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Prayerbook Of Otto III
The Prayerbook of Otto III or Pommersfelden Prayerbook is an Ottonian illuminated manuscript, made up of 44 bound parchment folios. It was produced around 984 in Mainz for the private use of Otto III, Holy Roman Emperor, commissioned by his mother Theophanu and Archbishop Willigis. It is the only prayerbook to survive from the Ottonian era and its texts and images set out a monastic model for an ideal sovereign, making it more precisely a mirror of princes. The book exemplifies the three main influences on Ottonian illumination: late Antique/ early Christian, Carolingian, and Byzantine. The dedication miniature draws from the late Antique iconography seen in the Chronography of 354, the emperor prostrating himself before Jesus comes from Carolingian ideology, and the depiction of Otto orant below a Deesis derives from contemporaneous Byzantine imagery.Jeep, p.600 It was acquired in 1994 by the Bavarian State Library The Bavarian State Library (german: Bayerische Staatsbiblio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottonian Art
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainz
Mainz () is the capital and largest city of Rhineland-Palatinate, Germany. Mainz is on the left bank of the Rhine, opposite to the place that the Main (river), Main joins the Rhine. Downstream of the confluence, the Rhine flows to the north-west, with Mainz on the left bank, and Wiesbaden, the capital of the neighbouring state Hesse, on the right bank. Mainz is an independent city with a population of 218,578 (as of 2019) and forms part of the Frankfurt Rhine-Main, Frankfurt Rhine-Main Metropolitan Region. Mainz was founded by the Roman Empire, Romans in the 1st century BC as a military fortress on the northernmost frontier of the empire and provincial capital of Germania Superior. Mainz became an important city in the 8th century AD as part of the Holy Roman Empire, capital of the Electorate of Mainz and seat of the Elector of Mainz, Archbishop-Elector of Mainz, the Primate (bishop), Primate of Germany. Mainz is famous as the birthplace of Johannes Gutenberg, the inventor of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto III, Holy Roman Emperor
Otto III (June/July 980 – 23 January 1002) was Holy Roman Emperor from 996 until his death in 1002. A member of the Ottonian dynasty, Otto III was the only son of the Emperor Otto II and his wife Theophanu. Otto III was crowned as King of Germany in 983 at the age of three, shortly after his father's death in Southern Italy while campaigning against the Byzantine Empire and the Emirate of Sicily. Though the nominal ruler of Germany, Otto III's minor status ensured his various regents held power over the Empire. His cousin Henry II, Duke of Bavaria, initially claimed regency over the young king and attempted to seize the throne for himself in 984. When his rebellion failed to gain the support of Germany's aristocracy, Henry II was forced to abandon his claims to the throne and to allow Otto III's mother Theophanu to serve as regent until her death in 991. Otto III was then still a child, so his grandmother, Adelaide of Italy, served as regent until 994. In 996, Otto III marche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophanu
Theophanu (; also ''Theophania'', ''Theophana'', or ''Theophano''; Medieval Greek ; AD 955 15 June 991) was empress of the Holy Roman Empire by marriage to Emperor Otto II, and regent of the Empire during the minority of their son, Emperor Otto III, from 983 until her death in 991. She was the niece of the Byzantine Emperor John I Tzimiskes. She was known to be a forceful and capable ruler. Her status in the history of the Empire in many ways was exceptional. According to Wilson, "She became the only consort to receive the title 'co-empress' (''coimperatrix augusta''), and it was envisaged she would succeed as sole ruler if Otto II died without a son." Early life According to the marriage certificate issued on 14 April 972 Theophanu is identified as the ''neptis'' (niece or granddaughter) of Emperor John I Tzimiskes (925–976, reigned 969–976) who was of Armenian and Byzantine Greek descent. She was of distinguished noble heritage: the Vita Mahthildis identifies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willigis
Willigis ( la, Willigisus; german: Willigis, Willegis; 940 – 23 February 1011 AD) was Archbishop of Mainz from 975 until his death as well as archchancellor of the Holy Roman Empire. Life Willigus was born in the Duchy of Saxony, possibly at Schöningen, the son of a free peasant. The able and intelligent young man received a good education, and was recommended by Bishop Volkold of Meissen to the service of Emperor Otto the Great. About 971, Willigis was appointed chancellor, an office formerly held by the emperor's brother Archbishop Bruno of Cologne. Until 973 he served Otto throughout the last years of his reign and at the height of his power. In 975 Emperor Otto II made him Archbishop of Mainz and Archchancellor for Germany. Of humble origin, Willigis had to cope with many objections; he immediately had Pope Benedict VII confirm his supremacy as metropolitan bishop. Soon he started to build the great Cathedral of Mainz. Willigis demanded solid learning in his clergy too. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirror Of Princes
Mirrors for princes ( la, specula principum) or mirrors of princes, are an educational literary genre, in a loose sense of the word, of political writings during the Early Middle Ages, the High Middle Ages, the late middle ages and the Renaissance. They are part of the broader speculum or mirror literature genre. The term itself is medieval, as it appears as early as the 12th century, under the words ''speculum regum'', and may have been used earlier than that. The genre concept may have come from the popular speculum literature that was popular between the 12th through 16th centuries, which focused on knowledge of a particular subject matter. These texts most frequently take the form of textbooks which directly instruct kings, princes or lesser rulers on certain aspects of governance and behaviour. But in a broader sense the term is also used to cover histories or literary works aimed at creating images of kings for imitation or avoidance. Authors often composed such "mirrors" a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Christian Art And Architecture
Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine, or of some other regional type. It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable works of art. Since Christianity was largely a religion not well represented in the public sphere, the lack of surviving art may reflect a lack of funds for patronage, and simply small numbers of followers. The Old Testament restrictions against the production of graven (an idol or fetish carved in wood or stone) images (see also Idolatry and Christianity) may also have constrained Christians from producing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptuo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronography Of 354
The ''Chronograph of 354'' (or "Chronography"), also known as the ''Calendar of 354'', is a compilation of chronological and calendrical texts produced in 354 AD for a wealthy Roman Christian named Valentinus by the calligrapher and illustrator Furius Dionysius Filocalus. The original illustrated manuscript is lost, but several copies have survived. It is the earliest dated codex to have full page illustrations. The term ''Calendar of Filocalus'' is sometimes used to describe the whole collection, and sometimes just the sixth part, which is the Calendar itself. Other versions of the names ("Philocalus", "Codex-Calendar of 354", "Chronography of 354") are occasionally used. The text and illustrations are available online. Amongst other historically significant information, the work contains the earliest reference to the celebration of Christmas as an annual holiday or feast, on , although unique historical dates had been mentioned much earlier by Hippolytus of Rome during 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orans
Orans (/ˈoː.rans/), a loanword from Medieval Latin ''ōrāns'' translated as ''one who is praying or pleading'', also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up. The orans posture of prayer has a Scriptural basis in : "I desire, then, that in every place the men should pray, lifting up holy hands without anger or argument" (NRSV). It was common in early Christianity and can frequently be seen in early Christian art, being advised by several early Church Fathers, who saw it as "the outline of the cross". In modern times, the orans position is still preserved in Oriental Orthodoxy, as when Coptic Christian believers pray the seven canonical hours of the Agpeya at fixed prayer times; The orans also occurs within parts of the Catholic, Oriental Orthodox, Eastern Orthodox, Lutheran, and Anglican liturgies, Pentecostal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
