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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. '' Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other s ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Jangle
Jangle or jingle-jangle is a sound typically characterized by undistorted, treble-heavy electric guitars (particularly 12-strings) played in a droning chordal style (by strumming or arpeggiating). The sound is mainly associated with pop music as well as 1960s guitar bands, folk rock, and 1980s indie music. It is sometimes classed as its own subgenre, jangle pop. Music critics use the term to suggest guitar pop that evokes a bright mood. Despite forerunners such as Jackie DeShannon, the Searchers and the Everly Brothers, it was the Beatles and the Byrds who are commonly credited with launching the popularity of jangle. The name derives from the lyric "in the jingle-jangle morning, I'll come following you" from the Byrds' 1965 rendition of Bob Dylan's " Mr. Tambourine Man". Although many subsequent jangle bands drew significantly from the Byrds, they were not necessarily folk rock as the Byrds were. Since the 1960s, jangle has crossed numerous genres, including power po ...
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Indie Rock
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U ...
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British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series A book series is a sequence of books having certain characteristics in common that are formally identified together as a group. Book series can be organized in different ways, such as written by the same author, or marketed as a group by their pu ... published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher."Cambridge Companions to Music"
on Cambridge University Press website, accessed 21 September 2015.


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Peter Frampton
Peter Kenneth Frampton (born 22 April 1950) is an English musician and songwriter who was a member of the rock bands Humble Pie and the Herd. As a solo artist, he has released several albums, including his major breakthrough album, the live release '' Frampton Comes Alive!'' (1976), which spawned several hit singles and has earned 8× Platinum in the United States. He has also performed with acts such as Ringo Starr, the Who's John Entwistle, David Bowie, and both Matt Cameron and Mike McCready from Pearl Jam, among others. Frampton is best known for such hits as " Show Me the Way", "Baby, I Love Your Way", "Do You Feel Like We Do", and " I'm in You", which remain staples of classic rock radio. He has also appeared as himself in television shows such as ''The Simpsons'', '' Family Guy'', and '' Madam Secretary'', He is known for his work as a guitar player (including his work with a talk box), and his tenor voice. Early life Peter Kenneth Frampton was born to Owen Frampt ...
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Lighthouse (band)
Lighthouse is a Canadian rock band formed in 1968 in Toronto, Ontario, whose repertoire included elements of rock music, jazz, classical music, and swing and featured horns, string instruments, and vibraphone. They won Juno Awards for Best Canadian Group of the Year in 1972, 1973, and 1974. Band history Formation Lighthouse was formed in 1968 in Toronto by vocalist/drummer Skip Prokop, previously of the Paupers, and keyboardist Paul Hoffert. The two met on a flight from New York City to Toronto, and discussed forming a band structured around a rock rhythm section, jazz horn section, and classical string section. Prokop had admired Ralph Cole's playing when they shared the bill at the Grande Ballroom in Detroit, so he invited him to Toronto to be the band's guitarist. Prokop and Hoffert assembled the rest of the group from friends, studio session musicians, and Toronto Symphony Orchestra members, and proceeded to make a demo recording. Prokop and Hoffert took the demo to ...
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Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later involv ...
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The Bells (band)
The Bells, a.k.a. The Five Bells, were a Canadian soft rock band from Montreal, Quebec, active from 1964 to 1974. They released four albums and several singles, two of which were major hits in the early 70s, "Fly Little White Dove Fly" and especially " Stay Awhile". History The band formed in 1964 in Montreal as The Five Bells. Members were South African-born sisters Anne and Jackie Ralph as well as Cliff Edwards, Doug Gravelle and Gordon McLeod. Cliff Edwards and Anne Ralph married in 1967. The Five Bells' first big song was "Moody Manitoba Morning" (written by Rick Neufeld) which peaked on the RPM 100 chart at #78 in the spring of 1969. In 1970, after their first child was born, Anne retired and the family settled on a hobby farm in Warkworth, Ontario. The band shortened their name to The Bells, and recorded a hit single "Fly Little White Dove Fly", which made Top 10 in Canada. Piano player Frank Mills joined The Bells for a short period, from 1970 to 1971, after whic ...
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Andy Kim (singer)
Andrew Youakim (born 5 December 1946), known professionally as Andy Kim, is a Canadian pop rock singer and songwriter. He grew up in Montreal, Quebec. He is known for hits that he released in the late 1960s and 1970s: the international hit " Baby, I Love You" in 1969, and " Rock Me Gently", which topped the U.S. singles chart in 1974. He co-wrote "Sugar, Sugar" in 1968 and sang on the recording as part of the Archies; it was #1 for four weeks and was "Record of the Year" for 1969. He has recorded under the stage name Baron Longfellow since 1978 or just as Longfellow in the early 1990s. He continues to perform under his original recording name of Andy Kim. Life and career Kim was born Andy Youakim on 5 December 1946 in Montreal, the third of four sons of Lebanese immigrants. In his teens, he moved to New York's Brill Building to pursue a career in music. He recorded as "Andy Kim", using the different last name as a way to obscure his Lebanese ethnicity, though on his earlies ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power po ...
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