Portuguese Films Of The 1990s
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Portuguese Films Of The 1990s
A list of films produced in the Cinema of Portugal ordered by year of release in the 1990s. For an alphabetical list of Portuguese films see :Portuguese films 1990s External links Portuguese filmat the Internet Movie Database {{DEFAULTSORT:Portuguese Films Of The 1990s 1990s Films Portuguese Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portu ...
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Cinema Of Portugal
The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was '' Saída do Pessoal Operário da Fábrica Confiança'', made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was ''O Rapto de Uma Actriz'' (1907). The first all-talking sound film, '' A Severa'', was made in 1931. Starting in 1933, with ''A Canção de Lisboa'', the Golden Age would last the next two decades, with films such as ''O Pátio das Cantigas'' (1942) and ''A Menina da Rádio'' (1944). ''Aniki-Bóbó'' (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the ''Cinema Novo'' (literally "New Cinema") movement, showing realism in film, in the vein of Italian neorealism and the Fr ...
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José Fonseca E Costa
José Fonseca e Costa, GCIH (27 June 1933 – 1 November 2015) was a Portuguese film director. He was one of the founders of the Portuguese Cinema Novo. Born in Angola, Costa worked as an assistant to Michelangelo Antonioni before becoming one of the leaders of Portugal's 'Young Cinema' in the 1960s.Kuhn, Annette & Radstone, Susannah (1994) ''The Women's Companion to International Film'', University of California Press, , p. 96-7 Filmography *''Os Mistérios de Lisboa'' (2009) *''Viuva Rica Solteira Não Fica'' (2006) *''O Fascínio'' (2003) *'' Cinco Dias, Cinco Noites'' (1996) *''Os Cornos de Cronos'' (1991) *''A Mulher do Próximo'' (1988) *''Balada da Praia dos Cães'' (1987) *''Sem Sombra de Pecado'' (1983) *''Kilas, o Mau da Fita'' (1981) *''Música, Moçambique!'' (1980) *''Os Demónios de Alcácer Quibir'' (1977) *''O Recado'' (1971) *''Voar'' (1970) *''The Pearl of Atlantic'' (1969) *''Regresso à Terra do Sol'' (1967) *''A Cidade'' (1967) *''A Metafísica do Chocolate ...
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Flora Gomes
Flora Gomes is a Bissau-Guinean film director. He was born in Cadique, Guinea-Bissau on 31 December 1949 and after high school in Cuba, he decided to study film at the Instituto Cubano del Arte y la Industria Cinematográficos in Havana. Shot fourteen years after Guinea-Bissau#Independence (1973), independence, Gomes's ''Mortu Nega'' (''Death Denied'') (1988) was the first fiction film and the second feature film ever made in Guinea-Bissau. (The first feature film was ''N’tturudu'', by director Umban u’Kest in 1987.) At FESPACO 1989, the film won the prestigious Oumarou Ganda Prize. ''Mortu Nega'' is in Creole with English language, English subtitles. In 1992, Gomes directed ''Udju Azul di Yonta'', which was screened in the Un Certain Regard section at the 1992 Cannes Film Festival. Biography Son of literacy, illiterate parents, as a child Gomes struggled against the limitations of his social status and the oppression of the Portuguese Empire, Portuguese colonial system unde ...
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Udju Azul Di Yonta
''Udju Azul di Yonta'' / ''The Blue Eyes of Yonta'' is a 1991 Portuguese film, the second film by the Bissau-Guinean director Flora Gomes. The government of Guinea-Bissau helped in production, together with the Institute of Cinema in Portugal, Vermedia Productions, and Portuguese television. ''Udju Azul di Yonta'' examines the aftermath of the Guinea-Bissau War of Independence, "in the lives of those who fought, as well as in the lives of their children who are the hope of the future." The film is structured around a triangle of unrequited love: the young student Zé is infatuated with the beautiful Yonta, who in turn is in love with Vicente, a militant former comrade of Yonta's father. The soundtrack was created by the band Super Mama Djombo Super Mama Djombo is a band from Guinea Bissau who sing in Guinea-Bissau Creole. The band was formed in the mid-1960s, at a Boy Scout camp, when the members were only children (the youngest was six years old). Mama Djombo is the name of a ...
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Margarida Gil
Margarida is a Portuguese female given name, which is a variant of the name Margaret, and which also means " daisy flower" in Portuguese.''Behind the Name''"Given Name Margarida". Retrieved on 28 January 2016. The given name may refer to: * Margarida Cabral de Melo (1570–1631), Portuguese noblewoman *Margarida Cordeiro (born 1939), Portuguese film director *Margarida Teresa da Silva e Orta (1711–1793), Brazilian author *Margarida de Abreu (1915–2006), Portuguese choreographer *Margarida Marante (1959–2012), Portuguese journalist *Margarida Moura (born 1993), Portuguese tennis player *Margarida Penha-Lopes (born 1964), Portuguese Historical Sciences professor *Margarida Vila-Nova (born 1983), Portuguese actress *Margarida Xirgu (1888–1969), Spanish actress *Margarida Zelle (1876–1917), Dutch dancer and spy known as Mata Hari *Jorge José Emiliano dos Santos Jorge José Emiliano dos Santos (19 March 1954 - 21 January 1995) also known by his nickname, Margarida (mean ...
