Porta Garibaldi, Catania
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Porta Garibaldi, Catania
The Porta Garibaldi, originally built as the Porta Ferdinandea or Porta Ferdinanda, is a triumphal arch, built in 1768, located at the end of Via Giuseppe Garibaldi, between the Piazza Palestro and Piazza Crocifisso in the quartiere Fortino of Catania, region of Sicily, Italy. It was built to celebrate the marriage of the Bourbon king Ferdinand I of the Two Sicilies to the Austrian princess Maria Carolina d'Asburgo-Lorena. The architects of the monument were Francesco Battaglia and Stefano Ittar. The monument is made of alternating white stone from Siracusa and local dark lava blocks. At the top center of the arch is now a clock, surrounded by allegorical symbols, including an eagle and a statue recalling the black elephant ''u Liotru'', symbol of Catania. Originally, instead of a clock, was a marble bust of the Bourbon king. Flanking this tympanum, at the second level are two angels with trumpets. Flanking these are two sculptural depictions of Trophy of arms.
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Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of Ti ...
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Catania
Catania (, , Sicilian and ) is the second largest municipality in Sicily, after Palermo. Despite its reputation as the second city of the island, Catania is the largest Sicilian conurbation, among the largest in Italy, as evidenced also by the presence of important road and rail transport infrastructures as well as by the main airport in Sicily, fifth in Italy. It is located on Sicily's east coast, at the base of the active volcano, Mount Etna, and it faces the Ionian Sea. It is the capital of the 58-municipality region known as the Metropolitan City of Catania, which is the seventh-largest metropolitan city in Italy. The population of the city proper is 311,584, while the population of the Metropolitan City of Catania is 1,107,702. Catania was founded in the 8th century BC by Chalcidian Greeks. The city has weathered multiple geologic catastrophes: it was almost completely destroyed by a catastrophic earthquake in 1169. A major eruption and lava flow from nearby Mount ...
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Sicily
(man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographics1_title1 = Sicilian , demographics1_info1 = 98% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-82 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €89.2 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 ...
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Ferdinand I Of The Two Sicilies
Ferdinand I (12 January 1751 – 4 January 1825) was the King of the Two Sicilies from 1816, after his restoration following victory in the Napoleonic Wars. Before that he had been, since 1759, Ferdinand IV of the Kingdom of Naples and Ferdinand III of the Kingdom of Sicily. He was also King of Gozo. He was deposed twice from the throne of Naples: once by the revolutionary Parthenopean Republic for six months in 1799 and again by Napoleon in 1805, before being restored in 1816. Ferdinand was the third son of King Charles VII of Naples and V of Sicily by his wife, Maria Amalia of Saxony. On 10 August 1759, Charles succeeded his elder brother, Ferdinand VI, becoming King Charles III of Spain, but treaty provisions made him ineligible to hold all three crowns. On 6 October, he abdicated his Neapolitan and Sicilian titles in favour of his third son, because his eldest son Philip had been excluded from succession due to imbecility and his second son Charles was heir-apparent to the S ...
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Maria Carolina Of Austria
Maria Carolina Louise Josepha Johanna Antonia (13 August 1752 – 8 September 1814) was List of consorts of Naples, Queen of Naples and List of Sicilian consorts, Sicily as the wife of King Ferdinand I of the Two Sicilies. As ''de facto'' ruler of her husband's kingdoms, Maria Carolina oversaw the promulgation of many reforms, including the revocation of the ban on Freemasonry, the enlargement of the navy under her favorite, Sir John Acton, 6th Baronet, Sir John Acton and the expulsion of Spanish influence. She was a proponent of enlightened absolutism until the advent of the French Revolution, when, in order to prevent its ideas gaining currency, she made Naples a police state. Born an archduchess of Austria, the thirteenth child of Empress Maria Theresa and Francis I, Holy Roman Emperor, Emperor Francis I, Maria Carolina married Ferdinand as part of an Austrian alliance with Spain, of which Charles III of Spain, Ferdinand's father was king. Following the birth of a male heir in ...
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Francesco Battaglia (architect)
Francesco Battaglia (1701 – 1788) was an Italian architect, active in Catania, Sicily in a Baroque style. He was employed extensively during the flurry of reconstruction after the 1693 Sicily earthquake which nearly flattened his native city. He helped design the church and monastery of San Nicola l'Arena and the Palazzo Biscari. He was helped later in his career by his son Antonino and his son-in-law Stefano Ittar Stefano Ittar (March 15, 1724 - January 18, 1790) was a Polish-Italian architect. Biography Ittar was born in Owrucz (then in the Polish–Lithuanian Commonwealth, now in Ukraine), where his father, a member of one of Italy's aristocratic fam ....Be Web Chiesa Cattolica


References

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Stefano Ittar
Stefano Ittar (March 15, 1724 - January 18, 1790) was a Polish-Italian architect. Biography Ittar was born in Owrucz (then in the Polish–Lithuanian Commonwealth, now in Ukraine), where his father, a member of one of Italy's aristocratic families the Guidone de Hittar, had fled following a disagreement with the Grand Duke of Tuscany. While Ittar was still young his family moved to Rome, where under the patronage of Cardinal Alessandro Albani Ittar later studied architecture at this time influenced in Rome by the concepts of Francesco Borromini. After a brief period in Spain Ittar settled in Catania in 1765. Catania had largely recovered from the damage caused by the earthquake of 1693, largely due to the efforts of the city architect Giovanni Battista Vaccarini, who had rebuilt vast tracts of the city in Baroque style, such as the area around the Cathedral. It was at this time Ittar met Don Ignazio Paternò, Prince of Biscari, who at this time was reconstructing the ma ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Trophy Of Arms
A trophy or trophy of arms in art and architecture is a real or depicted artistically assembled display of weaponry and other militaria, often captured from a defeated enemy, as an ornament designed for the purpose of triumphalist display by a victor or as a show of military prowess by a monarch. Similar decorative vertical arrangements of hunting accessories, musical instruments or other objects are also commonly referred to as trophies. The term comes from the ancient Greek ''tropaion'' and Roman equivalent ''tropaeum'', military victories which were commemorated with a display of actual captured arms, armour and standards. The use of trophies as an ornament in decoration became popular in the Italian Renaissance, and as an architectural element in relief or free-standing sculpture during the Baroque era, where they are often used as a kind of finial to decorate rooflines, gate columns and other elements of buildings with military associations, which included most royal ...
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Phoenix (mythology)
The phoenix is an immortal bird associated with Greek mythology (with analogs in many cultures) that cyclically regenerates or is otherwise born again. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, others that it simply dies and decomposes before being born again. In the ''Motif-Index of Folk-Literature'', a tool used by folklore studies, folklorists, the phoenix is classified as motif B32.Thompson. (2001: 581). The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Ov ...
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