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Platform Magic
Platform magic (also known as parlor magic, stand-up magic or cabaret magic) is magic that is done for larger audiences than close-up magic and for smaller audiences than stage magic. It is more intimate than stage magic because it does not require expensive, large-scale stage equipment and can thus be performed closer to the audience and without a stage. Many of the tricks performed by platform magicians are sufficiently angle-sensitive as to make them impossible to perform as micromagic. Most working magicians are parlor/platform magicians. Many magicians consider the term "parlor" to be old-fashioned and limiting, since this type of magic is often done in rooms much larger than the traditional parlor, or even outdoors. According to the ''Encyclopedia of Magic and Magicians'' by T.A. Waters, "The phrase arlor magicis often used as a pejorative to imply that an effect under discussion is not suitable for professional performance." Parlor, or stand-up, magicians generally work w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic (illusion)
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world. Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as Maskelyne and Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic." During this period, performance magic became a staple of Broadway theatre, vaudeville, and music halls. Magic retained its popularity in the television age, with magicians such as Paul Daniels, David ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Box
In science, computing, and engineering, a black box is a system which can be viewed in terms of its inputs and outputs (or transfer characteristics), without any knowledge of its internal workings. Its implementation is "opaque" (black). The term can be used to refer to many inner workings, such as those of a transistor, an engine, an algorithm, the human brain, or an institution or government. To analyse an open system with a typical "black box approach", only the behavior of the stimulus/response will be accounted for, to infer the (unknown) ''box''. The usual representation of this ''black box system'' is a data flow diagram centered in the box. The opposite of a black box is a system where the inner components or logic are available for inspection, which is most commonly referred to as a white box (sometimes also known as a "clear box" or a "glass box"). History The modern meaning of the term "black box" seems to have entered the English language around 1945. In electr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Castle
The Magic Castle is a clubhouse for magicians and magic enthusiasts, as well as the clubhouse for the Academy of Magical Arts. It is in the Hollywood district of Los Angeles, California and it bills itself as "the most unusual private club in the world". Only members and their guests are allowed entrance, though courtesy invitations can be obtained. During a typical evening there are numerous magic shows and historic displays, as well as a full-service dining room and numerous bars. The atmosphere is reminiscent of classic night club days, and a strict dress code is enforced. Once a private residence, the Castle was declared a Los Angeles Historic-Cultural Monument in 1989. Many celebrities have performed at the Magic Castle, including Orson Welles, Johnny Carson, Steve Martin, and Neil Patrick Harris. One of the Castle's most esteemed performers was the late Dai Vernon, an expert in sleight of hand. Description The Magic Castle is a performance venue, restaurant and priva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Magic Tricks
This article contains a list of magic tricks. In magic literature, tricks are often called effects. Based on published literature and marketed effects, there are millions of effects; a short performance routine by a single magician may contain dozens of such effects. Some students of magic strive to refer to effects using a proper name, and also to properly attribute an effect to its creator. For example, consider an effect in which a magician shows four aces, and then the aces turn face up one at a time in a mysterious fashion. This effect, recognized as ''Twisting the Aces'', is attributed to Dai Vernon, and it is based on a false count invented by Alex Elmsley. Some tricks are listed merely with their marketed name (particularly those sold as stand-alone tricks by retail dealers), whereas others are listed by the name given within magic publications. Magic tricks * Assistant's Revenge * Aztec Lady * Battle of the Barrels *Bill in Lemon *Book test *Bullet Catch * Cabinet Escape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illusionist
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world. Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as Maskelyne and Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic." During this period, performance magic became a staple of Broadway theatre, vaudeville, and music halls. Magic retained its popularity in the television age, with magicians such as Paul Daniels, David Copperfie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Card Flourish
