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Portrait Of Jan De Leeuw
''Portrait of Jan de Leeuw'' is a small 1436 oil on wood painting by the Early Netherlandish master Jan van Eyck, now in the Kunsthistorisches Museum, Vienna. De Leeuw was a goldsmith living in Bruges; most art historians accept that, given the familiarity of the portrait, that he and van Eyck knew each other and were on good terms. The work is still in its original frame, which is painted over to look like bronze.Bauman, 35 Like the London self-portrait, the painting is dominated by black and dark brown hues, with red overtones. De Leeuw is presented as a serious young man with a rather intense gaze. He is wearing a black chaperon and black fur lined jacket.Borchert, 42 He turns to look at the viewer while holding a gold ring band with a red jewel, a symbol of his profession,O'Rourke Boyle, 176 although some have suggested that it might indicate a recent marriage engagement, or even, given his direct gaze, that the painted is meant for his intended. Formally and tonally, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Jan De Leeuw
''Portrait of Jan de Leeuw'' is a small 1436 oil on wood painting by the Early Netherlandish master Jan van Eyck, now in the Kunsthistorisches Museum, Vienna. De Leeuw was a goldsmith living in Bruges; most art historians accept that, given the familiarity of the portrait, that he and van Eyck knew each other and were on good terms. The work is still in its original frame, which is painted over to look like bronze.Bauman, 35 Like the London self-portrait, the painting is dominated by black and dark brown hues, with red overtones. De Leeuw is presented as a serious young man with a rather intense gaze. He is wearing a black chaperon and black fur lined jacket.Borchert, 42 He turns to look at the viewer while holding a gold ring band with a red jewel, a symbol of his profession,O'Rourke Boyle, 176 although some have suggested that it might indicate a recent marriage engagement, or even, given his direct gaze, that the painted is meant for his intended. Formally and tonally, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders. Terminology The term ''Flemish'' itself has become ambiguous. Nowadays, it is used in at least five ways, depending on the context. These include: # An indication of Dutch written and spoken in Flanders including the Dutch standard language as well as the non-standardized dialects, including intermediate forms between vernacular dialects and the standard. Some linguists avoid the term ''Flemish'' in this context and prefer the designation ''Belgian-Dutch'' or ''South-Dutch'' # A synonym for the so-called intermediate language in Flanders region, the # An indicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1430s Paintings
143 may refer to: *143 (number), a natural number *AD 143, a year of the 2nd century AD *143 BC, a year of the 2nd century BC * ''143'' (EP), a 2013 EP by Tiffany Evans * ''143'' (album), a 2015 album by Bars and Melody * ''143'' (2004 film), a 2004 Indian Telugu film * ''143'' (2022 film), a 2022 Indian Marathi film *''143'', a song by Set It Off from their 2009 EP, ''Calm Before the Storm'' *"1-4-3 (I Love You)", a 2013 song by Henry Lau *143 (West Midlands) Brigade *143 Records, record label of producer David Foster * KiYa 143 The is a four-axle B-B wheel arrangement diesel-hydraulic locomotive type operated in Japan since 2014 by West Japan Railway Company (JR West). Operations The KiYa 143 locomotives are used as self-propelled snowplough units during the winter ..., a locomotive type See also * List of highways numbered 143 * {{numberdis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Dhanens
Elisabeth Dhanens (1915 – 11 March 2014) was a Belgian art historian specialising in Early Netherlandish painting. Dhanens studied art history at Ghent University at the Higher Institute of Art, where she earned a Ph.D in 1945. Her dissertation was a monograph on the early-16th century artist , published in 1948.Dictionary of Art Historians Retrieved October 25, 2014. From 1945 to 1952 Dhanens was a researcher in at the , where she worked in the documentation laboratory. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorne Campbell (art Historian)
Ian Lorne Campbell (born 1946) is a Scottish art historian and curator. Campbell was Beaumont Senior Research Curator at the National Gallery, London from 1996 to 2012, and from 1974 to 1996 lectured on the Northern Renaissance at the Courtauld Institute of Art, University of London. He has curated major exhibitions at the National Gallery and other museums, including ones on Rogier van der Weyden at Leuven in 2009 and the Prado in 2015. Biography Campbell was born in Stirling in 1946. He received his undergraduate degree from the University of Edinburgh and Ph.D from University of London in 1973. Between 1970 and 1971 he taught at the University of Manchester and later at the University of Cambridge. In 2016, KU Leuven awarded him an honorary doctorate of the Faculty of Arts. He is the author of a number of books on fourteenth, fifteenth and sixteenth-century art, and a leading expert on Early Netherlandish painting, and his contributions to research and knowledge on the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Till-Holger Borchert
