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Die Zwillingsbrüder
' (''The Twin Brothers'', Otto Erich Deutsch, D. 647) is a one-act Singspiel (sometimes also described as a Posse mit Gesang) composed by Franz Schubert in 1819 on a libretto by Georg Ernst von Hofmann. ' was first performed at the Kärntnertortheater on June 14, 1820. Hofmann based the libretto on the 1818 French vaudeville (song), vaudeville ' (The Two Valentines) by Marc-Antoine Madeleine Désaugiers and Michel-Joseph Gentil de Chavagnac (1770–1846). ', like Schubert's other operatic works, met with limited success both at the work's inception and over time. Critics attribute this to the weakness of the libretto as well as to a mismatch between the lightness of the subject matter and the refined nature of Schubert's music. In this work, Schubert's music often approaches the style of Wolfgang Amadeus Mozart, Mozart, evoking for instance ''Die Zauberflöte.'' Roles Synopsis The scene takes place in a village on the Rhine, on the 18th birthday of the young heroine, Liesche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of fringe theatre shows including at the Edinburgh Festival Fringe. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1820 Operas
Eighteen or 18 may refer to: * 18 (number) * One of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Science * Argon, a noble gas in the periodic table * 18 Melpomene, an asteroid in the asteroid belt Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. * ''18'' (Jeff Beck and Johnny Depp album), 2022 Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durham University
Durham University (legally the University of Durham) is a collegiate university, collegiate public university, public research university in Durham, England, founded by an Act of Parliament (UK), Act of Parliament in 1832 and incorporated by royal charter in 1837. It was the first recognised university to open in England for more than 600 years, after University of Oxford, Oxford and University of Cambridge, Cambridge, and is thus the third-oldest university in England debate, third-oldest university in England. As a collegiate university, its main functions are divided between the academic departments of the university and its Colleges of Durham University, 17 colleges. In general, the departments perform research and provide teaching to students, while the colleges are responsible for their domestic arrangements and welfare. The university is a member of the Russell Group of British research universities and is also affiliated with the regional N8 Research Partnership and int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Spering
Christoph Spering (23 June 1959 in Simmern) is a German conductor of classical music, especially church music. He founded in 1985 the choir Chorus Musicus Köln and in 1988 the orchestra Das Neue Orchester (The new orchestra). Selected recordings * Johann Sebastian Bach: Cantatas * Gioachino Rossini: Stabat Mater * Wolfgang Amadeus Mozart: Requiem * Luigi Cherubini: '' Les deux journées'' * Felix Mendelssohn: ''Athalia'' * Antonio Salieri: '' La passione di Gesù Cristo'' * Antonio Casimir Cartellieri: ''La celebre Natività del Redentore'' * Franz Schubert: '' Die Verschworenen'' * Ludwig van Beethoven: '' Christus am Ölberge'' * Josef Mysliveček: ''La Passione di Nostro Signore Gesù Cristo'' * Jan Kalivoda: Symphonies No. 5 and 7 * Gluck/Wagner: '' Iphigenie in Aulis'' * Jean-François Lesueur: Coronation oratorios * Robert Schumann Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Maag
Ernst Peter Johannes Maag (10 May 1919 – 16 April 2001) was a Swiss conductor. Early life Peter Maag was born on 10 May 1919 in St. Gallen, Switzerland and died on 16 April 2001 in Verona, Italy. His father, Otto, was a Lutheran minister, and his mother, Nelly, a violinist who performed in the Capet Quartet as second violinist. His great uncles were conductors Emil and Fritz Steinbach. Peter attended the universities of Zürich, Basel, and Geneva. He was mentored by Karl Barth and Emil Brunner in theology, and Karl Jaspers in philosophy. He studied piano and theory with Czesław Marek in Zürich and received further training on piano with Alfred Cortot in Paris. His conducting mentors were Ernest Ansermet, Wilhelm Furtwängler, and Franz von Hoesslin. Career Association with Furtwängler Maag described his association with Wilhelm Furtwängler to be the most important in his life. He performed as pianist in a Furtwängler concert with Beethoven's Piano Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Gedda
Harry Gustaf Nikolai Gädda, better known as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech and Swedish, as well as one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera ''Vanessa (opera), Vanessa'' at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception. Early years Harry Gustaf Nikolai Gädda, who later changed the spelling of his surname to Gedda, was born out of wedlock in Stockholm to a Swedish mother and a half-Russian father. He was raised by his aunt Olga Gädda and his adoptive father Michail U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Donath
Helen Jeanette Donath (née Erwin; born July 10, 1940) is an American soprano with a career spanning fifty years. Biography Helen Erwin was born in Corpus Christi, Texas and studied there at Del Mar College. Later she studied in New York with Paola Novikova. She debuted as a concert and Lieder singer in New York in 1958. In 1961, she became a member of the at the Cologne Opera. She sang from 1963 until 1968 at the Staatsoper Hannover where she met her future husband, choir master and conductor Klaus Donath. Their son, Alexander Donath, is a stage and opera director. In 2000, all three were involved in Michigan Opera Theatre's production of ''Der Rosenkavalier'' where Donath sang the Marschallin.George Bulanda"S/he loves me (not)", MetroTimes.com, April 19, 2000. In 1967, she sang Pamina in Mozart's ''The Magic Flute'' at the Salzburg Festival, which began a long association with the festival. From 1970 until 1990, she was a regular member of the Vienna State Opera. She has per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (; 28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music. One of the most famous Lieder (art song) performers of the post-war period, he is best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Because he recorded an array of repertoire (spanning centuries), musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
