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Pinpeat
The ''Pinpeat'' ( km, ពិណពាទ្យ, ) is the largest Khmer traditional musical ensemble. It has performed the ceremonial music of the royal courts and temples of Cambodia since ancient times. The orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ... consists of approximately nine or ten instruments, mainly wind instrument, wind and percussion instrument, percussion (including several varieties of xylophone and Drum kit, drums). It accompanies Royal Ballet of Cambodia, court dances, Lakhon Khol, masked plays, Khmer shadow theatre, shadow plays, and religion, religious ceremonies. This ensemble is originated in Cambodia since before Angkorian era. The pinpeat is analogous to the pinphat adopted from the Khmer court by the Lao people and the piphat ensemble of Thail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinphat
Pinphat is a traditional Lao ensemble used to accompanied in Laotian shadow theater and masked theater Phralak Phralam, the Laotian version of Indian Ramaya. This ensemble was adopted from the Khmer orchestra. Pinphat is analogous to Khmer Pinpeat and Thai Piphat. Etymology As Pinphat was adopted from the Khmer traditional ensemble called Pinpeat, the pronunciation is very similar to its Cambodian cousin and sharing the same words root from Sanskrit ''vînâ'' and ''vadya'' meaning 'musical instrument'. See also * Khene The ''khene'' (; spelled "Can" in English; Lao: ແຄນ; th, แคน, , ; km, គែន - ''Ken''; Vietnamese: ''khèn'') is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out h ... References Laotian music Classical and art music traditions {{Laos-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pin (harp)
The pin ( km, ពិណ, ) is a Cambodian harp, one of the most historically important instruments in Cambodian music. The instrument went extinct 1500s, and is now being restored in modern times. Its historical importance is emphasized by the very name for Cambodian classical music, ''pinpeat'' (Khmer: ពិណពាទ្យ). After the pin was no longer being used, Cambodians continued to use the instrument's name for classical music into the present era. When the pin was no longer being used, the tonal range of other instruments was expanded, possibly to compensate. Burmese ''saung gauk'' and '' roneats'' had more keys for the chromatic scale and the number of gongs in the ''kong von thom'' and ''kong toch'' "more than doubled in number since the musician depicted on the Angkorian carvings." Etymology The word ''pin'' (ពិណ) derived from the Sanskrit word '' veena/ vina'' (वीणा). This musical instrument gave the name to Cambodian traditional musical ensemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kong Von Toch
The ''kong vong toch'' ( km, គងវង់តូច or kong touch km, គងតូច) is a number of gongs that are attached to a circle-shaped rack, closely resembling its larger relative, the kong thom. Both instruments belong to the percussion family of traditional Khmer instruments, along with the roneat ek, roneat dek, and roneat thung. These instruments are all performed in the pinpeat and mahaori orchestras. The kong toch is made of three parts; the frame of the gong circle, the gongs themselves, and the gong mallets. The ''kong toch'' is analogous to the '' khong wong lek'' used in Thai. History The Khmer word ''korng/ kong'' "gong" is refers to all types of gong including the flat or bossed gong, single or in a set, suspended on cords from hooks, or a gong placed over a frame. The history of these gongs can be traced in part from the epigraphy and iconography of Funan-Chenla and Angkor periods, for many can be seen carved on ancient Khmer temple. Construction and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pin (harp)
The pin ( km, ពិណ, ) is a Cambodian harp, one of the most historically important instruments in Cambodian music. The instrument went extinct 1500s, and is now being restored in modern times. Its historical importance is emphasized by the very name for Cambodian classical music, ''pinpeat'' (Khmer: ពិណពាទ្យ). After the pin was no longer being used, Cambodians continued to use the instrument's name for classical music into the present era. When the pin was no longer being used, the tonal range of other instruments was expanded, possibly to compensate. Burmese ''saung gauk'' and '' roneats'' had more keys for the chromatic scale and the number of gongs in the ''kong von thom'' and ''kong toch'' "more than doubled in number since the musician depicted on the Angkorian carvings." Etymology The word ''pin'' (ពិណ) derived from the Sanskrit word '' veena/ vina'' (वीणा). This musical instrument gave the name to Cambodian traditional musical ensemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Ballet Of Cambodia
The Royal Ballet of Cambodia ( km, របាំព្រះរាជទ្រព្យ) is a dance company of Cambodia, famous for its luxury of costumes, accessories, gold and silver, accompanied by a beautiful soft dance. It is a dance that the Cambodian royal family created as a special treasure to show the high dignity of Cambodian dancers, the work of Queen Sisowath Kosamak, created from Khmer traditional dance. During the reign of King Norodom Sihanouk, this dance was inscribed on the UNESCO World Heritage List on 7 November 2003. Teacher Salute Ceremony in Royal Ballet The Teacher Salute Ceremony is a tribute to the teachers who trained and is dedicated to the spirit that controls the spirit in each of the characters of the Royal Ballet. Before the dancers go out to before the audience, the ceremony ensures that their performances are smooth, confident and unobstructed. Salute to the teacher has been around since ancient times when the royal dance troupe had to of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angkor
