Posse Mit Gesang
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Posse Mit Gesang
''Posse mit Gesang'' ("farce with singing", plural: Possen) is a form of popular German-language music drama, that developed in the late 18th and early 19th centuries. Early examples are sometimes called 'Possenspil' or 'Possenspiel'. It is also sometimes referred to simply as 'Posse' (farce). Associated with Vienna, and also Berlin and Hamburg, the Posse mit Gesang was similar to the Singspiel, but generally had more action and less music than the more operatic form. Viennese examples included Ferdinand Raimund's ''Der Alpenkönig und der Menschenfeind'' of 1828 and many of the works of Johann Nestroy. Composers who contributed music for Posse included Wenzel Müller, Conradin Kreutzer, and Philip Jakob Riotte. Some 20th-century examples of posse written by Walter Kollo were '' Filmzauber'' (1912) and ' (1913). More specialized examples of the genre were 'Lokalposse' (daily life themes), 'Zauberposse' (magic), 'Charakterposse' (personalities), 'Situationsposse' (situations), an ...
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German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ...
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Die Zwillingsbrüder
' (''The Twin Brothers'', D. 647) is a one-act Singspiel (sometimes also described as a Posse mit Gesang) composed by Franz Schubert in 1819 on a libretto by Georg Ernst von Hofmann. ' was first performed at the Kärntnertortheater on June 14, 1820. Hofmann based the libretto on the 1818 French vaudeville ' (The Two Valentines) by Marc-Antoine Madeleine Désaugiers and Michel-Joseph Gentil de Chavagnac (1770–1846). ', like Schubert's other operatic works, met with limited success both at the work's inception and over time. Critics attribute this to the weakness of the libretto as well as to a mismatch between the lightness of the subject matter and the refined nature of Schubert's music. In this work, Schubert's music often approaches the style of Mozart, evoking for instance ''Die Zauberflöte.'' Roles Synopsis The scene takes place in a village on the Rhine, on the 18th birthday of the young heroine, Lieschen. Lieschen is eagerly awaiting her marriage to her young ...
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Opera Terminology
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ...
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Opera Genres
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ...
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Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already ...
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Karl Michael Ziehrer
Carl Michael Ziehrer (more rarely spelled Karl Michael Ziehrer) (2 May 1843 – 14 November 1922) In the 8th edition the article title changed without comment to Ziehrer, Carl Michael. was an Austrian composer. In his lifetime, he was one of the fiercest rivals of the Strauss family; most notably Johann Strauss II and Eduard Strauss. Biography Born in Vienna, Ziehrer was taught music by Simon Sechter, a famous Viennese music theorist and pedagogue, and Johann Emanuel Hasel. He was soon discovered by music publisher Carl Haslinger, one of Johann Strauss II's publishers, who had fallen out with Strauss regarding the receipts from the latter's lucrative Russian venture. Haslinger sought to promote his promising young ward, and on 21 November 1863 the young conductor appeared as the head of a newly formed orchestra aimed at toppling the Strauss dynasty at the Dianabad-Saal in Vienna. Not long after that, he secured a place at one of the Viennese military bands. As was the curre ...
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Adolf Müller Senior
Adolf (also spelt Adolph or Adolphe, Adolfo and when Latinised Adolphus) is a given name used in German-speaking countries, Scandinavia, the Netherlands and Flanders, France, Italy, Spain, Portugal, Latin America and to a lesser extent in various Central European and East European countries with non-Germanic languages, such as Lithuanian Adolfas and Latvian Ādolfs. Adolphus can also appear as a surname, as in John Adolphus, the English historian. The female forms Adolphine and Adolpha are far more rare than the male names. The name is a compound derived from the Old High German ''Athalwolf'' (or ''Hadulf''), a composition of ''athal'', or ''adal'', meaning "noble" (or '' had(u)''-, meaning "battle, combat"), and ''wolf''. The name is cognate to the Anglo-Saxon name '' Æthelwulf'' (also Eadulf or Eadwulf). The name can also be derived from the ancient Germanic elements "Wald" meaning "power", "brightness" and wolf (Waldwulf). Due to negative associations with Adolf H ...
