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Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bipa
The ''bipa'' is a pear-shaped lute that is a traditional Korean musical instrument. It is derived from Chinese ''pipa'' and was introduced through the Silk Road to Goguryeo and Silla. There are two major types of ''bipa'': the four stringed ''dang-bipa'' (당비파 / 唐琵琶) and the five stringed ''hyang-bipa'' (향비파 / 鄕琵琶). While ''dang-bipa'' was a Tang-style pipa first introduced from the Chinese Tang dynasty and localized over time to have Korean characteristics, ''hyang-bipa'' was created in the Korean Kingdom of Silla. The instrument is also related to other derivatives such as Vietnamese '' đàn tỳ bà'' and the Japanese ''biwa''. The bipa was popular in court music until it fell out of use in the early 20th century during the Japanese Colonial period. In 1988–1989, there was the first attempt to revive the two ''bipa'' that was unsuccessful in commercialization. This revived ''bipa'' used the existing modern Chinese pipa as a basis but was modified to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Traditional Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk (絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo ( 竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood (木) Most wood () instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuqin
The ''liuqin'' (Chinese: , pinyin: ) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the ''pipa'', and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the ''liuqin'' from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Đàn Tỳ Bà
The ''đàn tỳ bà'' (, Chữ Nôm: ) is a Vietnamese traditional plucked string instrument derived form the Chinese pipa.Garland Encyclopedia of World Music South East Asia p262 "The tỳ bà, a pear-shaped lute, first appeared in Vietnam in the early 600s" It is made of wood, with a pear shape and four strings made of nylon (formerly twisted silk). The instrument is held in a near-vertical position when playing and its playing technique involves frequent bending of the tones with the fingers of the left hand. The strings are plucked with a small plectrum similar to a guitar's but larger. It was associated with the royal court and is still used in the ensemble that performs at the Imperial Palace at Huế. The instrument's name is a Vietnamization of the name of the Chinese pear-shaped lute, called ''pipa'', from which the ''đàn tỳ bà'' is derived. "Đàn" is the Vietnamese prefix meaning "stringed instruments", which is part of the name of most traditional stringed inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop-shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting ''The Tale of the'' , a war chronicle from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , helped prol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archlute
The archlute ( es, archilaúd, it, arciliuto, german: Erzlaute) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide. Overview The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, with perfect fourths surrounding a third in the middle for the first six. The archlute was often used as a solo instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglamas
The baglamas ( el, μπαγλαμάς) (plural '' baglamades'') or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko. The body is often hollowed out from a piece of wood (''skaftos'', construction) or else made from a gourd, but there are also baglamades with staved backs. Its small size made it particularly popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, and the instruments were smashed by the police. The name comes from Turkish , a similar instrument. See also * Bouzouki * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angélique (instrument)
The ''angélique'' (French, from Italian ''angelica'') is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo. It shares the form of its pear-shaped body as well as its vibrating string length of 54 to 70 cm with the lute. Differing from the lute, the 16 string angelica was single-strung like a theorbo, with which it shares its extended neck with a second peg box, bearing six bass strings. Overview The angelica was tuned diatonically, like a harp: C – E – F – G – A – B – c – d – e – f – g – a – b – c’ – d’ – e’. That range is the same as that of the French or lesser theorbo, but the latter differs in that its tuning is reentrant: C – D – E – F – G – A – B – c – d – g – c' – e'– a – d'. The diatonic tuning limited its compass, but produced a full and clear tone by the increased use of open strings. Little surviving music for the ange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setar
A setar ( fa, سهتار, ) is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by the mid 19th century. It is played with the index finger of the right hand. It has been speculated that the setar originated in Persia by the 9th century C.E. A more conservative estimate says "it originated in the 15th century, or even earlier." Although related to the tanbur, in recent centuries, the setar has evolved so that, musically, it more closely resembles the tar, both in tuning and playing style. Etymology According to Curt Sachs, Persians chose to name their lutes around the word ''tar'', meaning string, combined with a word for the number of strings. Du + tar is the 2-stringed dutār, se + tar is the 3-stringed setār, čartar (4 strings), pančtār ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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