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Polyeucte
''Polyeucte'' is a drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ... in five Act (theater), acts by France, French writer Pierre Corneille. It was finished in December 1642 and debuted in October 1643. It is based on the life of the martyr Saint Polyeuctus (Polyeucte).Project Gutenberg etext of ''Polyeucte'' The drama is set in ancient Armenia (in a city, Malatya, Melitene, which is in present-day Turkey) during a time when Christians were persecuted there under the Roman Empire. Polyeucte, an Armenian nobleman, converts to Christianity to the great despair of his wife, Pauline, and of his father-in-law, Felix. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Martyrs
''Les martyrs'' (''The Martyrs'') is a four-act grand opera by Gaetano Donizetti set to a French libretto by Eugène Scribe. The libretto was based on one written by Salvadore Cammarano for an original Italian version known as ''Poliuto'', which was not performed until after the composer's death. Pierre Corneille's play ''Polyeucte'' written in 1641–42, the story of which reflected the life of the early Christian martyr Saint Polyeuctus, is the original source for both versions. When ''Poliuto'' was banned by the King of Naples just before it was due to be performed in 1838,Ashbrook and Hibberd 2001, p. 224 Donizetti became angry at this decision and, with a commission from the Paris Opéra due, he paid the penalty to the San Carlo for not producing an original work as a substitute, and left Naples for Paris arriving on 21 October. As his first of two commissions for the Opéra, he proposed to revise ''Poliuto'' and, between 1839 and 1840, a French text was prepared by the noted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyeucte (opera)
'' Polyeucte'' () is an ''opéra'' by Charles Gounod based on the play about Saint Polyeuctus by Pierre Corneille. The libretto by Jules Barbier and Michel Carré is more faithful to its source than ''Les martyrs'', Scribe's adaptation for Donizetti, and Gounod hoped to express "the unknown and irresistible powers that Christianity has spread among humanity". The subject had occupied Gounod for some ten years. An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it. The opera finally premiered at the Opéra's new house, the Palais Garnier on 7 October 1878, in stage sets designed by Jean Émile Daran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Polyeuctus
Saint Polyeuctus (also Polyeuctes, Polyeuktos, Greek: Πολύευκτος) of Melitene (died 10 January 259) was an ancient Roman saint. Christian tradition states that he was a wealthy Roman army officer who was the first martyr in Melitene, Armenia, under Valerian. Symeon Metaphrastes writes that, moved by the zeal of his friend Saint Nearchus, Polyeuctus had openly converted to Christianity. "Enflamed with zeal, St Polyeuctus went to the city square, and tore up the edict of Decius which required everyone to worship idols. A few moments later, he met a procession carrying twelve idols through the streets of the city. He dashed the idols to the ground and trampled them underfoot." He was tortured by the authorities and ignored the tears and protestations of his wife Paulina, his children, and his father-in-law. He was beheaded. Veneration He was buried at Melitene, and a church was dedicated to him there. Christian tradition states that the parents of Euthymius th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyeucte (Dukas)
''Polyeucte'' is an overture composed by Paul Dukas in 1891 for the tragedy of the same name by Pierre Corneille. Dukas made his public debut with the first performance of this overture on 23 January 1892 at the Concerts Lamoureux The Orchestre Lamoureux () officially known as the Société des Nouveaux-Concerts and also known as the Concerts Lamoureux) is an orchestral concert society which once gave weekly concerts by its own orchestra, founded in Paris by Charles Lamoureu .... External links * Compositions by Paul Dukas 1891 compositions Overtures Adaptations of works by Pierre Corneille {{classical-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyeuctus Of Meletine In Armenia (Menologion Of Basil II)
Saint Polyeuctus (also Polyeuctes, Polyeuktos, Greek: Πολύευκτος) of Melitene (died 10 January 259) was an ancient Roman saint. Christian tradition states that he was a wealthy Roman army officer who was the first martyr in Melitene, Armenia, under Valerian. Symeon Metaphrastes writes that, moved by the zeal of his friend Saint Nearchus, Polyeuctus had openly converted to Christianity. "Enflamed with zeal, St Polyeuctus went to the city square, and tore up the edict of Decius which required everyone to worship idols. A few moments later, he met a procession carrying twelve idols through the streets of the city. He dashed the idols to the ground and trampled them underfoot." He was tortured by the authorities and ignored the tears and protestations of his wife Paulina, his children, and his father-in-law. He was beheaded. Veneration He was buried at Melitene, and a church was dedicated to him there. Christian tradition states that the parents of Euthymius th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dukas
Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (Dukas), ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works. Among these are the opera ''Ariane et Barbe-bleue'', his Symphony in C (Dukas), Symphony in C and Piano Sonata (Dukas), Piano Sonata in E-flat minor, the ''Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, ''La Péri (Dukas), La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Ludwig van Beethoven, Beethoven, Hector Berlioz, Berlioz, César ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poliuto
''Poliuto'' is a three-act ''tragedia lirica'' (or tragic opera) by Gaetano Donizetti from the Italian libretto by Salvadore Cammarano, which was based on Pierre Corneille's play ''Polyeucte'' written in 1641–42. It reflected the life of the early Christian martyr Saint Polyeuctus. Regarded by one author as Donizetti's "most personal opera" with the music being "some of the finest Donizetti was to compose",Allitt 1991, pp. 177—187 ''Poliuto'' was written in 1838 for performances planned at the Teatro San Carlo in Naples later that year. However, close to the time for rehearsals to begin, King Ferdinand II refused to allow the martyrdom of a Christian saint to be seen on stage and forbade the production.Ashbrook and Hibberd 2001, p. 224 Angry at the decision and with a commission for the Paris Opéra due from the composer, Donizetti paid the penalty to the San Carlo for not producing an original work as a substitute, and left Naples for Paris arriving on 21 October. As his firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Barbier
Paul Jules Barbier (8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters. Works His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: *: **''La Colombe'', '''' (*), '' |
Edgar Tinel
Edgar Pierre Joseph Tinel (27 March 185428 October 1912) was a Belgian composer and pianist. He was born in Sinaai, today part of Sint-Niklaas in East Flanders, Belgium, and died in Brussels. After studies at the Brussels Conservatory with Louis Brassin (piano) and François-Auguste Gevaert (composition), he began a career as a virtuoso, but soon abandoned this for composition. In 1877 his cantata '' Klokke Roeland'' won him the Belgian Prix de Rome, and in 1881 he succeeded Jacques-Nicolas Lemmens as director of the Mechelen Institute of Religious Music. He devoted himself to a study of old church music, and his ideas gave rise to Pope Pius X's ''Motu proprio''. Appointed inspector of music education in 1889, he moved to the Brussels Conservatory to become professor of counterpoint and fugue in 1896, and director at the end of 1908. He was made maître de chapelle to the king in 1910, having been elected to the Belgian Royal Academy in 1902. His liturgical music is polyp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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