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Post Self
''Post Self'' is the eighth studio album by English industrial metal band Godflesh. It was released on 17 November 2017 through frontman Justin Broadrick's own record label, Avalanche Recordings, and was the band's second album since reforming in 2010. The single "Post Self" was released for streaming on 31 October 2017, and a second track, "Be God", was released for streaming on 11 November 2017, six days in advance of the full release. Godflesh avoided interviews in the wake of ''Post Self'', hoping to retain some of the album's purity and give listeners a chance to digest the music in a vacuum. Musically, ''Post Self'' explores less of the metal side of Godflesh and instead focuses on the band's industrial and post-punk elements; thematically, it covers anxiety, fear, loss of self and similar topics. The album was critically acclaimed, appeared on several publications' year-end lists and peaked on ''Billboard's'' Top Heatseekers chart at 23. It was followed by various scatter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post Self (song)
"Post Self" is an industrial metal song by the band Godflesh, taken from their 2017 album of the same name. It was released ahead of ''Post Self'' on 31 October 2017 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download. Composition "Post Self", the introductory and title track of Godflesh's eighth studio album, is one of only a few songs on the release to feature a traditional metal riff. Structurally, "Post Self" can be seen as a microcosm of its host album; just as ''Post Self'' begins with a three metal-oriented tracks, "Post Self" the song's first half is dominated by aggressive guitar and guttural vocals, and just as ''Post Self'' becomes more somber and experimental in its latter stages, so too does the song. Peter Helman of ''Stereogum'' described the song as "crushing", and Zoe Camp of ''Revolver'' called it "relentless". ''Noisey's'' Phil Witmer highlighted the song's distortion, hip hop-inspired percussion, screaming, low-tuned gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godflesh
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick (guitar, vocals and programming) and G. C. Green ( bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal. The band signed to Earache Records in the late 1980s and released their debut album '' Streetcleaner'' (1989) to contemporary and lasting acclaim. After the release of their sophomore album ''Pure'' (1992) and their major label debut '' Selfless'' (1994), they started experimenting with live drums as well as hip hop and breakbeat sounds. The resulting albums, ''Songs of Love and Hate'' (1996) and ''Us and Them'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or (Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaz Coleman
Jeremy "Jaz" Coleman (born 26 February 1960) is an English singer and musician. He came to prominence in the early 1980s as the lead vocalist and keyboardist of post-punk group Killing Joke. Coleman is known for his unique raspy baritone voice and intense stage presence (occasionally appearing wearing face makeup). Bill Janovitz, writer for the website Allmusic, described Coleman's stage presence and voice as "almost always full-on in his approach, with a terrifying growl of a voice that is similar to that of Motörhead's Lemmy". In the first part of their career, Coleman also played synth while singing, adding electronic atonal sounds to create a disturbing atmosphere to their music. He still continues to play keyboards and synths in studio recordings In addition, Coleman has composed orchestral and soundtrack pieces. Killing Joke have influenced numerous bands such as Nirvana, Foo Fighters, Jane's Addiction, My Bloody Valentine, Faith No More, Nine Inch Nails, Tool, Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Neville (musician)
Paul Neville is an underground experimental guitarist and musician from Birmingham, England. He is best known as the second guitarist in the seminal industrial metal band Godflesh on the second half of their Streetcleaner album and on the Slavestate EP as well as a tour member of the band on respective supporting tours, although Neville had been making music with G. C. Green and later, Justin Broadrick, since 1983 in noise outfit Fall of Because; a band that would break up in 1987 and later reform in 1988 at Broadrick’s initiative, now evolved into the industrial noise core that was Godflesh. Neville is noted for his distinctive style, which can be said to be influenced by that of Geordie Walker of Killing Joke, but with an even greater experimental edge and a flair for drawn out improvisation, creating an unusual and original synergy of noise and melody akin to some of the work of Norman Westberg, Justin Broadrick and Robert Hampson. Apart from his work with Fall of Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Streetcleaner
''Streetcleaner'' is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, ''Streetcleaner'' helped define what industrial metal would become. Recorded in three distinct sessions and partially refined from pre-Godflesh demos, ''Streetcleaner'' is a weighty, bleak album that blends heavy metal with industrial music by means of production-emphasised bass, distorted guitar and, most importantly, machine percussion. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical. ''Streetcleaner'' was supported by a series of concerts where Godflesh played alongside Napalm Death, and it was on the Nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Under The Radar (magazine)
''Under the Radar'' is an American music magazine that features interviews with accompanying photo-shoots. Each issue includes opinion and commentary of the indie music scene as well as reviews of books, DVDs, and albums. The magazine posts web-exclusive interviews and reviews on its website. Items are reviewed based on a rating system in which each album, book, and DVD receives a rating from 1 to 10. The magazine has been in publication since late 2001 and is issued three times per year. The magazine was founded by co-publishers (and husband and wife) Mark Redfern and Wendy Lynch Redfern, who were married on June 2, 2007 and currently run the magazine. Mark is the magazine's Senior Editor and writes many of the magazine's articles. Wendy is the Creative Director and lays out each issue. She is also a music photographer and conducts photo-shoots for the magazine, including many of its covers. Contents It was the first American magazine to interview the following non-American b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure (Godflesh Album)
''Pure'' is the second studio album by English industrial metal band Godflesh. It was released on 13 April 1992 through Earache Records. Though originally labeled only as industrial metal, the album has since been recognised as one of the earliest post-metal releases. Musically, ''Pure'' is rhythmically mechanical and features harsh guitars, with protracted songs and an abundance of deliberate repetition. Like much of Godflesh's music, it is regarded as particularly heavy and aggressive, and these elements helped it gain critical acclaim. ''Pure'' was supported by the promotional single of and music video for "Mothra", and the 1991 EP '' Cold World'' was recorded in the same sessions as the album. In 2013, Godflesh performed the majority of ''Pure'' live at Roadburn. Despite dissatisfaction with the production quality of the album, Godflesh frontman Justin Broadrick considers it one of the band's most honest releases. In 2012, ''Fact'' ranked ''Pure'' as the 64th best album of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
