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Portrait Of A Man With A Blue Chaperon
''Portrait of a Man with a Blue Chaperon'' (or ''Portrait of a Man with a Blue Hood'', earlier ''Portrait of a Jeweller'' or ''Man with a Ring'') is a very small (22.5 cm x 16.6 cm with frame) oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck. The painting was commissioned and completed sometime around 1430. It contains a number of elements typical of van Eyck's secular portraits, including a slightly oversized head, a dark and flat background, forensic attention to the small details and textures of the man's face, and illusionistic devices.Borchert, 35 Artists did not give titles to their works during the Northern Renaissance period, and as with any portrait of a sitter whose identity is lost, the painting has attracted generic titles over the years. It had long been thought that the ring held in the man's right hand was meant as an indication of his profession as a jeweller or goldsmith and so the painting was long t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III the Pitiless, ruler of the counties of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, and worked in Lille before moving to B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Voll
Karl Voll (18 July 1867 in Würzburg - December 25, 1917 in MunichKarl Voll . Deutsche Digitale Bibliothek. Retrieved 12 October 2019) was German specialising in Dutch and art.Voll, Karl . Dictionary of Art Historians. Retrieved 12 October 2019 Career Voll studied |
Léal Souvenir
''Léal Souvenir'' (also known as ''Timotheus'' or ''Portrait of a Man'') is a small oil painting, oil-on-oak panel painting, panel portrait by the Early Netherlandish painting, Early Netherlandish painter Jan van Eyck, dated 1432. The sitter has not been identified, but his highly individual features suggest a historical person rather than the hypothetical ideal usual at the time in northern Renaissance art, Renaissance portraiture;Smith, 42 his slight and unassuming torso is contrasted with a sophisticated facial expression. His features have been described as "plain and rustic", yet thoughtful and inward-looking. A number of art historians, including Erwin Panofsky, have detected mournfulness in his expression. The sitter was apparently significant enough a member of the Duke of Burgundy, Burgundian duke Philip the Good's circle that his court painter portrayed him. The man sits before an imitation parapet with three sets of painted inscriptions, each rendered to look as if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Hulin De Loo
Georges Hulin de Loo (10 December 1862, in Ghent – 27 December 1945, in Brussels) was a Belgian art historian specialising in Early Netherlandish art. He was educated in his home city of Ghent where he attended high school and university, earning a Ph.D from the Faculty of Arts in 1883, and a degree in law three years later. He then traveled to Germany and Paris to continue his studies, returning to Ghent in 1889 to take up a teaching position the University of Ghent in a variety of subjects such as logic and law.Hulin de Loo ''Dictionary of Art Historians''. Retrieved 18 November 2013 After visiting the 1902 Bruges exhibition of Netherlandish art (''Exposition de tableaux flam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Jakob Friedländer
Max Jakob Friedländer (5 July 1867 in Berlin – 11 October 1958 in Amsterdam) was a German museum curator and art historian. He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division. He was appointed deputy director of the Kaiser Friedrich Museum (then containing the Berlin State Museums' old master paintings and sculpture) under Bode in 1904 and became director himself from 1924 to 1932, working on his history ''From Van Eyck to Bruegel'' and the 14-volume (printed in 16, with supplements) survey ''Early Netherlandish Painting (Friedländer), Early Netherlandish Painting''. In 1933 he was dismissed as a "non-Aryan" and in 1939 had to move to Amsterdam as a result of being a Jew. He attained the rank and title of geheimrat (privy councillor) under the German Empir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Des Primitifs Flamands à Bruges
The Exposition des primitifs flamands à Bruges (''Exhibition of Flemish Primitives at Bruges'') was an art exhibition of paintings by the so-called Flemish Primitives (nowadays usually called Early Netherlandish painters) held in the Provinciaal Hof in Bruges between 15 June and 5 October 1902. It was the largest exhibition of c 15th c Flemish art to date, consisted of 413 official catalogue entries, and drew some 35,000 visitors. The exposition was highly influential, leading to at least five contemporary books as well as numerous scholarly articles, and initiated deeper study of the Flemish Primitives by a new generation of connoisseurs. It also inspired Johan Huizinga to research and write his ''The Autumn of the Middle Ages''. The change in attribution of many important works (in table below) reflects progress in understanding the era by art historians since then, although it is an ongoing process. Exposition The 1902 exhibition was not the first to focus on the Flemish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Eyck Timbru 1966
A van is a type of road vehicle used for transporting goods or people. Depending on the type of van, it can be bigger or smaller than a pickup truck and SUV, and bigger than a common car. There is some varying in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially-equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word caravan. The earliest records of a van as a vehicle i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Till-Holger Borchert
Till-Holger Borchert (born 4 January 1967, in Hamburg) is a German art historian and writer specialising in 14th and 15th-century art. He has been the chief curator of the Groeningemuseum and Arentshuis museums in Bruges, Belgium, between 2003 and 2014. In December 2014, he was appointed as director of the Municipal Museums in Bruges. In this role he initiated a radical reorganisation of the institution and laid the foundation for the renewal of infrastructure like the ticketing facility of the Gruuthusemuseum, a new storage, and the exhibition park BRUSK designed by architect Paul Robbrecht. In November 2021 he was appointed as new director of the Suermondt Ludwig Museum in Aachen, a position he resumed in April 2022. He has been teaching in Europe and the US and curated a number of major exhibitions, including " Memling's Portraits", which showed in Bruges, at the Frick Collection in New York and the Thyssen-Bornemisza Museum in Madrid, and " Memling: Rinascimento fiammingo" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Jan De Leeuw
''Portrait of Jan de Leeuw'' is a small 1436 oil on wood painting by the Early Netherlandish master Jan van Eyck, now in the Kunsthistorisches Museum, Vienna. De Leeuw was a goldsmith living in Bruges; most art historians accept that, given the familiarity of the portrait, that he and van Eyck knew each other and were on good terms. The work is still in its original frame, which is painted over to look like bronze.Bauman, 35 Like the London self-portrait, the painting is dominated by black and dark brown hues, with red overtones. De Leeuw is presented as a serious young man with a rather intense gaze. He is wearing a black chaperon and black fur lined jacket.Borchert, 42 He turns to look at the viewer while holding a gold ring band with a red jewel, a symbol of his profession,O'Rourke Boyle, 176 although some have suggested that it might indicate a recent marriage engagement, or even, given his direct gaze, that the painted is meant for his intended. Formally and tonally, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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