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Post-conceptual
Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work takes some precedence over traditional aesthetic and material concerns. The term first came into art school parlance through the influence of John Baldessari at the California Institute of the Arts in the early 1970s. The writer Eldritch Priest, specifically ties John Baldessari's piece ''Throwing four balls in the air to get a square (best of 36 tries)'' from 1973 (in which the artist attempted to do just that, photographing the results, and eventually selecting the best out of 36 tries (with 36 being the determining number as that is the standard number of shots on a roll of 35mm film) as an early example of post-conceptual art. It is now often connected to generative art and digital art production. As art practice Post-conceptualism as an art practice has also been connect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Nechvatal
Joseph Nechvatal (born January 15, 1951) is an American post-conceptual digital artist and Aesthetics, art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Life and work Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University. He earned a Doctor of Philosophy in Philosophy of Art and Technology at the Planetary Collegium at University of Wales, Newport [ZKM Center for Art and Media Karlsruhe lecture page ''Joseph Nechvatal: Immersion Into Noise'' and has taught art theory and art history at the School of Visual Arts. He has had many solo exhibitions, including one in Berlin His work in the early 1980s chiefly consisted of pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Morellet
François Morellet (30 April 1926 – 10 May 2016) was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art. Career Morellet began to make still-life paintings at the age of 14 as he studied Russian literature in Paris. After completing his studies, he returned to Cholet in 1948, where he continued to paint, now in the spirit of the COBRA movement. After this short period of figurative/representational work, Morellet turned to abstraction in 1950 after encountering the Concrete art of Max Bill. Morellet then adopted a pictorial language of simple geometric forms: lines, squares and triangles assembled into two-dimensional compositions. In 1960, he was one of the founders of the Groupe de Recherche d’Art Visuel (GRAV), with fellow artists Francisco Sobrino, Horatio Garcia-Rossi, Hugo DeMarco, Julio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generative Art
Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist. In some cases the human creator may claim that the Generative systems, generative system represents their own artistic idea, and in others that the system takes on the role of the creator. "Generative art" often refers to algorithmic art (algorithmically determined computer generated artwork) and synthetic media (general term for any algorithmically-generated media), but artists can also make it using systems of chemistry, biology, mechanics and robotics, smart materials, manual randomization, mathematics, data mapping, symmetry, Tessellation, tiling, and more. History The use of the word "generative" in the discussion of art has developed over time. The use of "Artificial DN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Higgins
Dick Higgins (15 March 1938 – 25 October 1998) was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement (and community). Inspired by John Cage, Higgins was an early pioneer of electronic correspondence. Higgins coined the word intermedia to describe his artistic activities, defining it in a 1965 essay by the same name, published in the first number of the ''Something Else Newsletter''. His most notable audio contributions include ''Danger Music'' scores and the ''Intermedia'' concept to describe the ineffable inter-disciplinary activities that became prevalent in the 1960s. Life Dick Higgins was the son of Carter Chapin Higgins and Katherine Huntington Bigelow. He was born in Cambridge, England in 1938 into a rather rich family, due to his father owning Worcester Pressed Steel in Worcester, Massachusetts. He grew up with a brother and sister, Mark and Lisa. His younger brother Mark Huntington ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermedia
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe various interdisciplinarity art activities that occur between genres, beginning in the 1960s. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his ''Intermedia'' column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book ''Expanded Cinema'', with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism. Characteristics The areas such as those between drawing and poetry, or between painting a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matt Mullican
Matt Mullican (born September 18, 1951) is an American artist and educator. He is the child of artists Lee Mullican and Luchita Hurtado. Mullican lives and works in both Berlin and New York City. Early life and education Matt Mullican was born on September 18, 1951 in Santa Monica, California to parents Lee Mullican and Luchita Hurtado. His mother was Venezuelan-born. In childhood he lived in Caracas, Venezuela for one year. Mullican received his BFA degree from California Institute of the Arts (CalArts) in 1974. Career He rose to prominence as a member of The Pictures Generation along with such artists as Troy Brauntuch, Jack Goldstein, David Salle, James Welling, Sherrie Levine, Cindy Sherman, Louise Lawler, Richard Prince and Robert Longo. His work is concerned with systems of knowledge, meaning, language, and signification. Mullican also works with the relationship between perception and reality, between the ability to see something and the ability to represent it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annette Lemieux
Annette Lemieux (born 1957 in Norfolk, Virginia) is an American artist who emerged in the early 1980s along with the “picture theory” artists (David Salle, Jack Goldstein, Cindy Sherman, Barbara Kruger, Richard Prince). Lemieux brought to the studio a discipline equally based on introspection, and the manifestations of an ideological minimalism. Process is a key component in the execution of her works over the past three decades, creating the lure to the confrontation of issues of social and historical urgency. Lemieux has been the recipient of awards from the National Endowment of the Arts and the Keiser Wilhelm Museum, Germany and an honorary Doctorate in Fine Arts from Monserrat College of Art. Presently, in addition to her studio and exhibition schedule, she is a senior lecturer at Harvard University in the area of visual and environmental studies. Early life Annette Rose Lemieux was born in Norfolk, Virginia. Her father Joseph was in the Marines, and the family lived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Kelly (artist)
Mary Kelly (born 1941, Fort Dodge, Iowa) is an American conceptual artist, feminist, educator, and writer.Walker, John A''Art and Outrage: Provocation, Controversy and the Avant-garde.'', London: Pluto, 1999 page 83 Kelly has contributed extensively to the discourse of feminism and postmodernism through her large-scale narrative installations and theoretical writings. Kelly's work mediates between conceptual art and the more intimate interests of artists of the 1980s. Her work has been exhibited internationally and she is considered among the most influential contemporary artists working today. Kelly is Judge Widney Professor at the USC Roski School of Art and Design of the University of Southern California. She was previously Professor of Art at the University of California, Los Angeles, where she was Head of Interdisciplinary Studio, an area she initiated for artists engaged in site-specific, collective, and project based work. She was interviewed about her experience teac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Cohen (artist)
Harold Cohen (1 May 1928 – 27 April 2016) was a British-born artist who was noted as the creator of AARON, a computer program designed to produce art autonomously. His work in the intersection of computer artificial intelligence and art attracted a great deal of attention, leading to exhibitions at many museums, including the Tate Gallery in London, and acquisitions by many others. Early life Cohen was born in London, the son of Polish-Russian parents, and was educated there at the Slade School of Fine Art. Career Cohen represented Great Britain at the Venice Biennial in 1966. Cohen moved to the United States as a visiting lecturer at the University of California, San Diego in 1968. He was later given the rank of professor and stayed at UC San Diego for nearly three decades, part of the time as chairman of the Visual Arts Department. In addition, he served as director of the Center for Research in Computing and the Arts at UC San Diego from 1992 to 1998. Cohen taught at UC Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan McCollum
Allan McCollum (born 1944) is a contemporary American artist who lives and works in New York City. In 1975, his work was included in the Whitney Biennial, and he moved to New York City the same year. In the late 1970s he became especially well known for his series, ''Surrogate Paintings''. He has spent over fifty years exploring how objects achieve public and personal meaning in a world caught up in the contradictions made between unique handmade artworks and objects of mass production, and in the early 1990s, he began focusing most on collaborations with small regional communities and historical society museums in different parts of the world. His first solo exhibition was in 1970 and his first New York showing was in a group exhibition at the Sidney Janis Gallery in 1972. Early life McCollum was born in The California Hospital in Los Angeles on August 4, 1944. In 1946, his family moved to Redondo Beach, California, where his three siblings were born, and where he lived until 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
