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Predominant Chord
In music theory, a predominant chord (also pre-dominant) is any chord which normally resolves to a dominant chord.Benward & Saker (2009). ''Music in Theory and Practice: Volume II'', Glossary, p.359. Eighth Edition. . "Any chord in functional harmony that normally resolves to the dominant chord." Examples of predominant chords are the subdominant (IV, iv), supertonic (ii, ii°), Neapolitan sixth and German sixth. Other examples are the secondary dominant (V/V) and secondary leading tone chord. Predominant chords may lead to secondary dominants. Predominant chords both expand away from the tonic ''and'' lead to the dominant, affirming the dominant's pull to the tonic.Cleland, Kent D. and Dobrea-Grindahl, Mary (2013). ''Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training'', p.255. Routledge. . Thus they lack the stability of the tonic and the drive towards resolution of the dominant. The predominant harmonic function is part of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
V Of V In C Four-part Harmony
V, or v, is the twenty-second and fifth-to-last letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''vee'' (pronounced ), plural ''vees''. History The letter V ultimately comes from the Phoenician letter ''waw'' by way of U. See U for details. During the Late Middle Ages, two minuscule glyphs of U developed which were both used for sounds including and modern . The pointed form "v" was written at the beginning of a word, while a rounded form "u" was used in the middle or end, regardless of sound. So whereas "valour" and "excuse" appeared as in modern printing, "have" and "upon" were printed as "haue" and "vpon". The first distinction between the letters "u" and "v" is recorded in a Gothic script from 1386, where "v" preceded "u". By the mid-16th century, the "v" form was used to represent the consonant and "u" the vowel sound, giving us the modern letter V. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Rhythm
In music theory, harmonic rhythm, also known as harmonic tempo, is the rate at which the chords change (or progress) in a musical composition, in relation to the rate of notes. Thus a passage in common time with a stream of sixteenth notes and chord changes every measure has a slow harmonic rhythm and a fast surface or "musical" rhythm (16 notes per chord change), while a piece with a trickle of half notes and chord changes twice a measure has a fast harmonic rhythm and a slow surface rhythm (1 note per chord change). Harmonic rhythm may be described as strong or weak. According to William Russo harmonic rhythm is, "the duration of each different chord...in a succession of chords." According to Joseph Swain (2002 p. 4) harmonic rhythm, "is simply that perception of rhythm that depends on changes in aspects of harmony." According to Walter Piston (1944), "the rhythmic life contributed to music by means of the underlying changes of harmony. The pattern of the harmonic rhythm o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Approach Chord
In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for example the two bar 50s progression: , G / Em / , Am / D7 / , , may be filled in with approach chords: , G F9 Em Abm , Am D#7 D7 Gb7 , , F9 being the half-step to Em, Am being the half-step to Am, D7 being the half-step to D7, and G7 being the half-step to G. G being I, Em being vi, Am being ii, and D7 being V7 (see ii-V-I turnaround and circle progression). An approach chord may also be the chord immediately preceding the target chord such as the subdominant (F Maj7) preceding the tonic (CMaj7) creating a strong cadence through the contrast of no more than two common tones: ''FA''CE – CE''GB''. Approach chords may thus be a semitone or a fifth or fourth from their target. Approach chords create the harmonic space of the modes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predominant Form Chords
In music theory, a predominant chord (also pre-dominant) is any chord which normally resolves to a dominant chord.Benward & Saker (2009). ''Music in Theory and Practice: Volume II'', Glossary, p.359. Eighth Edition. . "Any chord in functional harmony that normally resolves to the dominant chord." Examples of predominant chords are the subdominant (IV, iv), supertonic (ii, ii°), Neapolitan sixth and German sixth. Other examples are the secondary dominant (V/V) and secondary leading tone chord. Predominant chords may lead to secondary dominants. Predominant chords both expand away from the tonic ''and'' lead to the dominant, affirming the dominant's pull to the tonic.Cleland, Kent D. and Dobrea-Grindahl, Mary (2013). ''Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training'', p.255. Routledge. . Thus they lack the stability of the tonic and the drive towards resolution of the dominant. The predominant harmonic function is part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neapolitan V I
Neapolitan means of or pertaining to Naples, a city in Italy; or to: Geography and history * Province of Naples, a province in the Campania region of southern Italy that includes the city * Duchy of Naples, in existence during the Early and High Middle Ages * Kingdom of Naples * Kingdom of the Two Sicilies * Neapolitan Republic (other), various entities * Neapolitan War * Naples, Florida, which took its designation from the Italian city Music * Music of Naples or Neapolitan dance * Canzone Napoletana or Neapolitan song * Neapolitan School of music * Neapolitan chord (also known as Neapolitan sixth), the first inversion of a major chord built on the lowered second (supertonic) scale degree * Neapolitan scale * Neapolitan mass, a cantata-style mass Food * Neapolitan cuisine, a historical cuisine of Naples that date back to the Greco-Roman period to the modern days * Neapolitan ice cream, a mixture of chocolate, vanilla, and strawberry ice cream side-by-side in the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Caplin
William E. Caplin (born 1948) is an American music theory, music theorist who lives and works in Montreal, Quebec, Canada, where he is a James McGill Professor at the Schulich School of Music of McGill University. Caplin served as president of the Society for Music Theory from 2005 to 2007 and was its vice-president from 2001 to 2003. His earlier work concentrated on the history of music theory,William E. Caplin. (1981). ''Theories of Harmonic-Metric Relationships from Rameau to Riemann''. PhD diss. University of Chicago. but he is best known for a series of articles and two books on musical form in European music around 1800. The first of those books, ''Classical Form: A Theory of Formal Functions for the Music of Haydn, Mozart, and Beethoven'' has been widely influential and was a major factor in the revival of interest in musical form in North-American music theory. Theory of Formal Functions ''Classical Form'', along with a more recently published, lengthy textbook intended for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
