commission of the two works is unknown, as well as if the figures, as is sometimes suggested, portrayed members of the Mantegna and Bellini families. Description and style The main characters are nearly the same as those in Mantegna's work: the Virgin is holding the Child, whose feet are lying on a cushion, while the bearded figure of Simeon is coming to take him. In the front is Saint Joseph, which, according to some scholars, would be a portrait of Bellini's father, Jacopo. On the sides the painter added two further figures ...
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Paintings By Andrea Mantegna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1450s Paintings
145 may refer to: *145 (number), a natural number *AD 145, a year in the 2nd century AD * 145 BC, a year in the 2nd century BC *145 (dinghy), a two-person intermediate sailing dinghy * 145 (South) Brigade * 145 (New Jersey bus) See also * List of highways numbered 145 The following highways are numbered 145: Australia * Lower Barrington Road, Paloona Road, Melrose Road, Bellamy Road, Forthside Road (Tasmania) * Inverleigh–Winchelsea Road (Victoria) Canada * Winnipeg Route 145 * New Brunswick Route 145 * ...
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Il Sole 24 Ore
''Il Sole 24 Ore'' () is an Italian national daily business newspaper owned by Confindustria, the Italian employers' federation. History and profile ''Il Sole 24 Ore'' was first published on 9 November 1965 as a merger between ''Il Sole'' ("the sun"), founded in 1865, and ''24 Ore'' ("24 hours"), founded in 1933. The latter was established by young economists, including Ferdinando di Fenizio, Libero Lenti and Roberto Tremelloni, on 15 February 1933. The owner of ''Il Sole 24 Ore'' is Confindustria. ''Il Sole 24 Ore'' has its headquarters in Milan and is published in broadsheet format. The paper reports on business, politics, developments in commercial and labour law, corporate news and features. Extensive share and financial product listings are provided in its daily supplement, ''Finanza e Mercati''. Weekly supplements include: *''Domenica'' (Sunday): art, literature, philosophy, theatre, cinema, book reviews, and related news; *''Plus24'' (Saturday): family savings, market a ...
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Aureola
An aureola or aureole (diminutive of Latin ''aurea'', "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In Romance languages, the noun Aureola is usually more related to the disc of light surrounding the head of sacred figures and that in English is called Halo or Nimbus. In art In the earliest periods of Christian art it was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints. The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally depicted as circular, vesica piscis, or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a ''halo'' or ''nimbus'', while the combination of nimbus and aureole is called a '' glory''. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most freq ...
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Saint Joseph
Joseph (; el, Ἰωσήφ, translit=Ioséph) was a 1st-century Jewish man of Nazareth who, according to the canonical Gospels, was married to Mary, the mother of Jesus, and was the legal father of Jesus. The Gospels also name some brothers of Jesus who may have been: (1) the sons of Mary, the mother of Jesus, and Joseph; (2) sons of Mary, the wife of Clopas and sister of Mary the mother of Jesus; or (3) sons of Joseph by a former marriage. Joseph is venerated as Saint Joseph in the Catholic Church, Orthodox Church, Oriental Orthodox Church and Anglicanism. His feast day is observed by some Lutherans. In Catholic traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. The month of March is dedicated to Saint Joseph. Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a happy death, due to the belief that he died in the presence of Jesus and ...
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Mary, Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ...
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Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ...
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Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ...
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Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe. B ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ...
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