Pop! The First 20 Hits
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Pop! The First 20 Hits
''Pop! The First 20 Hits'' is a greatest hits collection from Erasure, released on 16 November 1992 in Germany and the UK and 24 November 1992 in the United States. The album utilises a straightforward format: all of Erasure's singles up to that point, sequenced in chronological order with the addition of the Hamburg Mix of Erasure's first ever single, "Who Needs Love (Like That)". In the UK, "Who Needs Love Like That" was released as a single in remixed form ("The Hamburg Mix", a reference to Erasure's extensive touring of Hamburg during the band's formative period). This is included as a bonus track on the UK version of the album, although in the US it only appears on the cassette release, failing to appear on the CD. ''Pop! The First 20 Hits'' became Erasure's fourth consecutive number-one album in the UK. In Germany the album hit number 12 and in the US it peaked at number 112 on the ''Billboard'' 200, where it was certified Gold nearly 10 years later by the RIAA. ''Pop! ...
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Erasure
Erasure () is an English synth-pop duo formed in London in 1985, consisting of lead vocalist and songwriter Andy Bell with songwriter, producer and keyboardist Vince Clarke, previously known as co-founder of the band Depeche Mode and a member of synth-pop duo Yazoo. From their fourth single, " Sometimes" (1986), Erasure established themselves on the UK Singles Chart, becoming one of the most successful acts of the mid-1980s to the mid-1990s. From 1986 to 2007, the pair achieved 24 consecutive top-40 entries in the UK singles chart. By 2009, 34 of their 37 chart-eligible singles and EPs had made the UK top 40, including 17 climbing into the top 10. At the 1989 Brit Awards, Erasure won the Brit Award for Best British Group. Beyond this mainstream commercial success, Erasure are also popular within the LGBT community, for whom the openly gay singer Andy Bell has become an icon in the UK. Overview Erasure made their debut with the studio album ''Wonderland'' in 1986, however ...
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Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ...
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It Doesn't Have To Be
"It Doesn't Have to Be" is a song by English synth-pop duo Erasure, released on 16 February 1987. It was issued as a single six weeks before the release of the duo's second studio album, '' The Circus'' (1987). Following the number-two UK placing of previous single " Sometimes", it became Erasure's second Top 20 hit in the UK (peaking at number twelve) and their third West German Top 20 hit (number sixteen). The lyric of the song deplores a lack of necessity for strife and may be understood to refer to apartheid in South Africa, but there is no particular reference. The middle eight is in Swahili, an eastern, not southern African language: ''Lala pamoja na mimi / Nyumbani yako, nyumbani yako / Sababu wewe hapana kaa na mimi / Nyumbani yako, nyumbani yako'', 'Sleep (together) with me / At your place ouse at your place / Why don't you stay with me / At your place, at your place.' So they deplore a lack of necessity for strife not only between two peoples, but also between two peopl ...
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The Circus (Erasure Album)
''The Circus'' is the second studio album by English synth-pop duo Erasure, released on 30 March 1987 by Mute Records in Germany and the United Kingdom and on 7 July 1987 by Sire Records in the United States. It was Erasure's second consecutive album to be produced by Flood. ''The Circus'' became the duo's breakthrough in the UK, spawning four successful singles and reaching number six. It was an immediate success thanks to the number two UK placing of the first single " Sometimes", six months earlier. The album remains Erasure's longest-running on the UK charts. Although mainstream success in the US did not occur with this album, it did generate two hits (including a number-one) on ''Billboard'' Hot Dance Music/Club Play chart. It also became their first record to enter the ''Billboard'' 200. '' The Two Ring Circus'', also released in 1987, is a double 12-inch remix album that served as a companion piece to ''The Circus''. It includes remixes and re-recordings along with live ...
