Portrait Of A Young Woman (Vermeer, New York)
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Portrait Of A Young Woman (Vermeer, New York)
''Study of a Young Woman'' (also known as ''Portrait of a Young Woman'', or ''Girl with a Veil'') is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York. The painting was painted around the same time as the better-known '' Girl with a Pearl Earring'', and has a near-identical size. Because of this, and its proximity in tone and composition, it is sometimes considered to be either a variant or pendant painting (counterpart) of ''Girl with a Pearl Earring''. The subjects of both paintings wear pearl earrings, have scarves draped over their shoulders, and are shown in front of a plain black background. In addition, it has been suggested (though this has also been widely contested) that the creation of both works involved the use of some optical device, such as a camera obscura or mirror, as the Hockney–Falco thesis speculates. Description The sitter is depicted as having a homely face—widely spaced ...
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Johannes Vermeer
Johannes Vermeer ( , , #Pronunciation of name, see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period Painting, painter who specialized in domestic interior scenes of middle class, middle-class life. During his lifetime, he was a moderately successful provincial Genre works, genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was bare ...
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Rotterdam
Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"New Meuse"'' inland shipping channel, dug to connect to the Meuse first, but now to the Rhine instead. Rotterdam's history goes back to 1270, when a dam was constructed in the Rotte. In 1340, Rotterdam was granted city rights by William IV, Count of Holland. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.7 million, is the 10th-largest in the European Union and the most populous in the country. A major logistic and economic centre, Rotterdam is Europe's largest seaport. In 2020, it had a population of 651,446 and is home to over 180 nationalities. Rotterdam is known for its university, riverside setting, lively cultural life, maritime heritage and modern architecture. The near-complete destruction ...
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1660s Paintings
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 '' Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * ...
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Genre Paintings By Johannes Vermeer
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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List Of Paintings By Johannes Vermeer
The following is a list of paintings by the Dutch Golden Age painter Johannes Vermeer (1632–1675). After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. His popularity is due less to his subject matter than to the poetic manner in which he portrays his subjects and that he lived a very difficult life. Vermeer's paintings of the 1660s are generally more popular than his work from the 1670s: in the eyes of some, his later work is colder.Bonafoux, 124 Today, 34 paintings are firmly attributed to him, with question marks over a further three.Jonathan JansonEssential Vermeer: complete Vermeer catalogueaccessed 16 June 2010 This compares to the 74 pictures attributed to him by a Theophile Burger in 1866. Vermeer's reputation increased greatly during the latter half of the 20th century, a period during which the number of paintings ascribed to him shrank greatly.Bonafoux, 144 This is partly because he has ...
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Jayne Wrightsman
Jayne Kirkman Wrightsman (née Larkin; October 21, 1919 – April 20, 2019) was an American philanthropist, arts collector and widow of Charles B. Wrightsman (1895–1986). She was named to the International Best Dressed List Hall of Fame in 1965. She was a resident and president of the co-op board at 820 Fifth Avenue. Biography She was born in Michigan, and grew up in Los Angeles. Beginning in 1952, she and her husband amassed the finest private collection in the US of the decorative arts of the ''ancien régime'', ultimately donating many objects (comprising the Wrightsman Galleries) to the Metropolitan Museum of Art in New York.A Guide to the Wrightsman Galleries
at The

Charles Wrightsman
Charles Bierer Wrightsman (June 13, 1895 – May 27, 1986) was an American oil executive and arts patron. His second wife, Jayne was also an arts patron. Personal life Charles Bierer Wrightsman was born on June 13, 1895, in Pawnee, Oklahoma. He was the son of Charles John Wrightsman (1868–1959), an Oklahoma oilman and lawyer, and Edna (née Wrightsman) Wrightsman (1872–1950). He attended Phillips Exeter Academy, Stanford University, then transferred to Columbia University, joining the class of 1918. He became president of Standard Oil of Kansas. He married twice, first to Irene Dill Stafford (1896–1960), with whom he had two daughters, Irene Wrightsman and Charlene Stafford Wrightsman (1927–1963) the latter of whom, like her father, would also marry twice, first to actor Helmut Dantine and second to newspaper columnist Igor Cassini. His second wife was the above-noted Jayne Kirkman Larkin (1919–2019). Wrightsman had homes in London and Palm Beach at which he freque ...
