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Pinacoteca Comunale, Città Di Castello
The Pinacoteca Comunale of Città di Castello is the main museum of paintings and arts of Umbria Italian Region, alongside the Perugia's National gallery, and it's housed in a renaissance palace, generally preserved in its original form. History The Città di Castello Municipal gallery is housed in the renaissance-style Vitelli alla Cannoniera Palace, home to the condottiere Alessandro Vitelli, grandson of Niccolò Vitelli, and wife Angela Paola de’ Rossi, nephew of Giovanni delle Bande Nere. It is among the main public art galleries in Italy, and documents art from the 13th to 20th centuries, focusing on Renaissance art, and the very early works by Raphael and Luca Signorelli. The collection is composed mainly by paintings derived from religious institutions suppressed in the 19th century after Italian unification, and also reflects the patronage of Vitelli family, prominent allies of Medici. Donations to the collection of later works, up to the 20th century, expanded the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museum
An art museum or art gallery is a building or space for the display of art, usually from the museum's own Collection (artwork), collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with Visual arts, visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. Terminology An institution dedicated to the display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie), and some of which are called museums (including the Metropolitan Museum of Art, the Museum of Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristoforo Gherardi
Cristofano or Cristoforo Gherardi, also known as il Doceno, (November 25, 1508 – April 1556) was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany. Biography He was born in Borgo San Sepolcro and also called ''il Doceno dal Borgo''. He was the pupil of the painter Raffaellino del Colle, in whose shop he encountered Rosso Fiorentino and Giorgio Vasari. He painted under Vasari's direction, the one assistant of Vasari's whom Freedberg singles out. In 1536 Vasari invited him to Florence to assist in producing the decorations for the ceremonial entry of Charles V into Florence. The following year, in the reaction after Duke Alessandro's death, Gherardi was among those banished from Florence, so his work for Vasari was confined to projects outside Florence, until his banishment was lifted in 1554 and he was permitted to return. In the long interval he had painted the ''Visitation of Mary to Elizabeth'' for the church of San Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Guttuso
Renato Guttuso (26 December 1911 – 18 January 1987) was an Italian painter and politician. His best-known works include ''Flight from Etna'' (1938–39), ''Crucifixion'' (1941) and ''La Vucciria'' (1974). Guttuso also designed for the theatre (including sets and costumes for ''Histoire du Soldat'', Rome, 1940) and did illustrations for books. Those for Elizabeth David Elizabeth David CBE (born Elizabeth Gwynne, 26 December 1913 – 22 May 1992) was a British cookery writer. In the mid-20th century she strongly influenced the revitalisation of home cookery in her native country and beyond with articles and bo ...’s ''Italian Food'' (1954),Hamilton, Adrian (28 February 2011"Past masters of Futurism" ''The Independent'', review of gallery show of Alberto della Ragione's collection of Italian paintings at the Estorick collection, from the 1930s to the 1950s, p. 18 Review section introduced him to many in the English-speaking world. A fierce anti-Fascist, "he developed out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio De Chirico
Giuseppe Maria Alberto Giorgio de Chirico ( , ; 10 July 1888 – 20 November 1978) was an Italian artist and writer born in Greece. In the years before World War I, he founded the '' scuola metafisica'' art movement, which profoundly influenced the surrealists. His most well-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace. After 1919, he became a critic of modern art, studied traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work. Life and works Giuseppe Maria Alberto Giorgio de Chirico was born in Volos, Greece, as the eldest son of Gemma Cervetto and Evaristo de Chirico. His mother was a baroness of Genoese originsNikolaos Velissiotis"The Origins of Adelaide Mabili and Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Circignani
Niccolò Circignani (c. 1517/1524 – after 1596) was an Italian painter of the late-Renaissance or Mannerist period. Biography Born in Pomarance, he is one of three Italian painters called Pomarancio. His first works are documented from the 1560s, where he painted frescos on the Old Testament stories for the Vatican Belvedere, where he may have worked alongside Santi di Tito and Giovanni de' Vecchi. He also completed altarpieces for Orvieto (1570), Umbertide (1572), Città di Castello (1573–1577) as well as Città della Pieve. He worked at Orvieto Cathedral with Hendrick van den Broeck, a brother of the sculptor Willem van den Broecke and a relative of the painter Chrispijn van den Broeck. He painted frescoes (1568) in the church of the ''Maestà delle Volte'' in Perugia, the ''Resurrection'' (1569 in Panicale) and an ''Annunciation'' (1577, now in the Pinacoteca Comunale, Città di Castello). He painted frescoes (starting 1574) on mythologic themes including a ''Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaellino Del Colle
Raffaellino del Colle (1490–1566) was an Italian Mannerist painter active mostly in Umbria. He was born in the frazione of Colle in Borgo Sansepolcro, province of Arezzo, Tuscany, Italy. Biography He is also called ''Raffaellino della Colle'' or ''Raffaello dal Colle''. Raffaellino was a pupil of Raphael, whom he is held to have assisted in the decoration of the Farnesina and of the stanze in the Vatican Palace. After Raphael's death, Raffaellino continued working in the Vatican, helping complete the ''Sala di Constantino'' though now under the direction of Giulio Romano. After the 1527 Sack of Rome, like most of Romano's studio and most of the foreign art community, Raffaellino and other artists dispersed through Italy, most returning to their home cities. Rafaellino went to Città di Castello, near his birthplace, where he painted altar-pieces for the principal churches, which are now mostly to be found in that town's Municipal Art Gallery. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martyrdom Of St Sebastian
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