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Einen Jux Will Er Sich Machen
''Einen Jux will er sich machen'' (1842) (''He Will Go on a Spree'' or ''He'll Have Himself a Good Time''), is a three-act musical play, designated as a Posse mit Gesang ("farce with singing"), by Austrian playwright Johann Nestroy. It was adapted from John Oxenford's ''A Day Well Spent'' (1835), and first performed at the Theater an der Wien in Vienna on 10 March 1842. The music was by Adolf Müller. Although about half of Nestroy's works have been revived for the modern German-speaking audience and many are part and parcel of today's Viennese repertoire, few have ever been translated into English, because Nestroy's language is not only stylized and finely graduated Viennese dialect, but also full of multiple puns and local allusions. ''Einen Jux will er sich machen'' is the only one that has become well known to English-speaking theatre-goers. It has become a classic more than once. It was adapted twice by Thornton Wilder, first as ''The Merchant of Yonkers'' (1938), then as ...
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Theater In Der Leopoldstadt
The Theater in der Leopoldstadt (also: Leopoldstädter Theater) was an opera house in the Leopoldstadt district of Vienna, founded in 1781 by Karl von Marinelli, following the ''Schauspielfreiheit'' (ending of the court's monopoly on entertainment) by Joseph II in 1776. The 19th-century summer stage called the Thaliatheater was also managed by the Leopoldstadt. In its early years, the theatre staged Singspiele and Possen mit Gesang, notably by the theatre's Kapellmeister Wenzel Müller and his assistant Ferdinand Kauer. The dramatist Ferdinand Raimund worked with the theatre in the 1820s. The theatre was eventually demolished and rebuilt in 1847, under the name of the Carltheater. Premieres *1784: ''Der Streit zwischen dem Zauberer Scionco und der Fee Galantina, oder Kasperl bleibt Kasperl'', comedy with machines and music by Ferdinand Kauer *1784: ''Harlekin auf dem Parade Beth'', große Pantomime by Wenzel Müller *1790: ''Das Sonnenfest der Braminen'' heroisch-komisches ...
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Theater Am Kärntnertor
or (Carinthian Gate Theatre) was a prestigious theatre in Vienna during the eighteenth and nineteenth centuries. Its official title was (Imperial and Royal Court Theatre of Vienna). History The theatre was built in 1709 to designs by Antonio Beduzzi on a site near the former Kärntnertor, on the grounds of the present Hotel Sacher. The expenses of building the theatre were borne by the City of Vienna, and it was intended (as Eva Badura-Skoda notes)Badura-Skoda 1973 to be "frequented by the Viennese population of all classes". However, at the command of the emperor, the first performances were of Italian operas, an elite form of entertainment. In 1711, the theatre was redirected to its original purpose when it was placed under the direction of Josef Stranitzky, who put on a variety of entertainment, often embodying a German version of the Italian commedia dell'arte. The theatre was managed by Stranitzky's widow after his death. In 1728, court artists Borosini and Sellier ...
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Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ...
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Filmzauber
''Filmzauber'', literally 'Film Magic', is a Posse mit Gesang (a kind of popular musical drama) in four scenes by Walter Kollo and Willy Bredschneider, with a German libretto by Rudolf Bernauer and Rudolph Schanzer. A parody of (then popular) silent films, ''Filmzauber'' premiered in Berlin in 1912. An English version, ''The Girl on the Film'', translated and adapted by James T. Tanner with additional music by Albert Szirmai, premiered in London in 1913 and was later performed in New York and elsewhere. Performance history ''Filmzauber'' was first performed at the Berliner Theater, Berlin on 19 October 1912 with Lisa Weise, and the celebrated Austrian singer and later film actor, Oscar Sabo. It was revived (with an updated text) at the Heimathafen Neukölln Berlin on 18 April 2009, directed by Stefanie Aehnelt and conducted by Bruno Franceschini. Main roles *Adalbert Musenfett, ''film producer and actor'' *Maria Gesticulata, ''Italian tragedienne'' *Fränze Papendieck, ''Musenf ...
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