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House Of Arenberg
The House of Arenberg is an aristocratic lineage that is constituted by three successive families that took their name from Arenberg, a small territory of the Holy Roman Empire in the Eifel region. The inheritance of the House of Croÿ-Aarschot made the Arenbergs the wealthiest and most influential noble family of the Habsburg Netherlands. The family's Duchy of Arenberg was mediatized in 1810. As such, the Arenbergs belong to the small group of families that constitute the ''Hochadel'' (). The current head of the house bears the title of Duke of Arenberg, while all other members are princes or princesses. They all enjoy the style of Serene Highness. In 1827 Prince Pierre d'Arenberg, third son of the 6th Duke of Arenberg, was made a Peer of France and his descendants are now a French branch of the family (French Dukes and Peers). Lords of Arenberg Counts of Arenberg Princely Counts and later Dukes of Arenberg The marriage contract in 1547 between Margaret de la Mar ...
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Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brusse ...
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Gerald Reitlinger
Gerald Roberts Reitlinger (born 1900 in London, United Kingdom – died 1978 in St Leonards-on-Sea, United Kingdom) was an art historian, especially of Asian ceramics, and a scholar of historical changes in taste in art and their reflection in art prices. After World War II he wrote three large books about Nazi Germany. He was also a painter and collector, mainly of pottery. Reitlinger's major works were ''The Final Solution'' (1953), ''The SS: Alibi of a Nation'' (1956), and between 1961–1970 he published ''The Economics of Taste'' in three volumes. Career Born in London to the banker Albert Reitlinger and his wife Emma Brunner, Reitlinger was educated at Westminster School in London before a short service with the Middlesex Regiment at the end of World War I. He then studied history, concentrating on art history, at Christ Church, University of Oxford and later at the Slade School and Westminster School of Art, during which time he also edited ''Drawing and Design'' ...
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Dutch Guilder
The guilder ( nl, gulden, ) or florin was the currency of the Netherlands from the 15th century until 2002, when it was replaced by the euro. The Dutch name ''gulden'' was a Middle Dutch adjective meaning "golden", and reflects the fact that, when first introduced in 1434, its value was about equal to (i.e., it was on par with) the Italian gold florin. The Dutch guilder was a ''de facto'' reserve currency in Europe in the 17th and 18th centuries. Between 1999 and 2002, the guilder was officially a "national subunit" of the euro. However, physical payments could only be made in guilders, as no euro coins or banknotes were available. The exact exchange rate, still relevant for old contracts and for exchange of the old currency for euros at the central bank, is 2.20371 Dutch guilders for 1 euro. Inverted, this gives 0.453780 euros for 1 guilder. Derived from the Dutch guilder are the Netherlands Antillean guilder (still in use in Curaçao and Sint Maarten) and the Surinamese gui ...
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Jacob Dissius
Jacob Abrahamsz. Dissius (1653 - 1695) was a Dutch typography, typographer and printer. He is most notable as an art collector and for his links to Johannes Vermeer - his collection included 21 Vermeer works (including ''The Milkmaid (Vermeer), The Milkmaid'', ''Portrait of a Young Woman (Vermeer, New York), Portrait of a Young Woman'', ''A Girl Asleep (Vermeer), A Girl Asleep'', ''Woman Holding a Balance'' and ''The Music Lesson'') and in 1680 he married Madgdalene, daughter and sole heir of Vermeer's main patron Pieter van Ruijven. Dissius died in 1695 and his collection was auctioned off in Amsterdam the following year. Biography Jacob Dissius was baptised on 23 November 1653 in Delft as the son of Maria Cloeting and the printer Abraham Dissius. He married Magdalena Pieters van Ruijven, daughter of Pieter van Ruijven, born in 1655. Dissius' father-in-law was one of the wealthier citizens of Delft, and became a patron of Vermeer. She inherited her parents' money and art collection ...
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