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Rosa Negra
Nilka García Solís (born November 14, 1981) is a Puerto Rican professional wrestler known as Black Rose or ''La Rosa Negra''. Professional wrestling career García began wrestling in Puerto Rico. She worked in World Wrestling Council (WWC) where she became WWC Women's Champion three times. Ring Warriors On July 14, 2012 at Ring Warriors' Hollywood Heat Wave, Negra defeated Sienna DuVall and Su Yung to become the first RW Battling Bombshells Champion. Negra lost the title against DuVall on September 8, but she regained the title on September 29, 2012. Rosa retained the title for 3 years until March 28, 2015, when Negra lost the title against Santana Garrett in a match where Garrett's NWA Women's Championship was also on the line. Shine (2013–present) Rose debuted in Shine at '' Shine 7'' on February 22, 2013, in a three-way match won by Tina San Antonio, which also involved Luscious Latasha. World Wonder Ring Stardom (2015, 2017) In August 2015, García, under the ...
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Luís Galvão Teles
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a derivat ...
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Retrato De Família
'' Retrato de Familia '' (English language, English: ''Family Portrait'') is a 1976 in film, 1976 Spain, Spanish film directed by Antonio Giménez-Rico. It stars Antonio Ferrandis, Amparo Soler Leal and Miguel Bosé, making his film debut. This is Giménez-Rico's best known film.Schwartz, ''The Great Spanish Films'', p. 34 The script was written by him, based on the novel ''Mi idolatrado hijo Sisi'' (''My Beloved Son Sisi''), by Miguel Delibes. The film was shot in Burgos, the director's birthplace, although the novel takes place in Cáceres, Spain, Cáceres.Schwartz, ''The Great Spanish Films'', p. 35 Plot Spain in the 1930s. The Rubes clan is headed by the aristocratic father Cecilio, a roué in love with another woman, Paulina, although he lives with his wife and his teenage son, Sisi. His wife hates the thought and practice of normal sexuality in their marriage. Their son notes his parents' sexual frustrations but must experience his own initiation into the mysteries of love a ...
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1993 Cannes Film Festival
The 46th Cannes Film Festival was held from 13 to 24 May 1993. The Palme d'Or went to '' Farewell My Concubine'' by Chen Kaige and ''The Piano'' by Jane Campion. The festival opened with ''My Favorite Season'', directed by André Téchiné and closed with '' Toxic Affair'', directed by Philomène Esposito. Jeanne Moreau was the mistress of ceremonies. Juries Main competition The following people were appointed as the Jury of the 1993 feature film competition: *Louis Malle (France) Jury President *Claudia Cardinale (Italy) *Inna Churikova (Russia) *Judy Davis (Australia) *Abbas Kiarostami (Iran) *Emir Kusturica (Yugoslavia) *William Lubtchansky (France) * Tom Luddy (USA) *Gary Oldman (UK) *Augusto M. Seabra (Portugal) Camera d'Or The following people were appointed as the Jury of the 1993 Camera d'Or: *Micheline Presle (actress) Jury President * Anne De Gasperi (journalist) (France) *Aruna Vasudev (administration) * Attilio D’Onofrio (Italy) * Gabriel Auer (director) (France) ...
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The End Of The World (1992 Film)
''The End of the World'' ( pt, O Fim do Mundo) is a 1992 Portuguese drama film directed by João Mário Grilo. It was screened in the Un Certain Regard section at the 1993 Cannes Film Festival. Cast * José Viana - Augusto Henriques * Adelaide João - Conceição das Neves * Zita Duarte - Violante * Santos Manuel - Guard 1 * Heitor Lourenço - Guard 2 * João Lagarto - João * Carlos Daniel - Carlos * Alexandra Lencastre - Maria do Carmo * Henrique Viana Henrique Viana ( Lisbon, June 29, 1936 — Lisbon, July 4, 2007) was a Portuguese actor who worked in theatre, cinema and television. He died of cancer in Capuchos Hospital, aged 71. Filmography *''Aqui Há Fantasmas'' (1964) by Pedro Martins ... - Laureano * Mário Jacques - Prosecutor * Rui Mendes - Judge * Maria João Luís - Alda References External links * 1992 films 1990s Portuguese-language films 1992 drama films Films directed by João Mário Grilo Films produced by Paulo Branco Portuguese dra ...
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João César Monteiro
João César Monteiro Santos (2 February 1939, in Figueira da Foz – 3 February 2003, in Lisbon) was a Portuguese film director, actor, writer and film critic. Life and career João César Monteiro was born into a family with anti-clerical and anti-fascist ideals. His family moved to Lisbon when Monteiro was 15 years old to enable him to continue his studies. In 1963, with a grant from the Calouste Gulbenkian Foundation, Monteiro traveled to Great Britain to study at the London Film School (known then as the London School of Film Technique). In 1965 in Portugal, he began work on his first film, '' Quem Espera por Sapatos de Defunto Morre Descalço'' (Who Waits for the Deceased's Shoes Dies Barefoot), which would not be finished for five years due to financial problems. At the same time, he made the short documentary "Sophia de Mello Breyner Andresen", about the Portuguese poet. Monteiro also wrote film criticism for periodicals like ''Imagem'', ''Diário de Lisboa'' and ''O S ...
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O Último Mergulho
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of the for ...
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