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Sometimes (Erasure Song)
"Sometimes" is a song by English synth-pop duo Erasure, released on 6 October 1986 as their fourth single overall. Written by band members Vince Clarke and Andy Bell (singer), Andy Bell, it typifies the Erasure sound—an uptempo, dance-oriented pop tune accentuated by Clarke's phase distortion and analogue synthesizers and Bell's lyrics about being in love. The trumpet solo is performed by Guy Barker. After three commercial flops from their debut studio album ''Wonderland (Erasure album), Wonderland'' (1986), the single became Erasure's first bona fide hit, peaking at number one in South Africa, number two in their native United Kingdom and in Germany, and becoming a huge international hit. In the US, it became Erasure's second top-five hit on the US ''Billboard (magazine), Billboard'' Hot Dance Music/Club Play chart, where it charted alongside "It Doesn't Have to Be" and peaked at number four. Peaking only at number 39 in the French Singles Chart, "Sometimes" still remains Erasu ...
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Oh L'amour
"Oh L'amour" is a song by English synthpop duo Erasure, released in April 1986 as their third single. Written by Erasure members Vince Clarke and Andy Bell, it is a lament from someone experiencing unrequited love ''("broke my heart / now I'm aching for you")''. The song is an uptempo, synthpop dance track and its popularity was further fueled in dance clubs by the "Funky Sisters Remix", which appeared on the UK 12-inch single and as a bonus track on the U.S. edition of Erasure's debut album '' Wonderland''. A different mix of the song was submitted for the single release, adding new instrumentation and extra sounds. This version appears on all of the band's compilation albums. A version of the 12" single was included with early copies of the debut LP ''Wonderland''. One of the B-sides is a cover version of "Gimme! Gimme! Gimme! (A Man After Midnight)", the first time Erasure covered a song from the ABBA songbook. It was issued by Mute Records in the UK and Sire Records in the ...
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Heavenly Action
"Heavenly Action" is a song by the British synthpop duo Erasure, released in November 1985 as their second single. It is a mid-tempo pop song, written by Erasure members Vince Clarke and Andy Bell as a straightforward ode to love. Issued by Mute Records in the UK and Sire Records in the U.S., the single proved to be the second commercial failure for the duo (following "Who Needs Love Like That"). The music video for the song was directed by John Scarlett Davies and produced by Nick Verden for Aldabra. It features Clarke and Bell in an outer space/celestial setting, with several young children appearing as angels. To this day, "Heavenly Action" remains Erasure's lowest-charting single on the UK Singles Chart, peaking at number 100. In the United States, "Heavenly Action" was paired with "Who Needs Love Like That" on the 12-inch single and, as a double-sided hit, climbed to number eight on the U.S. Hot Dance Music/Club Play chart. It was later included on the duo's debut album ' ...
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Wonderland (Erasure Album)
''Wonderland'' is the debut studio album by English synth-pop duo Erasure, released on 1 May 1986 by Sire Records in the United States and on 2 June 1986 by Mute Records in the United Kingdom and Germany. Not an immediate success, the three singles released from it failed to crack the top 40 in the UK. "Who Needs Love Like That" would eventually make the UK top 10 in 1992, and "Oh L'amour" reached the UK top 20 in 2003, both in remixed form promoting their ''Pop! The First 20 Hits'' and ''Hits! The Very Best of Erasure, Hits!'' compilations respectively. However, the album fared better in both Germany and Sweden, where it charted within the top 20. Erasure's initial exposure in the US came via dance clubs, as two singles reached the top 10 on ''Billboard'' Hot Dance Club Songs, Hot Dance Music/Club Play chart. At the time of its release, ''Wonderland'' was considered a failure, especially when comparing it to Clarke's prior successes with Depeche Mode and Yazoo (band), Yazoo. A ...
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Total Pop! The First 40 Hits
''Total Pop! The First 40 Hits'' is a greatest hits collection from Erasure, released on 23 February 2009 by Mute Records.Official Erasure website
Mute UK website – Upcoming Releases
/ref> The album utilizes a straightforward format: all of Erasure's singles up to that point, sequenced in chronological order. This is a continuation of the format used in Erasure's 1992 hits collection ''''. The album was released in a variety of formats: a standard 2-CD ...
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RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Compact Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge and reel ...
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