Prelude And Fugue On A Theme Of Vittoria
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Prelude And Fugue On A Theme Of Vittoria
''Prelude and Fugue on a Theme of Vittoria'' is a work for solo organ composed by Benjamin Britten in 1946. It was commissioned for St Matthew's Church, Northampton and first performed on 21 September 1946, St Matthew's Day, three days after its composition. It uses a theme from a motet by the Spanish composer Vittoria, both in the prelude (where it is played repeatedly on the pedals) and as the basis for the fugue. The piece, which lasts about five minutes in performance, has had a mixed reception. One writer has noted the difficulty on finding a suitable organ on which to perform the piece, given the difficulties in finding appropriate registration to meet Britten's requirements. A reviewer of a concert performance in the 1960s called it "a contrived attempt to make bricks without straw", although other commentators have been more favourable about the piece. Background The English composer Benjamin Britten was asked to write the ''Prelude and Fugue'' for St Matthew's Church, ...
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St Matthew's Church, Northampton
St Matthew's Church, Northampton is a Church of England parish church in Northampton, within the Diocese of Peterborough. The church is a Grade II* listed building. It was erected (1891–4) in memory of brewer and MP, Pickering Phipps, beside the Kettering Road. The architect was Matthew Holding. Canon John Rowden Hussey was vicar from its consecration in 1893 to 1937. Walter Hussey, vicar from 1937 to 1955 succeeding his father, was a patron of the arts. He celebrated the church's 50th anniversary with a sequence of events and commissions: the commission of the anthem ''Rejoice in the Lamb'' from Benjamin Britten; a performance from the BBC Symphony Orchestra (2 October 1943); an organ recital by George Thalben-Ball, and the commission of Henry Moore's sculpture "Madonna and Child". Buoyed by the success of the 1943-4 commissions, Hussey continued to commission new works of art. Other musical commissions included ''The Revival'' by Edmund Rubbra (1944); ''Festival Anthe ...
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Antonio Gardano
Antonio Gardano (also Antoine Gardane) (1509 – 28 October 1569) was a French-born Italian composer and important music publisher and printer based in Venice. Life and career Gardano arrived in the city as a "musico francese" whose musical compositions had been published in Lyons by Jacques Moderne from 1532. Gardano set up a publishing house and between 1538 and 1569 published 450 editions of prominent composers, half of them Italian madrigals. The composers best-represented in Gardano's output included Jacques Arcadelt, Cipriano de Rore, Orlande de Lassus, and Adrian Willaert, accounting for about 25 percent of his total publications. Gardano and Girolamo Scotto, owner of the other large Venetian publishing house in the middle of the 16th century, held an effective monopoly on publishing in Italy for several decades. While the house of Scotto published volumes on law, medicine, philosophy, and theology in addition to music, Gardano published only music.Jane Bernstein, "Scotto ...
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Luther Noss
Luther may refer to: People * Martin Luther (1483–1546), German monk credited with initiating the Protestant Reformation * Martin Luther King Jr. (1929-1968), American minister and leader in the American civil rights movement * Luther (given name) * Luther (surname) Places * Luther (crater), a lunar crater named after astronomer Robert Luther * Luther, Indiana, an unincorporated community in the United States * Luther, Iowa, a town in Boone County, Iowa, United States * Luther, Michigan, a village in Lake County, United States * Luther, Montana, an unincorporated community in Carbon County, United States * Luther, Oklahoma, a town in Oklahoma County, Oklahoma, United States Arts, entertainment, and media Fictional characters * Luther, a character from '' The Adventures of Luther Arkwright'' limited comic book series * Luther, a gang member in ''The Warriors'' (1979) American cult film * Luther Bentley, the villain of ''Adventures of Captain Marvel'' (1941) * Luthe ...
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Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ...
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Music Library Association
The Music Library Association (MLA) of the United States is the main professional organization for music libraries and librarians (including those whose music materials form only part of their responsibilities and collections). It also serves corporations, institutions, students, composers, scholars and others whose work and interests lie in the music librarianship field. National meetings occur annually. Purpose "The purposes of the Association shall be to promote the establishment, growth, and use of music libraries; to encourage the collection of music and musical literature in libraries; to further studies in musical bibliography; to increase efficiency in music library service and administration; and to promote the profession of music librarianship. The Association is a non-stock, non-profit corporation organized and operated exclusively for said purposes. No part of the net earnings of the Association shall inure to the benefit of any individual. No officer, member, or del ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ...
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Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ...
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Pianississimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ...
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Crochet
Crochet (; ) is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread (yarn), thread, or strands of other materials. The name is derived from the French term ''crochet'', meaning 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time. Etymology The word crochet is derived from the Old French ''crochet'', a diminutive of ''croche'', in turn from the Germanic languages, Germanic ''croc'', both meaning "hook". It was used in 17th-century French lace-making, where the term ''crochetage'' designated a stitch used to join separate pieces of lace. The word ''crochet'' ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ...
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Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ...
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Minim (music)
''Half Note'' is a live album by saxophonist Clifford Jordan which was recorded in 1974 and first released on the SteepleChase label in 1985.Clifford Jordan discography
accessed April 9, 2014


Reception

In his review on , Scott Yanow notes that this is "An good example of Jordan's music"


Track listing

''All compositions by Clifford Jordan except as indicated'' # "Holy Land" (Cedar Walton) - 8:41 # "The Glass Bead Games" - 5:38 # " St. Thomas" (