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Porter's Hall Theatre
The Porter's Hall Theatre was a small theatre in London, it existed for a short while in 1616. The licence for its construction was revoked around its date of completion, and few records of it survive. Location Porter's Hall Theatre was constructed in Blackfriars by Philip Rosseter, the manager of the Queen's Revels company, after he lost his lease on the Whitefriars Theatre in 1614. It received a royal license on 3 June 1615, allowing it to be used by the Queen's Revels Prince Charles', and Lady Elizabeth's Players. History The city was opposed to the construction of another theatre, and a petition was given against the construction to Sir Edward Coke, Lord Chief Justice, in August 1615. On 26 September it was ordered that the license for the playhouse did not allow it to be constructed in the city, and that all building work must stop. Legal arguments from Rosseter and his two fellow investors, Philip Kingman and Ralph Reeve, went back and forth until 27 January 1617, when th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackfriars, London
Blackfriars is in central London, specifically the south-west corner of the City of London. Blackfriars Priory The name is first visible today in records of 1317 in many orthographies. Friar evolved from la, frater as french: frère has, meaning 'brother'. Black refers to the black cappa worn by Dominican Friars. They moved their 1220s-founded priory from just west of Holborn bridge at the top of Shoe Lane (modern Holborn Circus) a few hundred metres south to be between the tidal Thames and the west of Ludgate Hill, a modest rise, but the highest in the city proper, in about 1276. Edward I gave permission to rebuild London's city wall, against the Fleet brook and Ludgate Hill, north and west of their precinct. The site hosted great occasions of state, including meetings of Parliament and the Privy Council, state visits, such as of Emperor Charles V in 1522, then, seven years later, a divorce hearing of Catherine of Aragon and Henry VIII. The priory was by legal process dissol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Rosseter
Philip Rosseter (1568 – 5 May 1623) was an English composer and musician, as well as a theatrical manager. His family seems to have been from Somerset or Lincolnshire, he may have been employed with the Countess of Sussex by 1596, and he was living in London by 1598. In 1604 Rosseter was appointed a court lutenist for James I of England, a position he held until his death in 1623. Rosseter is best known for ''A Book of Ayres'' which was written with Thomas Campion and published in 1601. Some literary critics have held that Campion wrote the poems for Rosseter's songs; however, this seems not to be the case. It is likely that Campion was the author of the book's preface, which criticizes complex counterpoint and "intricate" harmonies that leave the words inaudible. The two men had a close professional and personal relationship; when Campion died in 1620, he had named Rosseter his sole heir. Rosseter's lute songs are generally short, homophonic, with minimal repetition or word pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitefriars Theatre
The Whitefriars Theatre was a theatre in Jacobean London, in existence from 1608 to the 1620s — about which only limited and sometimes contradictory information survives. Location The Whitefriars district was outside the medieval city walls of London to the west; it took its name from the priory of Carmelite monks ("white friars" due to their characteristic robes) that had existed there before Henry VIII's Dissolution of the Monasteries. Until 1608 the Whitefriars district was a liberty of the City, beyond the direct control of the Lord Mayor and the aldermen; as such, it tended to attract the elements of society that had an interest in resisting authority. Like actors: there is a single reference to a theatre in Whitefriars that was suppressed sometime in the reign of Queen Elizabeth. Theatre In 1608, Michael Drayton and Thomas Woodford, nephew of the playwright, Thomas Lodge, leased the mansion house of the old priory from Lord Buckhurst, for a term of seven years. They co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Coke
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathan Field
Nathan Field (also spelled Feild occasionally; 17 October 1587 – 1620) was an English dramatist and actor. Life His father was the Puritan preacher John Field, and his brother Theophilus Field became the Bishop of Llandaff. One of his brothers, named Nathaniel, often confused with the actor, became a printer. Nathan's father opposed London's public entertainments: he delivered a sermon that attributed Divine judgment to the collapse of the public seating area, during a bear baiting on a Sunday, at Beargarden in 1583, which resulted in several deaths. Nathan presumably did not intend a career in the theatre; he was a student of Richard Mulcaster at St. Paul's School in the late 1590s. At some point before 1600, he was impressed by Nathaniel Giles, the master of Elizabeth's choir and one of the managers of the new troupe of boy players at Blackfriars Theatre, called alternately the Children of the Chapel Royal and the Blackfriars Children. He remained in this profession for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