Angkor ( km, អង្គរ , 'Capital city'), also known as Yasodharapura ( km, យសោធរបុរៈ; sa, यशोधरपुर),Headly, Robert K.; Chhor, Kylin; Lim, Lam Kheng; Kheang, Lim Hak; Chun, Chen. 1977. ''Cambodian-English Dictionary''. Bureau of Special Research in Modern Languages. The Catholic University of America Press. Washington, D.C. Chuon Nath Khmer Dictionary (1966, Buddhist Institute, Phnom Penh). was the capital city of the Khmer Empire. The city and empire flourished from approximately the 9th to the 15th centuries. The city houses the Angkor Wat, one of Cambodia's most popular tourist attractions. The name ''Angkor'' is derived from ''nokor'' (), a Khmer word meaning "kingdom" which in turn derived from Sanskrit ''nagara'' (), meaning "city". The Angkorian period began in AD 802, when the Khmer Hindu monarch Jayavarman II declared himself a "universal monarch" and "god-king", and lasted until the late 14th century, first falling under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayon
The Bayon ( km, ប្រាសាទបាយ័ន, ) is a richly decorated Khmer temple related to Buddhism at Angkor in Cambodia. Built in the late 12th or early 13th century as the state temple of the King Jayavarman VII ( km, ព្រះបាទជ័យវរ្ម័នទី ៧), the Bayon stands at the centre of Jayavarman's capital, Angkor Thom ( km, អង្គរធំ).Higham, C., 2001, The Civilization of Angkor, London: Weidenfeld & Nicolson, , p.121Higham, C., 2014, Early Mainland Southeast Asia, Bangkok: River Books Co., Ltd., pp.378-382 The Bayon's most distinctive feature is the multitude (4 on each tower pointing to the 4 sides) of serene and smiling stone faces of Brahma on the many towers which jut out from the upper terrace and cluster around its central peak.Freeman and Jacques, p.78. The main conservatory body, the Japanese Government Team for the Safeguarding of Angkor (the JSA) has described the temple as "the most striking expression of the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khloy
A khloy ( km, ខ្លុយ, Burmese: ပုလွေ, ) is an ancient traditional bamboo flute from Cambodia and more specifically the Khmer people. The khloy and other similar bamboo flutes can be found throughout Asia, due to bamboo’s abundance in the region. The khloy is a duct flute and has two sizes: smaller, higher-pitched (''khloy ek'') and larger, lower-pitched (''khloy thomm''). It has six finger holes and a thumb hole, or seven finger holes and no thumb hole. A hole above the highest finger hole may be covered with a membrane made of rice paper or bamboo inner skin, similar to ''di mo''. The Cambodian khloy is often mistaken for its close relative of Thailand, the klui flute, however Khmer ''khloy'' is aged older. Unlike the klui flute, the khloy is generally played solo in an informal setting. The khloy is mostly played using the pentatonic scale. Etymology ''Khloy'' or ''khluy'' is a Khmer word for flute. The word ''kluy'' appears on a pedestal at Kuk Prasat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banteay Chhmar
Banteay Chhmar ( km, បន្ទាយឆ្មារ ) is a commune (khum) in Thma Puok District in Banteay Meanchey province in northwest Cambodia. It is located 63 km north of Sisophon and about 20 km east of the Thai border. The commune of Banteay Chhmar contains 14 villages. The massive temple of Banteay Chhmar, along with its satellite shrines and reservoir (''baray''), comprises one of the most important and least understood archaeological complexes from Cambodia's Angkor period. History Like Angkor Thom, the temple of Banteay Chhmar was constructed during the reign of Jayavarman VII in the late 12th or early 13th century. One of the temple's shrines once held an image of Srindrakumararajaputra (the crown prince), a son of Jayavarman VII who died before him.Higham, C., 2001, The Civilization of Angkor, London: Weidenfeld & Nicolson, The temple doors record Yasovarman I's failed invasion of Champa.Maspero, G., 2002, The Champa Kingdom, Bangkok: White Lotus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenla
Chenla or Zhenla (; km, ចេនឡា, ; vi, Chân Lạp) is the Chinese designation for the successor polity of the kingdom of Funan preceding the Khmer Empire that existed from around the late sixth to the early ninth century in Indochina. The name was still used in the 13th century by the Chinese envoy Zhou Daguan, author of ''The Customs of Cambodia''. It appears on the Mao Kun map. However, modern historiography applies the name exclusively to the period from the late 6th to the early ninth century. This period is also known as Pre-Angkorian. It is dubious if "Chenla" ever existed as a unitary kingdom or if this is a misconception by Chinese chronists. Most modern historians assert that "Chenla" was in fact just a series of loose and temporary confederations of principalities. Etymology "Chenla" or "Zhenla" was the name given in Chinese accounts of an entity that sent tributes to Chinese emperors. The word "Chenla" or "Zhenla" and likewise ''Funan'' are unknown in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sambor Prey Kuk
Sambor Prei Kuk ( km, សំបូរព្រៃគុហ៍, ) is an archaeological site in Cambodia located in Kampong Thom Province, north of Kampong Thom, the provincial capital, east of Angkor and north of Phnom Penh. The now ruined complex dates back to the Pre-Angkorian Chenla Kingdom (late 6th to 9th century), established by king Isanavarman I as central royal sanctuary and capital, known then as "Isanapura" ( km, ឦសានបុរៈ, ).Higham, C., 2014, ''Early Mainland Southeast Asia'', Bangkok: River Books Co., Ltd., In 2017, Sambor Prei Kuk was declared a UNESCO World Heritage Site. Located on the Eastern bank of the Tonle Sap lake, close to the Steung Saen River, the central part of Sambor Prei Kuk is divided into three main groups. Each group has a square layout surrounded by a brick wall. The structures of the overall archaeological area were constructed at variable times: the southern and north groups (7th century) by Isanavarman I, who is consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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