Cardistry is the performance art of card flourishing. Unlike card magic, cardistry is meant to be visually impressive and appear very hard to execute. The term "cardistry" is a portmanteau of "card" and "artistry". People who engage in cardistry are colloquially known as "cardists". History Conjuring tricks with playing cards became popular around the 19th century. At that time, simple card flourishes—such as the Charlier Cut, Riffle Shuffle and Thumb Fan—were often performed by magicians as a way of demonstrating sleight of hand. Cardistry is a portmanteau of “card” and “artistry.” It involves the use of hands to create cuts, displays, fans, patterns, and sequences through the use of playing cards. Various arm-spreads, cuts, shuffles, and springs can be used. The intent is to create a captivating motion and beautiful display. The effects are limited only by the types of cards used, the imagination, and the degree of manual dexterity of the performer. The pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hat-trick (magic Trick)
The hat-trick is a classic magic trick where a performer will produce an object (traditionally a rabbit or a bouquet of flowers) out of an apparently empty top hat. Method In its simplest form, the trick works by placing the hat on a specially made table or chest. Both the hat, and the surface it is placed on, will have a hidden opening in them, through which an object stored in a compartment in the table or chest can be pulled. Alternatively, the performer can produce an item hidden in their sleeve using sleight of hand and misdirection. This eliminates the need to place the hat on a surface, and also allows the performer to give the hat to an audience member for inspection. However, producing a rabbit from a hat using nothing but sleight of hand is a much more difficult trick. This trick is also traditionally performed for children, since it is a basic trick with basic props. It is said that the earliest magician to pull a rabbit out of a hat was Louis Comte, in 1814, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escapology
Escapology is the practice of escaping from restraints or other traps. Escapologists (also classified as escape artists) escape from handcuffs, straitjackets, cages, coffins, steel boxes, barrels, bags, burning buildings, fish-tanks, and other perils, often in combination. History The art of escaping from restraints and confined spaces has been a skill employed by performers for a very long time. It was not originally displayed as an overt act in itself but was instead used secretly to create illusions such as a disappearance or transmutation. In the 1860s, the Davenport Brothers, who were skilled at releasing themselves from rope ties, used the art to convey the impression they were restrained while they created spirit phenomena. Other illusionists, including John Nevil Maskelyne, worked out how the Davenports did their act and re-created the tricks to debunk the brothers' claims of psychic power. However, the re-creations did not involve overt escape, merely a replicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coin Magic
Coin magic is the manipulating of coins to entertain audiences. Money Magic, pp. 175-221. Because coins are small, most coin tricks are considered close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician (or 'coin worker') will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire. Elements Coin effects include productions, vanishes, transformations, transpositions, teleportations, penetrations, restorations, levitations and mental magic—some are combined in a single routine. A simple effect might involve borrowing a coin, ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Children's Magic
Children's magic is a specialized aspect of parlor magic and is meant to entertain children. It is typically performed at birthday parties, churches, preschools, elementary schools, Sunday Schools or libraries. It is often the only type of magic most Westerners experience other than that seen on television. This type of magic is usually comedic in nature.Fiscus, David. Birthday Magician's Handbook. Lee Jacobs Productions. 1980. A distinction should be made between Children's magic and "young magicians." The former is meant for audiences made up of mostly children while the latter refers to performers who are under-aged. The later has organizations dedicated to them including Society of Young Magicians, Magic Youth International and Young Magicians' Club. Not every magician is interested in performing for children both artistically and in terms of patience. When Br. John Hamman, sm, was honored in 1995 during the first St. Louis Magical Heritage Awards, he explained in his accept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardistry
Cardistry is the performance art of card flourishing. Unlike card magic, cardistry is meant to be visually impressive and appear very hard to execute. The term "cardistry" is a portmanteau of "card" and "artistry". People who engage in cardistry are colloquially known as "cardists". History Conjuring tricks with playing cards became popular around the 19th century. At that time, simple card flourishes—such as the Charlier Cut, Riffle Shuffle and Thumb Fan—were often performed by magicians as a way of demonstrating sleight of hand. Cardistry is a portmanteau of “card” and “artistry.” It involves the use of hands to create cuts, displays, fans, patterns, and sequences through the use of playing cards. Various arm-spreads, cuts, shuffles, and springs can be used. The intent is to create a captivating motion and beautiful display. The effects are limited only by the types of cards used, the imagination, and the degree of manual dexterity of the performer. The p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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