Till-Holger Borchert (born 4 January 1967, in Hamburg) is a German art historian and writer specialising in 14th and 15th-century art. He has been the chief curator of the Groeningemuseum and Arentshuis museums in Bruges, Belgium, between 2003 and 2014. In December 2014, he was appointed as director of the Municipal Museums in Bruges. In this role he initiated a radical reorganisation of the institution and laid the foundation for the renewal of infrastructure like the ticketing facility of the Gruuthusemuseum, a new storage, and the exhibition park BRUSK designed by architect Paul Robbrecht. In November 2021 he was appointed as new director of the Suermondt Ludwig Museum in Aachen, a position he resumed in April 2022. He has been teaching in Europe and the US and curated a number of major exhibitions, including " Memling's Portraits", which showed in Bruges, at the Frick Collection in New York and the Thyssen-Bornemisza Museum in Madrid, and " Memling: Rinascimento fiammingo" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Panofsky
Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work represents a high point in the modern academic study of iconography, which he used in hugely influentialShone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. works like his "little book" ''Renaissance and Renascences in Western Art'' and his masterpiece, '' Early Netherlandish Painting''. Many of his works are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. Panofsky's ideas were also highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Jakob Friedländer
Max Jakob Friedländer (5 July 1867 in Berlin – 11 October 1958 in Amsterdam) was a German museum curator and art historian. He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division. He was appointed deputy director of the Kaiser Friedrich Museum (then containing the Berlin State Museums' old master paintings and sculpture) under Bode in 1904 and became director himself from 1924 to 1932, working on his history ''From Van Eyck to Bruegel'' and the 14-volume (printed in 16, with supplements) survey ''Early Netherlandish Painting (Friedländer), Early Netherlandish Painting''. In 1933 he was dismissed as a "non-Aryan" and in 1939 had to move to Amsterdam as a result of being a Jew. He attained the rank and title of geheimrat (privy councillor) under the German Empir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronogram
A chronogram is a sentence or inscription in which specific letters, interpreted as numerals (such as Roman numerals), stand for a particular date when rearranged. The word, meaning "time writing", derives from the Greek words ''chronos'' (χρόνος "time") and ''gramma'' (γράμμα, "letter"). In the ''pure chronogram'', each word contains a numeral; the ''natural chronogram'' shows all numerals in the correct numerical order, e.g. AMORE MATVRITAS = MMVI = 2006. Chronograms in versification are referred to as ''chronosticha'' if they are written in hexameter and ''chronodisticha'' if they are written in distich. In the ancient Indonesian Hindu-Buddhist tradition, especially in ancient Java, chronograms were called ''chandrasengkala'' and usually used in inscriptions to signify a given year in the Saka calendar. Certain words were assigned their specific number, and poetic phrases were formed from these selected words to describe particular events that have their own n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Man In A Turban (Jan Van Eyck) With Frame
''Portrait of a Man (Self Portrait?)'' (also ''Portrait of a Man in a Turban'' or ''Portrait of a Man in a Red Turban'') is an oil painting by the Early Netherlandish painter Jan van Eyck, from 1433. The inscription at the top of the panel, ''Als Ich Can'' (intended as "as I/Eyck can") was a common autograph for van Eyck, but here is unusually large and prominent. This fact, along with the man's unusually direct and confrontational gaze, have been taken as an indication that the work is a self-portrait. Probably his '' Portrait of Margaret van Eyck'' was a pendant, although her only known portrait is both dated 1439 and larger.Hall (2014), 43 It has been proposed that van Eyck created the portrait to store in his workshop so that he could use it to display his abilities (and social status, given the fine clothes evident in the portrait) to potential clients. However, his reputation was such in 1433 that he was already highly sought after for commissioned work. The panel has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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